Slovene literature is the literature written in Slovene. It spans across all literary genres with historically the Slovene historical fiction as the most widespread Slovene fiction genre. The Romantic 19th-century epic poetry written by the leading name of the Slovene literary canon, France Prešeren, inspired virtually all subsequent Slovene literature.
Literature played an important role in the development and preservation of Slovene identity because the Slovene nation did not have its own state until 1991 after the Republic of Slovenia emerged from the breakup of Yugoslavia.[1] Poetry, narrative prose, drama, essay, and criticism kept the Slovene language and culture alive, allowing—in the words of Anton Slodnjak—the Slovenes to become a real nation, particularly in the absence of "masculine" attributes such as political power and authority.
There are accounts that cite the existence of an oral literary tradition that preceded the Slovene written literature.[2] This was mostly composed of folk songs and also prose, which included tales of myths, fairy tales, and narrations.[3]
The earliest documents written in Old Slovene are the Freising manuscripts (Brižinski spomeniki), dated between 972 and 1022, found in 1803 in Freising, Germany. This book was written for the purpose of spreading Christianity to the Alpine Slavs and contained terms concerned with the institutions of authority such as oblast (authority), gospod (lord), and rota (oath).[4]
The first printed books in Slovene were Catechismus and Abecedarium, written by the Protestant reformer Primož Trubar in 1550 and printed in Schwäbisch Hall.[5] Based on the work by Trubar, who from 1555 until 1577 translated into Slovene and published the entire New Testament, Jurij Dalmatin translated the entire Bible into Slovene from c. 1569 until 1578 and published it in 1583. In the second half of the 16th century, Slovene became known to other European languages with the multilingual dictionary, compiled by Hieronymus Megiser. Since then each new generation of Slovene writers has contributed to the growing corpus of texts in Slovene. Particularly, Adam Bohorič's Arcticae horulae, the first Slovene grammar, and Sebastjan Krelj's Postilla Slovenska, became the bases of the development of Slovene literature.
See main article: Freising Manuscripts.
See main article: Kralj Matjaž.
See main article: Adam Bohorič, Jurij Dalmatin, Sebastijan Krelj and Primož Trubar.
See main article: Thomas Chrön.
See main article: Tobia Lionelli and Johann Weikhard von Valvasor.
See main article: Marko Pohlin, Jurij Japelj, Valentin Vodnik and Anton Tomaž Linhart.
See main article: Matija Čop, Janez Vesel, France Prešeren, Anton Martin Slomšek, Stanko Vraz, Fanny Hausmann, Josipina Turnograjska and Luiza Pesjak.
See main article: Janez Trdina, Fran Levstik, Simon Jenko, Josip Jurčič, Josip Stritar, Janko Kersnik, Simon Gregorčič, Anton Aškerc, Ivan Tavčar, Zofka Kveder and Pavlina Pajk.
See main article: Neo-romanticism, Symbolism (arts), Ivan Cankar, Josip Murn Aleksandrov, Dragotin Kette, Oton Župančič, Alojz Gradnik and Izidor Cankar.
This period encompasses 1899–1918.
See main article: Fran Milčinski, Janez Jalen and Fran Saleški Finžgar.
See main article: Edvard Kocbek, Pavel Golia, Vladimir Bartol, Louis Adamic, Alma Karlin, Bogomir Magajna, Ivan Mrak, Anton Novačan, Lili Novy and Julius Kugy.
See main article: Srečko Kosovel and Anton Podbevšek.
See main article: Miran Jarc, Anton Vodnik, France Vodnik, Ivan Pregelj, France Bevk and Danilo Lokar.
See main article: Mile Klopčič, Fran Albreht, Vera Albreht, Tone Čufar, Igo Gruden, Prežihov Voranc, Miško Kranjec, Bratko Kreft, Ivan Potrč, Ludvik Mrzel, Juš Kozak, Ferdo Kozak and Fran Albreht.
See main article: France Balantič, Matej Bor, Karel Destovnik, Ivan Hribovšek, Edvard Kocbek, France Kunstelj, Karel Mauser, Odon Peterka, Tone Polda, Janez Remic and Jože Šerjak.
See main article: Matej Bor, Vladimir Kavčič, Feri Lainšček, Florjan Lipuš, Karel Mauser, Miloš Mikeln, Tone Partljič, Boris Pahor, Žarko Petan, Alojz Rebula, Miha Remec and Igor Torkar.
See main article: Ciril Kosmač, Tone Seliškar, Anton Ingolič, Branka Jurca, Berta Golob, Ela Peroci, Kristina Brenkova and Leopold Suhodolčan.
See main article: Intimism (Slovene poetry). Intimism (Slovenian: intimizem) was a poetic movement, the main themes of which were love, disappointment and suffering and the projection of poet's inner feelings onto nature.[6] Its beginner is Ivan Minatti, who was followed by Lojze Krakar. The climax of Intimism was achieved in 1953 with a collection of poetry titled Poems of the Four (Slovenian: Pesmi štirih), written by Janez Menart, Ciril Zlobec, Kajetan Kovič and Tone Pavček.[7] An often neglected female counterpart to the four was Ada Škerl, whose subjective and pessimistic poetic sentiment was contrary to the post-war revolutionary demands in the People's Republic of Slovenia.[8]
See main article: Edvard Kocbek, Vitomil Zupan and Rudi Šeligo.
See main article: Boris A. Novak, Marko Kravos, Drago Jančar, Evald Flisar, Tomaž Šalamun, Brina Svit and Cvetka Lipuš.
See main article: Iztok Osojnik, Aleš Debeljak, Josip Osti, Miha Mazzini, Sebastijan Pregelj, Drago Jančar, Rudi Šeligo, Boris A. Novak, Igor Škamperle, Alojz Ihan, Taja Kramberger, Aleš Šteger, Uroš Zupan, Nejc Gazvoda, Andrej Blatnik, Jani Virk, Brane Mozetič, Goran Vojnović, Dušan Jelinčič, Vinko Ošlak and Benka Pulko.