| Working Classical | |
| Type: | studio |
| Artist: | Paul McCartney with the London Symphony Orchestra and the Loma Mar Quartet |
| Cover: | WorkingClassicalCover.jpg |
| Released: | 1 November 1999 |
| Recorded: | 1998–1999 |
| Studio: | EMI Studios, Abbey Road |
| Genre: | Classical, chamber music |
| Length: | 61:35 |
| Label: | EMI Classics |
| Producer: | John Fraser |
| Chronology: | Paul McCartney |
| Prev Title: | Run Devil Run |
| Prev Year: | 1999 |
| Next Title: | Liverpool Sound Collage |
| Next Year: | 2000 |
Working Classical is Paul McCartney's third full-length release of original classical music as a double LP and as a single CD, and was issued less than a month after Run Devil Runs release in 1999.
Following up on 1997's Standing Stone, the concept behind Working Classical was to place pre-existing (and in some cases, very well known) McCartney songs into an orchestral context. Specially for this project, McCartney also unveiled some new pieces, namely "Haymakers", "Midwife", "Spiral" and "Tuesday". A different performance of "A Leaf" was originally released on 21 April 1995 on a CD single, and is presented here in a new recording.
Performing the new arrangements are the London Symphony Orchestra and the Loma Mar Quartet, with special orchestrations arranged by noted musicians Richard Rodney Bennett, Jonathan Tunick and Andy Stein.[1]
The title of this project is a pun on the phrase "working class", in the sense that McCartney, despite his elevated stature, still cherishes his Liverpool roots and is proud of them. Mirroring this ideology is his pride in his rock and roll songs and willingness to transfer them into the "elevated" classical music genre.
Paul McCartney's Working Classical was another success in that genre, even though this time it failed to dent the regular US album charts, and was better received critically than his previous effort, Standing Stone. His subsequent forays into the classical realm are 2006's Ecce Cor Meum and 2011's Ocean's Kingdom.
All pieces by Paul McCartney.