| Sound-System | |
| Type: | Studio |
| Artist: | Herbie Hancock |
| Cover: | Sound-System.jpg |
| Released: | August 20, 1984 |
| Recorded: | October–December 1983 |
| Studio: | Evergreen Studios (New York City, NY); Studio Media (Evanston, IL); El Dorado Studios and Garage Sale Recording (Los Angeles, CA) |
| Genre: | Electro-funk |
| Length: | 33:42 |
| Label: | Columbia |
| Producer: | Bill Laswell/Material Herbie Hancock |
| Prev Title: | Future Shock |
| Prev Year: | 1983 |
| Next Title: | Village Life |
| Next Year: | 1985 |
Sound-System is the thirtieth album by jazz pianist Herbie Hancock and the second of three albums co-produced by Bill Laswell with the ‘Rockit’ Band. Guest artists include saxophonist Wayne Shorter, guitarist Henry Kaiser, kora player/percussionist Foday Musa Suso and drummer Anton Fier.
The second of the three Rockit band albums, Sound-System was another smash for Herbie Hancock. Winning his second Grammy award for Best R&B Performance (his second-straight award), this album tried to capture the success of the previous Future Shock, with some more twists and turns.
"Junku" for instance, featured Foday Musa Suso and also was written for the 1984 Summer Olympics in Los Angeles. It served as the "Field" theme. It also was used during Hancock's appearance on the long-running NBC Saturday Night Live.
"Sound System" sounded like "Junku" in many ways, while "Karabali" features Wayne Shorter on soprano saxophone and evokes Hancock's African themed Mwandishi band from the early 1970s.
Robert Christgau commented "Future Shock was a pretty good album despite its dink quotient; this is a better album despite its schlock quotient. Where's-the-melody is beside the point, because even when they're just hooks the melodies seem a little obvious, without the physical or intellectual bite of the rhythm tracks (nowhere mightier than on the amazing "Metal Beat," recommended to those who think Trevor Horn is into something heavy). And me, I doubt Herbie should be playing more "jazz"—several of the false moments here are provided by Saint Wayne Shorter himself. The African exotica of Foday Musa Suso and Aiyb Dieng, on the other hand, sounds right at home. As does the South Bronx exotica of D.St." Richard S. Ginell of AllMusic noted "In the grand tradition of sequels, Sound-System picks up from where Future Shock left off – if anything, even louder and more bleakly industrial than before... Hancock's electric music still retained its adventurous edge.
Bonus track from CD reissue
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