St Mark Passion Explained

St Mark Passion refers to the Passion of Christ as told in chapters 14 and 15 of the Gospel of Mark.

It may also refer to compositions based on that text:

• Marcus-Passion spuriously attributed to Heinrich Schütz
• Historia des Leidens und Sterbens unseres Herren Jesu Christi, a 1668 St Mark Passion by Marco Giuseppe Peranda
• Jesus Christus ist um unsrer Missetat willen verwundet, a St Mark Passion attributed to composers such as Kaiser/Keiser and Brauns/Bruhns, rearranged and expanded by Johann Sebastian Bach with his own material, and in his third arrangement with some arias from George Frideric Handel's Brockes Passion, hence also known as a St Mark Passion pasticcio
• Passion according to St. Mark, one of several variant settings included in Passions (C. P. E. Bach), by Carl Philipp Emanuel Bach
• St Mark Passion composed around 1610 by Ambrosius Beber
• St Mark Passion, BWV 247, a work composed by Johann Sebastian Bach, after its score being lost surviving in several reconstructed versions
• St Mark Passion settings included in Passions (Telemann), by Georg Philipp Telemann
• Markus-Passion, Gottfried August Homilius
• Markus-Passion, Adolf Brunner
• Markus-Passion, Jacob de Haan
• Markus-Passion, Kurt Thomas
• Markuspassion, Nikolaus Matthes; first integral setting to music of Picander's libretto since its setting to music by J. S. Bach in 1731, and the first contemporary setting completely following the baroque style
• La Passione di Cristo secondo S. Marco by Lorenzo Perosi
• St Mark Passion (Wood) by Charles Wood
• La Pasión según San Marcos (Golijov) by Osvaldo Golijov
• St Mark Passion Op.180, John Joubert
• Swedish St Mark Passion, Fredrik Sixten
• Passione Secondo Marco, Claudio Ambrosini