| Mark Murphy | |
| Background: | solo_singer |
| Birth Name: | Mark Howe Murphy |
| Birth Date: | 14 March 1932 |
| Birth Place: | Syracuse, New York, U.S. |
| Death Place: | Englewood, New Jersey, U.S. |
| Genre: | Vocal jazz |
| Occupation: | Singer |
| Years Active: | 1956–2013 |
| Label: | Decca, Capitol, Riverside, Fontana, Muse, HighNote, Verve |
Mark Howe Murphy (March 14, 1932 – October 22, 2015) was an American jazz singer based at various times in New York City, Los Angeles, London, and San Francisco. He recorded 51 albums under his own name during his lifetime and was principally known for his innovative vocal improvisations. He was the recipient of the 1996, 1997, 2000, and 2001 Down Beat magazine readers' jazz poll for Best Male Vocalist and was also nominated five times for the Grammy Award for Best Vocal Jazz Performance.[1] He wrote lyrics to the jazz tunes "Stolen Moments" and "Red Clay".
Born in Syracuse, New York, in 1932, Murphy was raised in a musical family,[2] his parents having met when his father was appointed director of the local Methodist Church choir. He grew up in the nearby small town of Fulton, New York,[3] where his grandmother and then his aunt were the church organists. Opera was also a presence in the Murphy home. He started piano lessons at the age of seven.[4]
In his teens, Murphy joined his brother Dwight's jazz dance band as the singer (and occasional pianist), influenced by Peggy Lee, Nat "King" Cole, June Christy, Anita O'Day, and Ella Fitzgerald. The Jazz pianist Art Tatum was another early influence.
Murphy graduated from Syracuse University in 1953, having majored in Music and Drama. While there he was spotted singing at the Embassy Club by Sammy Davis Jr, who invited him to perform a guest spot at his own gig shortly afterwards, and put him in touch with TV host Steve Allen.
The following year Murphy moved to New York City, taking part-time jobs as he looked for work as an actor and singer. He appeared in productions for the Gilbert and Sullivan Light Opera Company and a musical version for television of Casey at the Bat. He also twice took second place at Apollo Theatre amateur singing contests.
Murphy was eventually introduced to record producer Milt Gabler, who was an artist and repertoire director (A&R) for Decca. His resulting debut recording was Meet Mark Murphy (1956), followed closely by Let Yourself Go (1957).
After disappointing album sales, Murphy moved to Los Angeles in 1958. While in the city, he recorded three albums for Capitol Records, and had a minor hit single with "This Could Be the Start of Something". This was not enough for him to be retained by Capitol, however, so he returned to New York in the early '60s. Here he recorded two albums for Riverside Records: the album Rah (1961) included "Angel Eyes", a version of Horace Silver's "Doodlin'", and "Green Dolphin Street", featuring Bill Evans, Clark Terry, Urbie Green, Blue Mitchell and Wynton Kelly as accompanists. His favorite recording to date, That's How I Love the Blues, soon followed. In 1963, Murphy hit the charts across the country with his single of "Fly Me to the Moon" and was voted New Star of the Year in Down Beat Magazine's Reader's Poll.[5] Around this time he fell under the spell of Miles Davis; for the rest of his career, Murphy maintained that he tried as far as possible to sing like Miles played.
In 1963, Murphy moved to London, England, where he quickly found acceptance and played frequently at Ronnie Scott's Club, as well as making regular appearances on BBC Radio. He recorded three more albums in London, and one in Germany that is among his best - Midnight Mood (1968). From London he made frequent trips to Holland, where he worked on Dutch radio, mainly with producer Joop de Roo. Between 1964 and 1972, he acted in a number of drama productions for TV and radio, and appeared as a singer in the 1967 British comedy film Just Like a Woman. Meanwhile, he continued to cultivate his jazz audiences in Europe, singing in clubs and on radio. It was in London that Murphy, who was gay, met his long-time partner Eddie O'Sullivan.
He returned to the States in 1972 and began recording an average of an album per year for more than 14 years on the Muse label. These included the Grammy-nominated albums Satisfaction Guaranteed, Bop for Kerouac and Nat's Choice: Nat King Cole Songbook Vol. II. Murphy's other highly regarded Muse recordings include Bridging a Gap (featuring Ron Carter, Jimmy Madison, Randy Brecker and Michael Brecker), Mark Murphy Sings (again featuring the Brecker Brothers along with David Sanborn), Living Room, Beauty And the Beast and Stolen Moments. Bop for Kerouac (1981), with Richie Cole and Bill Mays, was a result of Murphy's enthusiasm for the writing of Jack Kerouac, whom Murphy regarded as a soul-mate. It included readings from the author's books On the Road and The Subterraneans. Murphy followed it up with Kerouac Then And Now, released in 1989. Having been a fan of Brazilian music since the late 1950s, in 1984 together with the band Viva Brasil he recorded the album Brazil Song (Cancões do Brasil), which featured work by Antonio Carlos Jobim and Milton Nascimento. He wrote lyrics for the title track, by Oliver Nelson, of his Stolen Moments album, and it quickly became a radio favourite, remaining one of his most popular recordings.
