Red Hot + Cool | |
Type: | compilation |
Artist: | Red Hot AIDS Benefit Series (Various Artists) |
Cover: | Various - Stolen Moments - Red Hot + Cool.jpg |
Released: | October 25, 1994 |
Genre: | Jazz, R&B, hip-hop, jazz rap |
Length: | 98:19 |
Label: | GRP |
Producer: | Guru Donald Byrd Ski Pigale Boom Bass Jimmy Jay Joe Nicolo Michael Franti David Gamson Butterfly Lester Bowie Wah Wah Watson A.G. Gillis United Future Ayumi Obinata LA Jay The Pharcyde The Grand Negaz Jean-Paul 'Bluey' Maunick DJ Smash Geoff Wilkinson Mel Simpson Gary Katz Chris Champion Eric Sadler |
Prev Title: | Red Hot + Country |
Prev Year: | 1994 |
Next Title: | Red Hot + Bothered |
Next Year: | 1995 |
Stolen Moments: Red Hot + Cool is a compilation album in the Red Hot AIDS Benefit Series with performers from jazz, pop, rock, and rap. "Stolen Moments" is a jazz standard composed by Oliver Nelson, and is best known for its inclusion on the 1961 album The Blues and the Abstract Truth.[1]
This album was one of the first to examine the impact of AIDS in the African American community. The release included liner notes by Professor Cornel West. An accompanying documentary film was broadcast on PBS.[2] [3]
Time magazine named it Album of the Year in 1994, calling it "a landmark album that brilliantly harnesses the fire of rap and the cool of jazz, transcending genres and generations."[4] Anderson Jones of Entertainment Weekly awarded the album an "A", describing it as "a flawless, head-bobbing collection," while the Los Angeles Timess Bill Kohlhaase wrote: "for jazz fans looking for something new, it's a fine introduction to the rhythms of the street."[5] Writing for AllMusic, Joshua David Shanker called the recording "undoubtedly the most successful incarnation of the Red Hot albums... an abridged lexicon of the evolutions in black music during the post-bop era... a history piece." Chris M. Slawecki of All About Jazz described it as "a multihued explosion of genres, an oft mind-blowing marriage of nearly thirty of the hardest-blowin' and sheer funkiest artists from the parallel spheres of jazz and hip-hop."[6]