Tales of Ordinary Madness explained

Storie di ordinaria follia (Tales of Ordinary Madness)
Director:Marco Ferreri
Producer:Jacqueline Ferreri
Screenplay:
Starring:
Editing:Ruggero Mastroianni
Cinematography:Tonino Delli Colli
Music:Philippe Sarde
Studio:
  • 23 Giugno
  • Ginis Films
Runtime:101 min.
Country:
Language:English

Tales of Ordinary Madness (Italian: Storie di ordinaria follia, French: Contes de la folie ordinaire) is a 1981 film by Italian director Marco Ferreri. It was shot in English in the United States, featuring Ben Gazzara and Ornella Muti in the leading roles. The film's title and subject matter are based on the works and the person of US poet Charles Bukowski, including the short story The Most Beautiful Woman in Town (published by City Lights Publishing in the 1972 collection Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness).

The film's protagonist, Charles Serking, is based on Bukowski's autobiographical character Henry Chinaski. At the time, the director Taylor Hackford owned the rights to the Chinaski name, having acquired them when he optioned Bukowski's 1971 novel Post Office.[2]

Plot

The film follows the meandering (sexual) adventures of the poet and drunk, Charles Serking, laying bare the sleaze of life in the less reputable neighborhoods of Los Angeles. Serking's life takes a turn for the better when he meets Cass, a young hooker with self destructive habits. They have a stormy relationship. When Serking gets an offer from a major publishing house, Cass tries to stop him from leaving, but fails. Serking gives in to the temptation of the big bucks, but soon realises his mistake and returns to L.A only to find that Cass has killed herself in his absence. Devastated he hits the bottle in a nightmarish drinking bout, but finally reaches catharsis and returns to the seaside guesthouse where he spent his happiest moments with Cass. Here he rekindles his poetry with the aid of a young admirer in one of Ferreri's trademark beach scenes.

Reception

While successful in Europe, the film met with a lukewarm reception in the US despite its American setting. Janet Maslin of the New York Times gave the film a negative review.[3]

Awards

The film won 4 David di Donatello and 2 Nastro d'Argento both including Best Director.

David di Donatello

Notes and References

  1. Web site: STORIE DI ORDINARIA FOLLIA (1981). https://web.archive.org/web/20190430190310/http://www.bfi.org.uk/films-tv-people/4ce2b6990caca. dead. April 30, 2019. British Film Institute. 2 April 2018.
  2. Web site: Sounes. Howard. Hollywood: An Introduction. Meet at the Gate. 11 May 2011. 10 February 2010. https://web.archive.org/web/20100210204820/http://www.meetatthegate.com/component/option,com_article/article_id,345. live.
  3. News: Maslin. Janet. TALES OF ORDINARY MADNESS. New York Times. 11 May 2011. 11 March 1983. 7 March 2016. https://web.archive.org/web/20160307222646/http://www.nytimes.com/1983/03/11/movies/tales-of-ordinary-madness.html?scp=2&sq=tales%20of%20ordinary%20madness&st=cse. live.