In 1987, Murphy continued his explorations of Brazilian music by recording Night Mood, an album of songs by composer Ivan Lins, followed by the Grammy-nominated September Ballads - both on Milestone Records.
In the UK, Murphy's recorded output gained a new lease of life in the mid-Eighties during the acid jazz dance craze. DJ's, principally Gilles Peterson, played his bop and latin recordings at club nights, creating a new generation of Mark Murphy fans. He continued to work extensively in Europe, recording in Germany, Holland, Austria, England, Italy, France, Sweden, Denmark and Slovenia, often as a guest artist. Murphy also appeared on UFO's last two releases (for Polydor Records), in which he wrote and rapped lyrics on songs composed with the group. This collaboration opened up further new audiences in the acid-jazz and hip-hop genres, demonstrating jazz's timelessness while transcending generations and styles.
In August 1997, BMG/RCA Victor released Song for the Geese, for which he received his fifth and final Grammy nomination. In that same month, the 32 Records label released a double CD anthology Stolen and Other Moments, which features some of his recordings for the now defunct Muse label. The CD features material from the two "Kerouac" albums and a selection of "the best of Mark Murphy". It was followed by three further anthologies.
After Muse boss Joe Fields sold the label and set up HighNote Records in its place, Murphy recorded five more albums for the new label, including Some Time Ago (2000), Links (2001) and Memories of You (2003).
Murphy's release Once to Every Heart (2005) on Verve, features sensuous ballads, where the listener can hear him singing at the top of his form, with an orchestra arranged by Nan Schwartz. It was one of the best-selling albums of Murphy's career. In 2007 Verve released Love is What Stays. Both albums were produced by German trumpeter Till Brönner.
Murphy also collaborated with Tenth & Parker, a modern UK electronica/acid jazz group on their Twenty:Twelve (2001) album; plus the Five Corners Quintet, a modern Finnish jazz band, appearing on their albums Chasin' the Jazz Gone By (2005) and Hot Corner (2008).
In 2010, he released the independently produced CD, Never Let Me Go, accompanied by pianist Misha Piatigorsky, bassist Danton Boller and drummer Chris Wabich. The CD contains all songs he selected, mostly ballads, and was the first time he recorded Bill Evans' "Turn Out The Stars".
Murphy also participated as a guest on The Royal Bopsters Project by Amy London, Darmon Meader, Dylan Pramuk, and Holli Ross, recorded in 2012 and released in 2015 by Motema Music. His final recording was a limited edition EP/MP3, A Beautiful Friendship: Remembering Shirley Horn on Gearbox Records, released in 2013.
Murphy continued to tour internationally into his 80s, appearing at festivals and concerts, in jazz clubs and on television programs, throughout the U.S., Europe, Australia and Japan and elsewhere. John Bush at AllMusic.com described Murphy as "a major name in vocal jazz." A longtime resident of the Lillian Booth Actors Home in Englewood, New Jersey, he died there on October 22, 2015.[6] [7]
Mark Murphy was the first recipient of the "Words and Music Award" presented by the Jazz Foundation of America with the Jazz Journalists Association at the 2009 Jazz Awards, at the Jazz Standard (NYC) on June 16, 2009.[8]
With Candoli Brothers
With Al Cohn
With Herb Geller
With Metropole Orchestra
With College of the Siskiyous Choir
With Jeff Hamilton Quintet
With Blossom Dearie
With Ann Burton
With Madeline Eastman
With Balcony Big Band
With MHS Big Band
With George Gruntz
With Guido Di Leone
With Fred Hersch
With United Future Organization
With The Baker Boys
With Edouard Ferlet
With Rinaldo Donati
With Fernando Correa
With Ellen Hoffman
With Barbra Sfraga
With Tenth and Parker
With 4hero
With United Future Organization
With Jan Lundgren
With Till Brönner
With Lindberg Hemmer Foundation
With Andy Hamill
With Ian Shaw
With Brother K
With The Five Corners Quintet
With Gill Manly
With Guillaume de Chassy and Daniel Yvinec
With London, Meader, Pramuk & Ross
With Various Artists: