Studio Sessions, Chicago 1956 Explained

Studio Sessions, Chicago 1956
Type:Album
Artist:Duke Ellington
Cover:Studio Sessions, Chicago 1956.jpg
Released:1987
Recorded:January 3, March 18 & 19, 1956, late January 1957 and February 1957.
Genre:Jazz
Label:LMR
Chronology:Duke Ellington
Prev Title:A Drum Is a Woman
Prev Year:1956
Next Title:Such Sweet Thunder
Next Year:1957

Studio Sessions, Chicago 1956 is the first volume of The Private Collection a series documenting recordings made by the American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.[1]

Reception

The AllMusic review by Scott Yanow awarded the album 3 stars and stated, "Each of the sets has its interesting moments, offering previously unknown compositions and performances".[2]

Writing for The Washington Post, Leonard Feather commented: "One need only listen to the first couple of cuts to be reminded that Ellington's was the greatest jazz orchestra ever, particularly during the years 1939-1970. The clarity of sound is amazing on this prestereo volume."[3]

Track listing

All compositions by Duke Ellington except as indicated.

  1. "March 19th Blues" (Ellington, Irving Mills) – 5:27
  2. "Feet Bone" – 2:42
  3. "In a Sentimental Mood" (Ellington, Manny Kurtz, Mills) – 3:05
  4. "Discontented" – 3:02
  5. "Jump for Joy" (Ellington, Sid Kuller, Paul Francis Webster) – 1:52
  6. "Just Scratchin' the Surface" – 3:05
  7. "Prelude to a Kiss" (Ellington, Irving Gordon, Mills) – 3:29
  8. "Miss Lucy" – 3:16
  9. "Uncontrived" – 5:12
  10. "Satin Doll" (Ellington, Johnny Mercer, Billy Strayhorn) – 2:34
  11. "Do Not Disturb" – 2:46
  12. "Love You Madly" – 3:21
  13. "Short Sheet Cluster" – 2:35
  14. "Moon Mist" – 3:27
  15. "Long Time Blues" – 8:39

Personnel

Notes and References

  1. http://www.depanorama.net/cds/pc.htm A Duke Ellington Panorama
  2. Allmusic Review
  3. Web site: Grand Duke on Compact Disc . Leonard . Feather . August 23, 1987 . The Washington Post . September 24, 2022.