| Sony Pictures Imageworks Inc. | |||||||
| Type: | Subsidiary | ||||||
| Location: | 725 Granville Street, 5th Floor, Vancouver, British Columbia, Canada 3875 Rue Saint-Urbain, Suite 415, Montreal, Quebec H2W 1T9 Canada
| ||||||
| Locations: | 2 | ||||||
| Key People: | Michelle Grady (president) | ||||||
| Num Employees: | 800 (2018)[1] | ||||||
| Industry: | CGI visual effects Motion pictures | ||||||
| Parent: | Sony Pictures Motion Picture Group | ||||||
Sony Pictures Imageworks Inc. is a Canadian visual effects and computer animation studio headquartered in Vancouver, British Columbia and Montreal, Quebec, with an additional office on the Sony Pictures Studios lot in Culver City, California.[2] SPI is a unit of Sony Pictures Entertainment's Motion Picture Group.[3] [4]
The company has been recognized by the Academy of Motion Picture Arts and Sciences with Oscars for their work on Spider-Man 2 and the animated short film The ChubbChubbs!, and received many other nominations for their work.
SPI has provided visual effects for many films; most recent include The Meg, , and . They also provided services for several of director Robert Zemeckis' films, including Contact, Cast Away, The Polar Express, and Beowulf.
Since the foundation of its sister company Sony Pictures Animation in 2002, SPI would go on to animate nearly all of SPA's films, including Open Season, Surf's Up, , and films in the Cloudy with a Chance of Meatballs, Smurfs and Hotel Transylvania franchises, in addition to animating films for other studios such as Arthur Christmas for Aardman Animations (co-produced by SPA), Storks and Smallfoot for Warner Animation Group (now known as Warner Bros. Pictures Animation), The Angry Birds Movie for Rovio Animation and its sequel (co-produced by SPA and Rovio), Over the Moon for Netflix and Pearl Studio, and The Sea Beast for Netflix Animation.
Sony Pictures Imageworks was formed in 1992 with five employees to use computers to help plan complicated scenes for live-action films.[5] Located in the former TriStar building, their first work was a previsualization for the 1993 film Striking Distance.[6]
To fill the gaps between VFX jobs, SPI decided to partake in a more profitable animation business. Its first independent animated effort was the 5-minute short The ChubbChubbs! directed by Eric Armstrong. In 2002, it won the Oscar for Best Animated Short. Early Bloomer, released in 2003, was the division's second short film and originally made as a storyboarding exercise.[7] SPI completed its first feature animation project in 2006 with the release of Open Season, which was produced by sister company Sony Pictures Animation.
In 2007, SPI acquired Indian visual effects studio FrameFlow to take advantage of lower labor costs.[8] Renamed to Imageworks India, a modern facility was opened in Chennai a year later. To leverage New Mexico's tax rebates and talent base,[9] a satellite production facility was opened in 2007 in Albuquerque,[10] becoming the largest post-production operation in the state.[11] In 2010, SPI opened a production studio in Vancouver, British Columbia, in order to take advantage of the local talent pool and government film production incentives.[12] Two years later, the studio doubled its Vancouver facilities.[13] At the same time, the Albuquerque studio was closed down due to declining New Mexico's subsidies and difficulty with attracting artists to move there.
In the beginning of 2014, as part of Sony's cost-cutting move, SPI transferred a portion of its technology team from its headquarters in Culver City to Vancouver.[14] By May 2014, entire headquarters and production had been moved to Vancouver, with only a small office remaining in Culver City.[15] At the same time, SPI closed down its Indian studio, laying off around 100 employees.[16] A year later, over 700 artists moved into a new 74,000-square feet headquarters in Vancouver.[17] [18]
On October 6, 2023, Cartoon Brew reported that DreamWorks Animation was moving away from producing films in-house at their Glendale campus to rely more heavily on outside studios after 2024, as part of a layoff by chief operating officer Randy Lake in a series of meetings the previous month. According to the report, SPI was named as the animation service for a then-unannounced DreamWorks sequel scheduled for 2025. The film will use a "mixed production model", in which pre-production would be done in-house at DreamWorks along with approximately 50% of the asset build and one hour of production, while SPI will handle the other 50% of asset builds and 20 minutes of shot production.[19]
During 2009-2010, SPI made transition from traditional biased, multi-pass rendering system to a largely singlepass, global illumination system incorporating modern ray-tracing and physically based shading techniques. They have achieved that with Arnold Renderer, an unbiased stochastic ray tracer. Arnold, started in 1997 by Marcos Fajardo, was co-developed between 2004 and 2009 with SPI, where Marcos was employed, and a commercial branch is being developed by Marcos' Madrid based company Solid Angle SL (now owned by Autodesk). Arnold was used on projects such as Monster House, Cloudy with a Chance of Meatballs, 2012, Alice in Wonderland, The Smurfs, Arthur Christmas and is being used on all upcoming SPI's films.[20]
Sony Pictures Imageworks has provided visual effects and digital animation for the following films:[21]
In an article published by Vulture in June 2023, several animators quit due to unstable working conditions. According to the Animation Guild, while Imageworks is associated with Sony Pictures Animation, Imageworks remains non-union.[23]