| Ja Kanji: | 宇宙家族カールビンソン |
| Ja Romaji: | Uchū Kazoku Kārubinson |
| Genre: | Sci-fi comedy[1] |
| Type: | manga |
| Publisher: | Tokuma Shoten |
| Magazine: | Monthly Shōnen Captain |
| Demographic: | Shōnen |
| First: | 1985 |
| Last: | 1996 |
| Volumes: | 13 |
| Type: | ova |
| Director: | Kimio Yabuki |
| Music: | Hiroya Watanabe |
| Studio: | Doga Kobo |
| Released: | December 21, 1988 |
| Runtime: | 45 minutes |
| Type: | manga |
| Author: | Yoshitoh Asari |
| Publisher: | Kodansha |
| Magazine: | Monthly Afternoon |
| Demographic: | Seinen |
| First: | 1999 |
| Last: | 2000 |
| Volumes: | 1 |
| Portal: | yes |
is a Japanese science fiction comedy manga series written and illustrated by . It was serialized in Tokuma Shoten's Monthly Shōnen Captain between 1985 and 1996, with its chapters collected in 13 tankōbon volumes. A reboot was serialized in Kodansha's Monthly Afternoon from 1999 to 2000. Portions of the manga was adapted into a 45-minute original video animation directed by Kimio Yabuki which aired in 1988.
An alien acting troupe accidentally orphaned a young human girl and take it upon themselves to raise her in the customs of her human family until her biological family arrives to bring her to her original home. The manga's title is a parody on Swiss Family Robinson, in addition to referencing the aircraft carrier USS Carl Vinson, which was stationed in Japan at the time of the manga's creation, which in turn was named after Georgia congressman Carl Vinson. It has received generally favorable reviews praising its emotional core and underlying themes, but critiquing its lack of substantiative development for its cast.
In the year 4001, an interstellar acting troupe of six aliens are trying to fly to their next performance, as they are doing so, they accidentally crash into another spaceship over the planet Anika and lead to the death of a human couple. As the acting troupe explores the downed craft, they discover that their baby survived the crash, the police officer sent to record the crash refuses to look after the baby. Thus the alien acting troupe take it upon themselves to take care of the orphaned child as her new family, through the guidance of the ship's logs to raise her in a way that her biological parents would. The acting troupe expects to only take care of the baby for a few weeks, but five years have elapsed since then, and the acting troupe has settled down into life on the planet Anika as Corona's family and friends. The leader, Mother, and battle robot, Father, play the roles of the baby, Corona's, mother and father. The story starts off as Corona is about to enter kindergarten.
The OVA is a self contained story split into four sections, and adapted from the manga's material. Transitioning between spring, summer, autumn, and winter, it highlights on the deep bonds that the alien acting troupe has grown over the years and the genuine care they feel for Corona. When someone comes to pick up Corona, her adoptive mother struggles to decide between whether to do what is best for her child and her urge not to return her to her rightful family. It is eventually revealed that the craft sent to pick her up was not from her home planet, but an alien, Pona, who was looking for lost children to raise on her own. Corona rejects her, saying that she likes staying with her family, and waves goodbye to Pona. Corona's mother finds her, and they reunite, having thought that Corona would return with her people. At its end, she muses to herself that some day, she and her family will eventually have to give up Corona.
The title of the series is a parody on Swiss Family Robinson.[2] The "Carlvinson" portion of the title likely refers to the USS Carl Vinson, which was active in the Sea of Japan between the 1980s and 1990s. It was often seen in Tokyo harbor during the time Asari had drawn the manga. In turn, the aircraft carrier is named after U.S. congressman from Georgia Carl Vinson, however it is unlikely that Asari was paying homage to the congressman, who was an active supporter of the US Navy during the Second World War, and rather simply having the name be a play on the similar sounding title.
Asari, a fan of the science fiction genre, inserted in-group references to contemporary films and other related forms of media. There exists speculation that Space Family Carlvinson is a reference to the series Lost in Space, which was previously Space Family Robinson. Additionally, there are references to other science fiction films such as John Carpenter's The Thing.
According to historian Fred Patten, around the time of the animated OVA's release, the Cartoon/Fantasy Organization was undergoing a breakup, and thus the ensuing internal conflict resulted in a failure for the OVA to be brought to a wider audience in the United States.
Space Family Carlvinson was republished multiple times to compile the three runs that the manga had. The following lists the manga volumes published by Kodansha.
Portions of the manga were adapted into a single 45-minute original video animation (OVA) and animation done by Doga Kobo. The screenplay was done by Michiru Shimada and it was directed by Kimio Yabuki. Corona was voiced by Mayumi Shō, her mother was voiced by Toshiko Fujita and her father was voiced by Tesshō Genda. The OVA features the opening theme "Ichiban Suteki na Love Song" (いちばんステキなラブソング) and the ending theme "Spring Song" (すぷりんぐ・そんぐ) both by Miwako Saito.
Historian Fred Patten writing in Cartoon Research thought that the OVA "had the potential to be so much more" and ended too abruptly, praising its humor and quiet charm due to its combination of sci-fi elements with more mundane everyday elements.[6] Mike Toole writing for Anime News Network' described the OVA as "cute, simple, fun to watch" but also noted that it was "100% unmarketable to anyone who isn't either familiar with the comics or an adventuresome cartoon dork" and critiqued the OVA for having little substance.[7] Jason Huff writing in The Anime Review described the style as simplistic but effective, and praised its emotional core and underlying themes. He critiqued its gentle comedy and short length leaving little to develop the secondary cast.[8] Sean O'Mara writing for ZIMMERIT described Space Family Carlvinson as "charming if forgettable", stating that it "holds up better than it has any right to and [it is] easy to recommend".[9]