Sorry Ma, Forgot to Take Out the Trash | |
Type: | studio |
Artist: | The Replacements |
Cover: | The Replacements - Sorry Ma, Forgot to Take Out the Trash cover.jpg |
Released: | August 25, 1981 |
Recorded: | July 1980, March–June 1981 |
Length: | 36:47 |
Label: | Twin/Tone |
Producer: | Paul Westerberg, Peter Jesperson, Steven Fjelstad |
Next Title: | Stink |
Next Year: | 1982 |
Sorry Ma, Forgot to Take Out the Trash is the first studio album by the American band The Replacements. It was released on August 25, 1981 by Twin/Tone Records. Squarely inspired by punk rock, the album stands in contrast to the power pop and indie rock styles of later albums.
The beginning of Johnny Cash's "Folsom Prison Blues" can be heard at the beginning of the track "Rattlesnake".
The track "Somethin' to Dü" is a reference to the band Hüsker Dü, contemporaries of The Replacements and their Saint Paul counterparts.[1] The track "Johnny's Gonna Die" is a reference to guitarist Johnny Thunders of the Heartbreakers and New York Dolls, specifically his heroin addiction. Thunders died in 1991.[2]
Sorry Ma, Forgot to Take Out the Trash was released on August 25, 1981 by the independent record label Twin/Tone Records. Before settling on a title for the album, Westerberg considered the names Unsuitable for Airplay and Power Trash.[3]
The song "I'm In Trouble" was released as a single on August 7, 1981, containing an outtake, "If Only You Were Lonely", as its B-side.[4] The album was remastered and reissued by Rhino Entertainment on April 22, 2008, with 13 additional tracks and liner notes by Peter Jesperson.
To celebrate its 40th anniversary, on October 22, 2021, Rhino Entertainment released a deluxe edition of the newly remastered album. Featuring 100 tracks spread across 4CDs and 1LP, it includes unreleased demos, alternative takes/mixes, and a previously unreleased 27-track live concert recorded on January 23, 1981 at 7th Street Entry in Minneapolis.[5]
In a 1982 Trouser Press review, Robert Payes described the "I'm in Trouble" single, which was taken from the album, as "(p)ower pop with the emphasis on power, roaring guitars and energy galore."[6] Retrospectively, AllMusic reviewer Stephen Thomas Erlewine considered Sorry Ma, Forgot to Take Out the Trash to be "one of the best LPs the entire scene produced in the early '80s."[7] In a very positive review, Punknews.org praised the album for being different from its counterparts of the hardcore punk scene, stating that the album "never sacrificed its pop appeal for throat-searing screams and whiplash speed."
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