| Sreshta Rit Premnath | |
| Birth Name: | Sreshta Premnath |
| Birth Date: | 1979 |
| Birth Place: | Bangalore, India |
| Nationality: | American |
| Training: | Cleveland Institute of Art, Bard College Milton Avery Graduate School of the Arts, Whitney Museum of American Art’s Independent Study Program |
| Awards: | Art Matters Foundation Award, Civitella Ranieri Foundation Fellowship, Edward and Sally Van Lier Fund of the New York Community Trust,Arthur Levitt Jr. ’52 Fellowship Williams College |
| Website: | http://sreshtaritpremnath.com/ |
Sreshta Rit Premnath is an artist living in New York City whose work incorporates multiple media.[1] He is the founding editor of Shifter, a platform that convenes public discussions and produces topical publications at the intersection of art and theory.[2] He is Associate Professor of Art at Williams College.[3]
Grave/Grove Premnath's solo exhibition at Institute of Contemporary Art, San Diego.[4] Curated by Amara Antilla and Natalie Bell in 2021, and organized by Guusje Sanders at ICA San Diego, the exhibition contains object installations.
Grave/Grove Premnath's solo exhibition at Contemporary Art Center, Cincinnati.[5] Curated by Amara Antilla and Natalie Bell in 2021, the exhibition contains object installations.
Grave/Grove Premnath's solo exhibition at MIT List Visual Arts Center, Cambridge.[6] Curated by Amara Antilla and Natalie Bell in 2021, the exhibition contains object installations.
The Protest and the Recuperation exhibition at the Wallach Art Gallery, Columbia University, NYC.[7] Curated by Betti-Sue Hertz, this group exhibition explores global artistic responses to mass protests as well as strategies of recuperation.
Those Who Wait Premnath's solo exhibition at Contemporary Art Gallery, Vancouver.[8] Curated by Kimberly Phillips in 2019, the exhibition contains object installations and was accompanied by a monograph.
Cadere/Rose Premnath's solo exhibition at Nomas Foundation, in Rome Italy.[9] Curated by Maria Rosa Sossai in 2017, the exhibition contains large monograph vinyl wall prints, object installations, and a video.
Folding Rulers at Contemporary Art Museum (CAM) St Louis, USA.[10] This solo exhibition, curated by Kelly Schindler in 2012, is a full room installation with wall banners and objects visualizing representations of power.
After Midnight: Indian Modernism to Contemporary Art exhibition at the Queens Museum, NYC.[11] Curated by Arshiya Lokhandwala, this group exhibition explores themes of art and nation-building in a newly globalized contemporary art world.[12]
Frieze review of Sreshta Rit Premnath's exhibition at MIT List Visual Arts Center in Cambridge, USA[13]
Sculpture Magazine review of Sreshta Rit Premnath's exhibition at MIT List Visual Arts Center in Cambridge, USA[14]
ArtForum interview of Sreshta Rit Premnath's by Murtaza Vali[15]
Bomb Magazine interview of Sreshta Rit Premnath's by Sohrab Mohebbi[16]
ArtForum review of Sreshta Rit Premnath's exhibition at Kansas Gallery[17]
e-flux conversations publication by Sreshta Rit Premnath entitled "Critique as Unlearning"[18]
SHIFTER[19] a topical publication, founded and co-edited by Sreshta Rit Premnath[20] [21]