| Sophie Bissonnette | |
| Birth Date: | September 18, 1956 |
| Birth Place: | Montreal, Quebec, Canada |
| Occupation: | Filmmaker |
| Known For: | A Wives' Tale, L'amour... a quel prix?, Quel Numero? |
Sophie Bissonnette is a Canadian director, editor, writer, and producer in the Quebec film industry. After graduating from Queen's University, she began creating films in Montreal. She released most of her documentary films in the 1980s. In these films, Bissonnette illustrated social and political justices, both of which were topics that were covered commonly by many Quebecois filmmakers. However, her films were distinguishable through exploring the women's perspective of male-dominated social engagements and incidents in French Canada.
Bissonnette has directed, co-produced, and written over 10 documentaries and short films. She is mostly known for A Wives' Tale (Une histoire de femmes), L'amour... a quel prix?, and Quel Numero?, all of which have received awards from film festivals.
She has also received multiple awards for her work, such as Quebec Critics' prize for best film of the year. Beyond filmmaking, Bissonnette helped promote feminist and Quebecois films through being involved with film organizations, like the Association des Réalisateurs et Réalisatrices de films du Québec Inc. (ARRFQ) and Les Rencontres internationales du documentaire de Montréal.[1]
Sophie Bissonnette was born on September 18, 1956, in Montreal, Quebec.[2] She was originally raised in Ottawa. She majored in film and sociology at Queen's University, Kingston.[3] She graduated with a bachelor of arts in 1978. After receiving her degree Bissonnette moved and settled back to her birthplace, Montreal, in which she co-directed her first documentary film in 1980.
When Bissonnette moved to Montreal in 1978, she began her career as a researcher, producer, writer, teacher, and director. In the 1980s, many Quebecois filmmakers were interested in covering social and political engagements, since this topic lacked proper attention in the past. Therefore, Bissonnette wrote, directed, and produced various documentaries and short films about this theme. What distinguished her work from covering male-oriented issues is revealing the women's side of the story. She conveyed the perspectives and struggles of the female gender behind the scenes of these social and political injustices. Bissonnette co-produced her first documentary film, Une Histoire de Femmes, in 1980. This film illustrated the marital and social struggles of the wives of miners on a strike against the International Nickel Company of Ontario (INCO), now known as Vale Limited. The film showed the wives' conflicts with their husbands, as well as their struggle against the company's powers that were enforced over their daily lives. In an interview, Bissonnette said that she was involved in the feminist and the labor movement when she made this film. She also said that she wanted to shed the light on women of the working force and the housewives.[4]
She explored the feminist perspective of housewives and women in the work force, such as Quel numero?, L'amour... a quel prix?, and Des lumières dans la grande noirceur.
Bissonnette struggled to fund her films. She then became involved with the Association des Réalisateurs et Réalisatrices de films du Québec Inc. (ARRFQ), in which she promoted the work of feminist activists. She also worked in the distribution center of Cine Libre, an independent film distributor that no longer exists. She is also one of the founding members of a Montreal film festival known as Les Rencontres internationales du documentaire de Montréal.