| Folk Tale Name: | Sohni Mahiwal Suhni Mehar |
| Region: | SindhPunjab |
| Country: | PakistanIndia |
| Origin Date: | 10th century |
Sohni Mahiwal or Suhni Mehar (Sindhi:; Panjabi; Punjabi: {{nq|سوہݨی مہین٘وال) is one of the seven popular tragic romances of Sindh. The other six are Umar Marvi, Momal Rano, Sassui Punnhun, Lilan Chanesar, Sorath Rai Diyach, and Noori Jam Tamachi.[1] In Punjab, it is four of the most popular romances. The other three are Heer Ranjha, Sassui Punnhun and Mirza Sahiban.[2] [3] [4] [5]
Sohni Mahiwal is a tragic love story which inverts the classical motif of Hero and Leander. The heroine Sohni, unhappily married to a man she despises, swims every night across the river using an earthenware pot to keep afloat in the water, to where her beloved Mahiwal herds buffaloes. One night her sister-in-law replaces the earthenware pot with a vessel of unbaked clay, which dissolves in water and she dies in the whirling waves of the river.[6]
The tale originated in the Soomra dynasty period in the 10th century, later it was found in the texts of Shah Abdul Karim Bulri & lastly in Shah Jo Risalo. It is one of seven popular tragic romances from Sindh, commonly known as The Seven Queens of Sindh (Sindhi:) of Shah Abdul Latif Bhittai. Sohni remains one of the favourite folktales both in Sindh and Punjab.[7]
The folk story of Suhni Mehar composed by Shah Latif is an old Sindhi folk narration.
Suhni belonged to the Samtia clan and was the daughter of Jarkat Samtio. While Mehar belonged to the Nagamro clan of Sindh and was the son of Gehwar Jam. Mehar's original name was Saahar. This folk narration belongs to the period of the start of the Soomra dynasty in Sindh in the 10th century. This narration is connected with one of the outlets of the Indus River, named Luhano Dhoro which then turned to flow west of Shahdadpur city. During the Arab period, this river used to flow on the east side of Shahdadpur city.
Suhni was married to Dam (Sindhi: ڏم), by caste Wahucho. During the rituals of the marriage of Suhni & Dam, their parents forgot to offer them milk as a tradition and when the married party was returning and was delayed to cross the river; while staying on a river bank, a few old ladies felt unpleasant not to offer the milk to the married couple and asked to perform the same ritual and nearby was Mehar's cattle farm who offered them milk which was drunk by Suhni. As soon as she drank the milk, she got disturbed and was attracted to Mehar.She used to visit Mehar daily while crossing the river. But she soon was exposed to her parents, who forbade her to meet Mehar but all in vain. This practice continued and her mother-in-law one night replaced the baked earthen pot with an unbaked one. Suhni did not check the pot as usual and started swimming in the river. When she reached the deep waters, the unbaked pot was destroyed and she was drowned. While she was crying, Mehar heard her and called the fisherman to save her. But it was too late and finally, the dead body of Suhni was recovered. Mehar himself buried her and got constructed a tomb over her grave which is still visited by people in Shahdadpur. Later on, after a few years, Mehar also expired and was buried in Shahdadpur City.[8]
In Sindh, Suhni's shrine is located at Shahdadpur city of Sanghar District and is still visited by people.[9]
In the 18th century (late Mughal period), the beautiful girl Sohni was born to a potter named Tulla (Toolha). They were from the Kumhar caste, and lived in Gujrat, Punjab. At the time, Gujrat, on the river Chenab, was a caravanserai on the trade route between Bukhara and Delhi.
As Sohni grew up, she helped her father decorate his pots. Their shop is said to have been near Rampyari Mahal by the river.[10] As soon as the Surahis (water-pitchers) and mugs came off the wheel, she would draw artistic designs on them and set them up for sale.
Shahzada Izzat Baig, a rich trader from Bukhara (Uzbekistan), came to Punjab on business and halted in Gujrat. Here he saw Sohni at the shop and was completely smitten. Just to get a glimpse of Sohni, he would end up buying the water pitchers and mugs every day.
Sohni too lost her heart to Izzat Baig. Instead of returning to Bukhara with his caravan, the noble-born Izzat Baig took up the job of a servant in the house of Tulla. He would even take their buffaloes for grazing. Soon, he came to be known as Mehar or "Mahiwal" (buffalo herder since buffalo is called Mai'n/mahi in Punjabi language).
The love of Sohni and Mahiwal caused a commotion within the Kumhar community. It was not acceptable that a daughter from this community would marry an outsider, so her parents immediately arranged her marriage with another potter. On the day the "barat" (marriage party) of that potter arrived at her house, Sohni felt helpless and lost. She was sent off to the husband's house in a Doli (palanquin).
Izzat Baig renounced the world and started living as a faqir (hermit). He eventually moved to a small hut across the river Chenab from Sohni's new home hamirpur. In the dark of night, when the world was fast asleep, the lovers would meet by the river. Izzat would come to the riverside and Sohni would come to meet him swimming with the help of an inverted hard baked pitcher (inverted so that it would not sink). He would regularly catch a fish and bring it for her. It is said that once, when due to high tide he could not catch a fish, Mahiwal cut a piece of his thigh and roasted it. Sohni didn't realise this at first but then she told Izzat that this fish tastes different. When she kept her hand on his leg, she realised what Mahiwal had done and this only strengthened their love for each other.
Meanwhile, rumours of their romantic rendezvous spread. One day Sohni's sister-in-law followed her and saw the hiding place where Sohni kept her earthenware pitcher. She informed her mother, Sohni's mother-in-law, and instead of telling Sohni's husband (who was away on a business trip), the women decided to take the decision in their own hands and finish the matter. The next day, the sister-in-law removed the hard baked pitcher and replaced it with an unbaked one. That night, when Sohni tried to cross the river with the help of the pitcher, it dissolved in the water and Sohni drowned. From the other side of the river, Mahiwal saw Sohni drowning and jumped into the river to save her and drowned as well. Thus, the lovers were reunited in death.[11]
The story of Sohni and Mahiwal was popularized in the Punjabi qissa (long poem) Sohni Mahiwal by Fazal Shah Sayyad, who also wrote poems on Heer Ranjha, Laila Majnu and others.[12]
The Sohni Mahiwal love story continues to inspire numerous modern songs, including Pathanay Khan's famous song Sohni Gharay nu akhadi aj mainu yaar milaa ghadeya. Earlier Nawab Kumhar Inayat Kotia and later Alam Lohar have also made many renditions of this kalaam and were among the first singers to present the story in a song format. Pakistani pop band Noori's song Dobara Phir Se is inspired by the lore of this story as well as the more recent, Paar channa de, from Coke Studio Pakistan (season 9). Paar channa de was earlier sung by Arif Lohar and Saleema Jawwad for 2013 movie Zinda Bhaag, based on a traditional folk song.
Many paintings of Sohni Mahiwal continue to be created by well-known artists such as Sobha Singh.[13] Folk versions of these paintings, for example in the Kangra style, are commonly found across the whole Punjab region.
Four Hindi film versions, named Sohni Mahiwal have been made in India:
Other Indian films including silent ones based on the romance are:[15]