| Subramaniya Swamy | |
| Director: | Pandiarajan |
| Screenplay: | Pandiarajan |
| Story: | Raghunath Paleri |
| Producer: | J. V. Rukmangadan Karumari Kandasamy |
| Cinematography: | Nitthiyaa |
| Editing: | V. Rajagopal B. K. Mohan |
| Music: | Deva |
| Studio: | R. K. Arts |
| Runtime: | 135 minutes |
| Country: | India |
| Language: | Tamil |
Subramaniya Swamy is a 1994 Indian Tamil-language comedy film written and directed by Pandiarajan. The film stars himself, Urvashi and Priya Raman. A remake of the Malayalam film Mazhavilkavadi, it was released on 12 February 1994.[1]
Velayudham and his niece Valli are in love since their childhood. Her father Rathnasamy hates Velayudham and looks for a groom for his daughter. One day, Velayudham and Valli try to elope but Rathnasamy finally captures them. Vexed by this misadventure, Velayudham leaves his village to Palani in order to find a job with the help of his friend Kunju Khader. Kunju Khader turns out to be a pickpocket. In a twist of fate, Velayudham steals a bag. In this bag, there are barber tools and Velayudham becomes a street barber. Soon, Cheena the bag's owner catches Velayudham. Velayudham lies and Cheena brings him to his house. There, Velayudham becomes his apprentice. Cheena's daughter Amudha falls in love with Velayudham. What transpires next forms the rest of the story.
The music was composed by Deva,with lyrics written by Vaali.[2]
| Song | Singer(s) | Duration | |
|---|---|---|---|
| "Andru Namma" | 4:39 | ||
| "Kadhal Kasanthidumo" | 6:02 | ||
| "Porakkavenum Porakkavenum" | 4:43 | ||
| "Sei Thozhil Sei" | 4:55 | ||
| "Saminna Namma" | Gangai Amaran, S. P. Sailaja | 4:20 |
Malini Mannath of The Indian Express gave the film a mixed review and said, "probably, in the adaptation, the flavour of the original was lost, because what we have here is only average fare".[3] K. Vijiyan of New Straits Times wrote, "This is not a must-see movie".[4] R. P. R. of Kalki called it a full-length comedy on love triangle and noted that the screenplay is like a stretched spring. He concluded the review saying though the film moves bit of speed in the middle, but incredibly smooth in the beginning and end.[5]