| Mathilda Malling | |
| Pseudonym: | Stella Kleve |
| Birth Name: | Ingrid Mathilda Kruse Malling |
| Birth Date: | 20 January 1864 |
| Birth Place: | Norra Mellby parish, Kristianstad County, Sweden |
| Death Place: | Copenhagen, Denmark |
| Occupation: | Novelist |
| Genres: | --> |
| Subjects: | --> |
Ingrid Mathilda Kruse Malling (20 January 1864 – 21 March 1942), known as Mathilda Malling, and even better known by her early pen name, Stella Kleve, was a Swedish novelist known for her portrayals of women's sensuality.
Malling was born on her family's farm in North Mellby Parish, Kristianstad County, Sweden in 1864. Daughter of Danish estate owner Frans Oskar Kruse and Anna Maria Mathilda Borgström, she graduated from Lyceum for Girls in Stockholm in 1883, then studied at Lund University and in Switzerland in 1884, and in Copenhagen from 1885 to 1886. In 1890 she married merchant Peter Malling in Copenhagen. She died in Esajas sogn, Zealand, Copenhagen, Denmark, in 1942.
Malling debuted in 1885 with the novel Berta Funcke, followed in 1888 by the novel Alice Brandt, both published under the pseudonym Stella Kleve. In 1886, she published the novel (Pyrrhic Victories) in the progressive feminist publication ('Forward') by Alma Åkermark.[1] Her contemporaries took note of her sensually colored depictions of young women, but posterity now considers her decadent late-naturalistic depiction of women as the female counterpart of the male breakthrough novels of this time. She had early contact with Ola Hansson who frequently corresponded with her and also courted and proposed to her. Hansson portrayed her, after a difficult break-up, in as "Gallblomma".[2] Emil Kléen and, young poets and students, wanted to include her in a Scanian "decadent calendar" in the late 1880s (which was never published), but failed to persuade her.[3] Anti-Semitism and misogyny in the decadent literary style have been the source of much scholarship.[4]
Detracting from presumed feminism, Malling's novel, Daybreak, published in 1906 by a respected "magazine of the world's best fiction," depicts entirely real characters and settings, by name, thus promoting the vilification of an early American feminist leader of native people. Today, the reader is impressed by its sensational, even slanderous, quality. The very real Mary Brant, and her culture, might well have considered such 'fictions' to be but a form of highly influential propaganda, presented with a thin veneer of fiction, and meant to degrade Brant, who was an influential Mohawk and the consort of Sir William Johnson.
A breakthrough female herself, perhaps insight into Malling's motivation, in scandalizing Brant through fiction, is somewhat explained in the University of Illinois's and Northwestern University's 1918 Scandinavian Studies and Notes: While "a popular writer of considerable talent... it is Mathilda Malling's pride to think that descendants of her own race did something to establish American freedom and they like so many others were resolved not to yield an inch from what they considered right."[5]
After a long silence she resumed her writing, but in a very different character, with a novel about the First Consul, which was a huge success thanks to her skillful manipulation of historical material. Her work became hailed as well-done historically and even safe for family reading and included Madam Governor of Paris (1895, 2nd edition 1898), (1896), Shooting on Munkeboda (1897), the play Lady Leonora (1897), Doña Ysabel (1898), Ladies in Markby (1901), Daybreak (1902), Nina (1903), Little Marica and Her Husband (1904), Lady Elizabeth Percy (1905), Her Hero (1906), Mary Stuart (1907), Nina's Honeymoon (1908), Karl Skytles Wife (1909), Sisters of Ribershus (1910) and The White House and Red House (1911). The later work shows lush, but little original, storytelling imagination and a lot of free floating. The historical novels found a large readership in the early 1900s, but her breakthrough novel Berta Funcke still arouses interest.
Malling's first two novels were heatedly discussed. Swedish feminist Ellen Key was famously connected with her.
Malling's first novel was cited by prominent American psychologist G. Stanley Hall, in his pioneering study of adolescence, as a parallel to the famously frank (and accusedly egotistic) authors Marie Bashkirtseff, Hilma Angered Strandberg, and Mary MacLane.