Story of a Woman explained

Story of a Woman
Native Name:Storia di una donna
Director:Leonardo Bercovici
Producer:Leonardo Bercovici
Starring:Bibi Andersson
Robert Stack
James Farentino
Music:John Williams
Cinematography:Piero Portalupi
Editing:Milton Shifman
Color Process:Technicolor
Studio:Westward Films
Distributor:Universal Pictures
Runtime:90 minutes
Country:Italy
United States
Language:English
Swedish
Budget:$1.4 million[1]

Story of a Woman is a 1970 Italian-American drama romance film written, produced and directed by Leonardo Bercovici and starring Bibi Andersson, Robert Stack and James Farentino.[2]

Plot

A Swedish girl studying to be a concert pianist in Rome falls in love with a medical student. When she discovers the student is married to an older woman, she heads home to Sweden and marries an American diplomat. The diplomat is assigned to Rome.

Cast

Production

Universal wanted Robert Stack to sign to a long-term contract and star in the TV series The Name of the Game; as an inducement they offered him one feature film a year the first of which was Story of a Woman. He made it just before he started the series.[3]

Stack called it "a love story, in the genre of A Man and a Woman with its own kind of style. The role is a real departure for me, my first unabashedly romantic story. When I saw daily footage I saw a character I'd never seen on film before - me."[3]

James Farentino joined the cast in February 1968.[4]

Filming began in March 1968 in Stockholm.[5] It was also filmed in Rome.[6]

Composer John Williams contributed to the film's score with the song "Uno di qua, l'altra di là", which was sung by Onella Vanoni.[7]

Reception

The film's release was delayed a long time.[8] According to one report the film "played a week in Cleveland and died."[9] It screened in Los Angeles in late 1971, the Los Angeles Times calling it "well made".[10] The Motion Picture Herald also reviewed the film, noting that it was "straight out of the pages of one of the better women's magazines".[11] Variety predicted its "clichéd development will have very limited appeal."[12]

Stack later wrote "despite good reviews, the film came in over budget and didn't make a nickel."[13] Stack says that Universal tried to get out of its commitment to him to make one film a year for the next two years - they ended up paying him off.[14]

See also

Notes and References

  1. Daily Variety. June 7, 1968. 2. All Of This 'Story' Drama Is Not On Celluloid.
  2. STORY OF A WOMAN "(Storia di una Donna)"Monthly Film Bulletin; London Vol. 37, Iss. 432, (Jan 1, 1970): 36.
  3. News: Stack Living in Best of All Worlds. Norma Lee. Browning. Chicago Tribune. 24 November 1968. e10.
  4. News: MOVIE CALL SHEET: 'Story' Role for Farentino. Martin. Betty. Los Angeles Times . 2 February 1968. c14.
  5. MOVIE CALL SHEET: Kamala Devi in Co-Star RoleMartin, Betty. Los Angeles Times 5 Mar 1968: c11.
  6. Kleiner. Dick. 1968-05-26. Actors Roam Rome in Search of a Home. The Kokomo Tribune. Newspapers.com.
  7. Book: Audissino, Emilio. John Williams's Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style. 2014-06-12. University of Wisconsin Pres. 978-0-299-29733-6. 90. en.
  8. Hollywood's 'Skeletons'By Joseph Gelmis. The Washington Post and Times-Herald 14 Nov 1971: H7.
  9. The Celluoid on the ShelvesVernon, Scott. Chicago Tribune 3 Oct 1971: g7.
  10. 2 Heroines From the ShelfThomas, Kevin. Los Angeles Times 17 Nov 1971: f20.
  11. Book: Motion Picture Herald. 1970. Quigley Publishing Company. lxvii. en.
  12. News: Film Reviews. 4 Feb 1970. Variety. 18. Proquest Entertainment Industry Magazine Archive.
  13. Book: Robert. 268. Stack. Straight shooting. Evans. Mark. 1980 . Macmillan.
  14. Stack p 271