| Strait-Jacket | |
| Director: | William Castle |
| Producer: | William Castle |
| Starring: | Joan Crawford |
| Music: | Van Alexander |
| Cinematography: | Arthur E. Arling |
| Editing: | Edwin H. Bryant |
| Color Process: | Black and white |
| Studio: | William Castle Productions |
| Distributor: | Columbia Pictures |
| Runtime: | 93 minutes |
| Country: | United States |
| Language: | English |
| Gross: | $2,195,000 (rentals)[1] |
Strait-Jacket is a 1964 American psychological horror film directed and produced by William Castle, written by Robert Bloch and starring Joan Crawford. Its plot follows a woman who, having murdered her husband and his lover decades prior, is suspected of a series of axe murders following her release from a psychiatric hospital.
Released by Columbia Pictures in January 1964, the film was the first of two written for Castle by Robert Bloch, the second being The Night Walker (1964). The film's plot makes use of the psychological abuse method known as gaslighting.
Lucy Harbin has a solution for adultery—an axe. So when she finds her husband in bed with his lover, it's off with their heads. Unfortunately, Lucy's three-year-old daughter, Carol, witnesses the deed. Lucy is tried and judged criminally insane. She spends the next 20 years at a mental institution. That's how long it takes for her to regain emotional stability. Upon her release, Lucy moves in with her brother and his wife on their farm. There, she is reunited with her daughter, Carol, now an artist and sculptor. She also goes steady with Michael, the richest young man in town.
Carol attempts to create a bond with her mother but Lucy is troubled by dreams and flashbacks of her horrific act. She envisions lying in bed with the severed heads of her two victims. One day, Dr. Anderson, her psychiatrist back at the asylum, comes to visit Lucy. The encounter proves too much and she experiences a breakdown. The doctor now questions the institute's decision to release her into society. Shortly after, the doctor's body is found dismembered in the barn. Lucy fears she may have chopped up the doc during one of her traumatic flashbacks. Carol attempts to hide the doctor's car but is blackmailed by the farm's meddling handyman. A short time later, he is found decapitated.
One evening, Lucy and Carol visit Michael and his parents for dinner. It is not a happy affair. Michael's mother believes Carol is unfit to marry her precious boy and says so. In a rage, Lucy storms out of the house, pursued by Carol and Michael, leaving Michael's parents alone in their home. Later, while in his closet, Michael's father is butchered. Michael's mom is subsequently confronted by the killer, who is wearing a latex mask that resembles Lucy's face. Then, Lucy herself enters, having returned to the house. Lucy fights and subdues the killer. She removes the mask and it is revealed to be Carol. She admits to the killings, having been motivated by greed. Carol had hoped to murder Michael's parents and frame Lucy, enabling her to marry Michael. In the film's ironic finale, the now magically sane Lucy prepares to visit Carol in the same psychiatric hospital where she was once confined.
Strait-Jacket featured the first big-screen appearance of Lee Majors in the uncredited role of Frank Harbin, Lucy Harbin's husband, seen in the opening minutes of the film.[2]
After the success of What Ever Happened to Baby Jane? (1962), Joan Crawford and other older actresses, including Bette Davis and Barbara Stanwyck, appeared in many horror movies throughout the 1960s. Strait-Jacket is one of the examples of the genre sometimes referred to as psycho-biddy, hagsploitation or Grande Dame Guignol.
Crawford replaced Joan Blondell in the role of Lucy Harbin after Blondell was injured at home prior to shooting and could not fulfill her commitment. Crawford's negotiations included script and cast approval, a $50,000 salary, and 15 percent of the profits. Anne Helm, who was originally cast in the role as Carol, was replaced by Diane Baker, reportedly at Crawford's insistence. Baker and Crawford had appeared together in the film The Best of Everything (1959). Baker asserted that the original actress for her part, Anne Helm, had numerous problems with Crawford. According to Baker, speaking on the 'making-of' featurette on the DVD of the film, Crawford had said, "it wasn't working out, her timing was off, she wasn't getting it, she wasn't seeing eye-to-eye, or she wasn't working the way Crawford wanted to work".[3]
During the film's original release, moviegoers were given little cardboard axes as they entered the theater. At the end of the closing credits, the Columbia logo's torch-bearing woman is shown in her traditional pose, but decapitated, with her head resting at her feet on her pedestal.
The film received mixed reviews from critics, while most praised Crawford's performance; the general critical consensus being that she was better than the material. Variety noted, "Miss Crawford does well by her role, delivering an animated performance." Judith Crist commented in the New York Herald Tribune that "it's time to get Joan Crawford out of those housedress horror B movies and back into haute couture...this madness-and-murder tale...might have been a thriller, given Class A treatment." Elaine Rothschild in Films in Review wrote: "I am full of admiration for Joan Crawford, for even in drek like this she gives a performance."[4]
Bosley Crowther, however, wrote a scathing review of both the film and Crawford's performance in The New York Times, declaring: "Joan Crawford has picked some lemons, some very sour lemons, in her day, but nigh the worst of the lot is "Strait-Jacket". He goes on to call the film a "disgusting piece of claptrap."[5] Richard L. Coe of The Washington Post also hated the film, calling it "likely to stand as the worst picture of the year ... Apart from the absurdity of the plot and the chilling predictability of lines and situations, 'Strait-Jacket' is inexcusable for its scenes of violence."[6]
The film is listed in Golden Raspberry Award founder John Wilson's book The Official Razzie Movie Guide as one of The 100 Most Enjoyably Bad Movies Ever Made.[7] The film also maintains an 88% rating on review aggregation website Rotten Tomatoes, based on 8 reviews.[8]
Assisted by Castle's promotion gimmicks, including in-person appearances by Crawford, the film was a big hit,[9] making in 2019 adjusted grosses $60.8 million at the American box office.[10]
Strait-Jacket was released on Region 1 DVD on March 12, 2002. On February 4, 2014, it was re-released on Region 1 DVD as part of the Sony Pictures Choice Collection online program.
Shout! Factory released the film on Blu-ray on August 21, 2018. Mill Creek Entertainment also released the film along with Berserk! on a double feature Blu-ray on October 2, 2018.[11]
An excerpt from the film is seen on TV in the 1994 John Waters film Serial Mom.
At the conclusion, the Columbia logo is seen decapitated (with her head resting at its base, near her feet) as a tongue-in-cheek ode to the film's axe murder theme.
The promotion of Strait-Jacket by the studio, the director and Crawford are addressed in the episode "Hagsploitation" of the 2017 television miniseries Feud.