Sociology of film explained
The sociology of film deals with the sociological analysis of film.[1] According to a university class in it, the field includes "Contemporary cinema as a culture clue to social change; an introduction to the social forces involved in film-making in the United States and other cultures; the influence of films on mass and select audiences."[2] According to another university course, it covers "social aspects causes and consequences of the production, distribution, content, form and reception of film."[3]
The New York Times said, "One problem, though, is that if the audience is the measure all things, then art becomes a reflection of sociology and dissecting audience tastes becomes the art."[4]
External links
Bibliography
- Diken, Bulent & Carsten Bagge Laustsen. Sociology Through the Projector. Routledge, 2007.
- Huaco, George. Sociology of film art. Basic Books, 1965.
- Review, American Journal of Sociology 72"314 (1966)
- Mayer, J. P.: Sociology of Film: Studies and Documents. Faber & Faber, 1946. Full text on Internet Archive
- Sutherland, Jean-Anne, and Katheryn Feltey. Cinematic Sociology : Social Life in Film. 2nd ed. SAGE Publishing, 2013.
- Tudor, Anthony. Image and Influence : Studies in the Sociology of Film. Allen & Unwin, 1974.
Notes and References
- Morris. Martin. [Review of ] "The Sociology of Film Art". American Journal of Sociology. Nov 1966. 73. 3. 314. 10.1086/224308.
- Web site: SOC 112 The Sociology of Film. Hofstra University Bulletin. 5 March 2017.
- Web site: Hicks. Alex. Syllabus. Sociology of Film. Emory University. 5 March 2017.
- News: Edward . Rothstein . Is the Audience Being Rowdy? . The New York Times . May 27, 2000 . B.11f.