| String Quartet | |
| Subtitle: | No. 2 |
| Composer: | Benjamin Britten |
| Opus: | 36 |
| Dedication: | Mrs J. L. Behrend |
| Premiere Location: | Wigmore Hall, London |
| Premiere Performers: | Zorian Quartet |
String Quartet No. 2 in C major, Op. 36, by English composer Benjamin Britten, was written in 1945. It was composed in Snape, Suffolk and London, and completed on 14 October. The first performance was by the Zorian Quartet in the Wigmore Hall, London on 21 November 1945, in a concert to mark the exact 250th anniversary of the death of English composer Henry Purcell (165995). The work was commissioned by and is dedicated to Mary ("Mrs J. L.") Behrend, a patron of the arts; Britten donated most of his fee towards famine relief in India.
The Zorian Quartet made the first recording of the work, in October 1946. It occupies seven sides of a four-disc 78rpm album. On the eighth side is Purcell's Fantasia upon One Note Z.745, with Britten playing the sustained middle C drone on second viola; the only recording on which he played viola, his favourite string instrument.[1] [2] [3]
Broadcaster and classical music critic John Amis (19222013), husband of Olive Zorian 194855, recalled of the first rehearsals:
The quartet is in three movements:
The first movement is in a kind of sonata form, unusual in that the first and second subjects (themes) give rise to a third subject, all involving the interval of a tenth.
The second movement has been described as "night music", but is very different in character to that of the night music of Béla Bartók. All four instruments play with mutes.
The third movement is longer than the other two movements combined. Its title "Chacony" refers back to Purcell, who used that name for the musical form more often called chaconne or passacaglia. It consists of a theme (a nine-bar unit) and 21 variations, divided into four sections by solo cadenzas for the cello, viola and first violin. In a programme note for the premiere, Britten wrote: "The sections may be said to review the theme from (a) harmonic, (b) rhythmic, (c) melodic, and (d) formal aspects".[4] [5]
A typical performance takes about 2832 minutes.