| Sorry, Wrong Number | |
| Director: | Anatole Litvak |
| Screenplay: | Lucille Fletcher |
| Music: | Franz Waxman |
| Cinematography: | Sol Polito |
| Editing: | Warren Low |
| Studio: | Hal Wallis Productions |
| Distributor: | Paramount Pictures |
| Runtime: | 89 minutes |
| Country: | United States |
| Language: | English |
| Gross: | $2.8 million (U.S. rentals)[1] |
Sorry, Wrong Number is a 1948 American thriller and film noir directed by Anatole Litvak,[2] from a screenplay by Lucille Fletcher, based on her 1943 radio play of the same name.
The film stars Barbara Stanwyck and Burt Lancaster. It follows a bedridden woman who overhears the plot of murder while on the telephone. She attempts to help her husband solve the mystery and prevent the crime. Stanwyck was nominated for the Academy Award for Best Actress.
It is one of the few pre-1950 Paramount Pictures films which remained in the studio's library (the rest are currently owned by NBCUniversal).[3]
Lucille Fletcher's play originally aired on the Suspense radio program on May 25, 1943, essentially a one-woman show with Agnes Moorehead as Mrs. Stevenson.
Mrs. Stevenson, an imperious invalid, accidentally intercepts a phone call between two men plotting a murder for that evening. She tries to enlist the help of the telephone operator, the police, and a hospital, becoming more frantic as the time passes. In the final moments of the play, she realizes that she is the intended victim.
The play was performed seven more times, on August 21 of the same year and again in 1944, 1945, 1948, 1952, 1957 and 1960. The final broadcast was on February 14, 1960. Orson Welles called Sorry, Wrong Number "the greatest single radio script ever written".[4] In 2014, the broadcast was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for inclusion in the National Recording Registry.[5]
Leona Stevenson is a spoiled, bedridden daughter of wealthy businessman James Cotterell. Using her phone, she tries to reach her husband, Henry. The servants are absent and she is alone in the apartment. She overhears two men planning a murder on a crossed telephone connection. The call cuts-off without Leona learning much other than it is scheduled for the night. When she calls the telephone company and the police, they do not believe her about the murder.
While attempting to reach Henry, Leona recalls her past. Through various telephone calls, she learns that the secretary met Henry that day with an attractive woman named Sally Lord and did not return to the office. Leona recognizes the woman as Sally Hunt, a college friend in love with Henry, who at the time was poor and working in a drugstore. Leona took Henry from Sally, and married him against her father's wishes. Sally later married Fred Lord, a lawyer in the district attorney's office. From overheard conversations, she learns her husband was close to resolving an investigation about Henry. Sally is concerned; she follows Henry and two associates to a mysterious meeting at an abandoned house on Staten Island. The house sign indicates the owner is Waldo Evans, a chemist working for Leona's father. Sally arranged to meet Henry after warning him. He received a phone call, left the table and did not return. Sally concludes that the house was destroyed, Morano has been arrested by the police, and Waldo escaped them.
Leona receives a message from Henry, stating he left town to complete some work he had forgotten about and will return on Sunday. Leona calls Dr. Phillip Alexander, the specialist she came to New York to see regarding her lifelong heart troubles. Alexander reveals that he gave Henry her prognosis ten days ago, something Henry kept from her. A flashback shows Leona had no cardiac episodes for a number of years before she married Henry. Henry learns about her health issues for a few years, when she suffered a cardiac arrest during a quarrel. It becomes clear Leona tries to use Henry, insisting he work for her father even though he is bored. As their troubles become severe, Leona's attacks become more frequent until she is bedridden. However, Alexander diagnoses the problems as purely psychosomatic. Nothing is wrong with her physically, but he thinks she needs psychiatric help.
Waldo calls Leona with a message for Henry. He discloses that Henry recruited him to steal chemicals from the Cotterell Drug Company and sell them for Morano. Henry tried to bypass Morano when Waldo was transferred. However, Morano tricked Henry into signing an IOU for $200,000 for a lost profit in three months. When Henry protested he had insufficient money, Morano pointed out that Leona had a large insurance policy. With Morano in custody, Waldo stresses that Henry no longer needs to raise the sum. He gives Leona a number to reach Henry, but when she calls she discovers that it is for the city morgue. The distraught Leona calls a nurse at the hospital. A frantic Henry calls Leona from a telephone booth. She hears an unnamed intruder sneaking inside the house, and tells Henry that she is the victim of the murder plot. Henry tells Leona to leave the house, but she is killed by the intruder and the phone line goes dead. As the police prepare to arrest Henry, he re-dials the phone, and the killer uses it and replies: "Sorry, wrong number".
Sorry, Wrong Number conforms to many of the conventions of film noir. The film plays in real time with many flashbacks, and adds more characters and backstories. The bedroom window overlooks the night skyline of Manhattan. The film is shot very dark, with looming shadows and a circling camera used to maintain a high level of suspense.[6] Hollywood's Production Code Administration initially objected to elements of Fletcher's screenplay, including its depiction of drug trafficking, and the script was significantly revised to win approval.[7]
Variety listed the film as one of the top grossers of the year, earning $2,850,000 in the U.S. alone.[1] Although not as well received as the radio play, with some critics noting the plot is too padded out, the movie adaptation is considered a classic of the film noir genre. Its twist ending is often cited as one of the era's most memorable. Stanwyck's performance was highly acclaimed, and garnered her a fourth Academy Award nomination for Best Actress. On Rotten Tomatoes, the film has a score of 86%.[8]
On October 17, 1948, Stanwyck did a parody of Sorry, Wrong Number on The Jack Benny Program.[15]
Clips from Sorry, Wrong Number were used for the 1982 comedy-mystery Dead Men Don't Wear Plaid, the 1991 thriller Dead Again and the 2014 action-thriller .