Spellbound (Ahmed Abdul-Malik album) explained

Spellbound
Type:Album
Artist:Ahmed Abdul-Malik with Ray Nance and Seldon Powell
Cover:Spellbound (Ahmed Abdul-Malik album).jpg
Released:1964
Recorded:March 12, 1964
Studio:Van Gelder Studio, Englewood Cliffs, New Jersey
Genre:Jazz
Length:32:41
Label:Status
ST 8303
Producer:Don Schlitten
Chronology:Ahmed Abdul-Malik
Prev Title:The Eastern Moods of Ahmed Abdul-Malik
Prev Year:1963

Spellbound is the sixth and final album by double bassist Ahmed Abdul-Malik featuring performances recorded in 1964 and originally released on the Status label.[1]

Reception

Thom Jurek of Allmusic says, "Spellbound isn't as groundbreaking as some of Abdul-Malik's earlier work, but it doesn't need to be: by this point, he had successfully melded jazz with Middle Eastern sounds into a seamless -- if somewhat exotically textural -- whole. The band fires on all cylinders under his inspired direction, making this a fitting sendoff to him as a bandleader. Musically, he saved one of his best for last.".

Track listing

  1. "Spellbound" (Miklós Rózsa) – 4:57
  2. "Never On Sunday" (Manos Hatzidakis) – 5:13
  3. "Body and Soul" (Johnny Green, Edward Heyman, Robert Sour, Frank Eyton) – 7:14
  4. "Song of Delilah" (Victor Young, Ray Evans) – 7:02
  5. "Cinema Blues" (Ahmed Abdul-Malik) – 8:15

Personnel

Notes and References

  1. https://www.jazzdisco.org/prestige-records/catalog-new-jazz-status-8200-8300-series/#st-8303 Prestige Records discography