Latin: Stabat Mater|italic=no in G minor, 175, is a musical setting of the Latin Latin: [[Stabat Mater]]|italic=no sequence, composed by Franz Schubert in April 1815.[1] It is scored for SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 3 trombones, violin I and II, viola, and basso continuo (cello, double bass and organ).
This setting contains four stanzas of the twenty stanzas of the sequence. After a short orchestral interlude, these four stanzas are repeated with "far-reaching variation".[2] Its structure as a single continuous movement is unusual; most of Schubert's sacred works (not including masses) were composed as one movement divided into three sections.[3] While settings of the Latin: Stabat Mater|italic=no developed into a staple of concert music by the late 19th century, it is thought that this piece would have been performed for liturgical use in the Lichtental Church.[4]
Schubert's original manuscript indicates that he wished to score the piece with horns, rather than trombones. However, the early horn was valveless, limiting it from producing certain notes; the minor key setting made it impossible to perform the work with horns.[2]
A year later, Schubert composed his Stabat Mater in F minor, 383. This was a far longer work in the form of a short oratorio, and the text used was a German paraphrase of the Latin text, as written by F. G. Klopstock.
. Schubert: The Music and the Man. Brian Newbould. 1999. 139. University of California Press . 9780520219571.