Souvenirs de Munich is a quadrille on themes from Wagner's Tristan and Isolde, for piano, four hands by Emmanuel Chabrier.
Chabrier's interest in Wagner dated from 1862, when as a study exercise he copied out the score of Tannhäuser.[1] In early 1880 he requested time off from his ministry job to visit Munich that March with Duparc and other friends to go to a performance of Tristan und Isolde as it could only be seen there. The experience was a musical revelation for Chabrier.[2] Chabrier, as assistant to Charles Lamoureux, helped in the rehearsals for the concert performances in Paris of Act I (1884) and Act II (1885) of Tristan und Isolde.[1]
However, much as he admired the music of Wagner, he was still able to create musical parodies of the German composer. Chabrier regularly improvised works of this kind at the piano; Delage describes an evening dinner at the home of Lamoureux where an improvisation on themes from The Ring enraged von Bülow.[1] Poulenc described Souvenirs de Munich as "irresistibly funny", where Wagner's principal themes appear with "false beards and fake moustaches".[3]
The exact date of the creation of Souvenirs de Munich is unknown, but it probably dates from 1887.[1] Possibly with Offenbach's satire Le musicien de l'avenir in mind, it led to Fauré and Messager's 'Souvenirs de Bayreuth' in similar vein.[4]
The five movements follow the traditional layout of a musical quadrille[5]