| Statue of Romulus and Remus, Beechbarrow | |||||||
| Italic Title: | no | ||||||
| Image Upright: | 1.1 | ||||||
| City: | Beechbarrow, Hillgrove, Pen Hill, Wells St Cuthbert Out, Somerset, England | ||||||
| Mapframe: | yes | ||||||
| Artist: | Gaétano Claudio Celestra | ||||||
| Medium: | Concrete and plaster over an iron armature | ||||||
| Movement: | Neoclassical folly | ||||||
| Dimensions: | Height 12abbr=off0abbr=off | ||||||
| Subject: | Romulus and Remus | ||||||
| Module: |
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The statue of Romulus and Remus is a Grade II listed folly located at Beechbarrow on Pen Hill, by the A39 road to Wells, Somerset, England. It was designed and sculpted by a former Italian prisoner of war (POW) and is made from concrete and plaster over an iron armature. It depicts the legend of Romulus and Remus, twin sons of Mars, suckling the she‑wolf, and is supported on a plinth by four pillars.
In 1946, Gaétano Claudio Celestra, commonly known as Gaetano Celestra, worked for Philip Robert WellstoodWhite at the Beechbarrow estate on Pen Hill in Hillgrove, Wells StCuthbert Out, Somerset. Celestra, was a former Italian POW, who had been held at various POW camps in Wells during World War II. In the summer of 1946, WellstoodWhite asked Celestra to repair a stone wall that ran along the main Bristol to Wells road, now the A39 road, close to the Mendip transmitting station on Pen Hill. A stray bomb, dropped during the Bristol Blitz, had destroyed the wall and created a deep crater in the field behind the wall.
Celestra spent three months repairing half a mile (NaNdisp=out) of wall, and subsequently, he asked WellstoodWhite if he could design and erect a sculpture to express his gratitude to him, and other local people, who had helped him during the war. He worked in his spare time, in one of the Beechbarrow outhouses, to create a sculpture of Romulus and Remus and the shewolf. He erected the statue, supported on a plinth by four pillars, directly in front of the bomb crater.
By 1978, the statue had started to show signs of age; the concrete tail had crumbled, revealing part of the armature, and one of the figures had lost an arm. In 2002, Ian Rands, vicechairman of the Glastonbury Conservation Society, observed that the statue was in need of urgent repair. He contacted D'Ovidio Brothers, a local building company, to quote for the work, but the society was not able to provide the necessary funds. Despite the issue with funding, D'Ovidio Brothers decided to carry out the restoration and look at other ways to raise the money.
In 2002, the, also known as the Wells Italian Festival, was held for the first time at Beechbarrow. Around £3,000 was raised, enough to cover the costs of restoring the statue and to donate to other charities. In June 2003, following the restoration of the statue, a brass commemorative plaque was installed on the base by the local Italian community. The festival was held at Beechbarrow until 2017, when it moved to its new site at Palace Farm, Wells, near the Bishop's Palace.
In 2007, Ian Gething, conservation officer for Mendip District Council, applied to English Heritage for special protection for the statue. It was argued, amongst other reasons put forward to protect the statue, that it celebrated the bond between POWs and the local community, and that it demonstrated that concrete can be an imaginative and attractive medium. On 21February 2008, the statue was GradeII listed by English Heritage.
The statue was given prominence in an exhibition at the Wells and Mendip Museum, entitled The Italians of Wells, that ran to 31August 2024. It featured in the television documentary series Cobblestones, Cottages and Castles, that was produced by Young Productions, and first broadcast on Television South West in October 1990. The statue was also included in the television programme The Sculpture 100, that surveyed the hundred most significant public sculptures in Britain created in the last hundred years. The programme was first broadcast on 4December 2005 by Artsworld, now Sky Arts, and is available on DVD.
Celestra's design was influenced by an image of the Capitoline Wolf on the reverse of a 50 lira note. Ultimately, this design was derived from an Etruscan bronze sculpture of the Capitoline Wolf, that depicts a scene from the legend of the founding of Rome, and dates to around the 5thcentury BC.
The inscription on the brass commemorative plaque reads:
In early 1941, the transfer of Italian POWs to the United Kingdom was being considered by the government as a way to ease a shortage of labour in farming. In July 1941, the first contingents of POWs arrived in the United Kingdom, to be held in purposebuilt camps. It is thought that Celestra was brought over in 1943, and held initially at Penleigh Camp near Wookey Hole, Somerset. He was one of a thousand Italian prisoners interned at the camp, before he was transferred to Stoberry Park camp in Wells, Somerset. Following Italy's defeat in September 1943, many of the POWs were given a degree of freedom to work on farms and visit pubs and other events in the area. After the Normandy landings in June 1944, Stoberry Park became a camp for German POWs.
By 1946, Celestra was living with the WellstoodWhite family at the Beechbarrow estate on Pen Hill in Hillgrove, Wells StCuthbert Out. Philip Robert WellstoodWhite had been a livestock officer for the Ministry of Agriculture, Fisheries and Food (MAFF), until he resigned his position in 1945. In the following year, WellstoodWhite started a business from Beechbarrow called Universal Supplies Association, that traded a variety of goods to retail and wholesale customers. In 1951, WellstoodWhite closed the business, and in January 1952, the family emigrated to Paarl, near Cape Town, South Africa.
Celestra decided to remain in the United Kingdom after he discovered that Maria had left him for another man. By March 1952, he was working for the Waldegrave estate at Chewton Mendip, Somerset. In the same month, he applied to become a naturalised British citizen, after he had stated that his one ambition was "to become a naturalised Englishman." He worked on contract at a number of other farms, notably for the Cristofoli family at Lower Farm in Batcombe, Somerset, where he built two snake decorated fish ponds. Other examples of his work still survive, including the bus shelter opposite the George Inn in Croscombe, Somerset, and another fish pond at Beechbarrow.
By 1954, Celestra was working for Giuseppe "Joe" Ambrosini, a builder based in Ash Grove, Wells, who himself was a former POW. Celestra has been described as a "quiet loner" and a "short curlyhaired Italian", but one day he asked Ambrosini if he could have the afternoon off to get married. Unfortunately, his bride changed her mind at the register office and decided not to go ahead with the wedding. He worked next for Onorino Crestani, another Italian exPOW and builder, before a short spell of maintenance work at St Cuthberts Mill in Haybridge, Wells.
In early 1955, Celestra decided to follow the WellstoodWhites to South Africa. WellstoodWhite found him a job on a farm but he left after a few years to work as a builder and fisherman in the coastal town of Lüderitz in the ǁKaras Region of southern Namibia. He built another Capitoline Wolf sculpture at his home in Lüderitz. A photograph appears in the edition of Le Figaro Magazine, that shows him, and his gardener, repainting the sculpture. He died on at Lüderitz, three days before the photograph was published. Maria was appointed executor for his estate.