Slight Rebellion off Madison explained

Slight Rebellion Off Madison
Author:J. D. Salinger
Country:United States
Language:English
Published In:The New Yorker
Pub Date:21 December 1946

“Slight Rebellion off Madison” is an uncollected work of short fiction by J. D. Salinger which appeared in the 21 December 1946 issue of The New Yorker.[1]

The story is the first of nine stories to feature Salinger’s iconic protagonist Holden Morrisey Caulfield and the Caulfield family.[2] [3]

Plot

The story is a told by an omniscient narrator from a third-person point-of-view.

Holden Caulfield is a college student who has arrived home during the Christmas break. He is disaffected and disgusted with campus life and with conventional life in general. He loathes the prospect of performing as a dutiful son to his father and working for the family business. Young Holden first meets up with Sally to go ice skating. After a bit of small talk with her, Holden reveals his true thoughts about his perceived pointlessness of preparatory school, telling her he's "in bad shape." Holden’s rebellious behavior is limited to formulating a scenario by which he and Sally will escape to the country and live a simple life. Sally dismisses this as an absurd fantasy. She counsels Holden to first complete his college degree after which he can enjoy “oodles” of far-flung adventures. Holden calls her a “royal pain” and she departs.

Later, Holden and Carl Luce appear at the Wadsworth bar, where they drink scotch and sodas. Holden addresses Carl as an "intellectual guy" and asks him hypothetically what he would do if he hated school and wanted to "get the hell out of New York." Holden receives a response similar to Sally's, and is dismissed. Alone, Holden drunkenly calls Sally twice on a payphone. Then, after chatting with the piano player at the bar in the bathroom, Holden waits for a bus on the corner of Madison Avenue, with tears in his eyes.[4] [5]

Publication history

“Slight Rebellion off Madison” was completed during a two-week sojourn at Beekman Tower hotel during August 1941. Originally titled “The Lovely Dead Girl at Table Number Six,” Salinger had been working on the story for the past year.[6] The story is notable for being the first work to present Salinger’s iconic character Holden Morrisey Caulfield, the future protagonist of his 1951 novel The Catcher in the Rye.[7] [8] The public, however, first saw mentions of Holden as Vincent Caufield's missing-in-action brother in “This Sandwich Has No Mayonnaise,” which was published in the October 1945 issue of Esquire magazine; and two months later, readers were given more insight into Holden's character in “I'm Crazy,” published in the December 1945 issue of Collier's magazine.

The first of Salinger’s many stories to be published by The New Yorker, the piece was withheld from the journal’s December 1941 issue.[9] Due to the gravity of Japan’s attack at Pearl Harbor on December 7, 1941 and the immediate entry of the United States into World War II, Salinger’s story of “dissatisfied upper-class youths” was deemed contrary to the country’s wartime mood.[10]

In the summer of 1943, The New Yorker indicated that “Slight Rebellion” would appear in its Christmas edition, but insisted that the story be shortened due to space considerations, to which Salinger consented. Despite the alteration, the story was ultimately cut from the issue.[11]

This experience contributed to Salinger’s sense of betrayal, and served to deepen his “suspicion of editorial methods and motives for the rest of his career.”[12] “Slight Rebellion off Madison” would not appear in the journal until after the end of the war, on December 21, 1946.[13] [14]

Critical Assessment

Biographer Kenneth Slawenki notes that Holden’s denunciations of social conventions take the form of “a scotch-drenched litany” whose “vehemence and self-derision” exceeds the expressions of disaffection that appear in The Catcher in the Rye (1951).[15] [16] Literary critic John Wenke questions the scale off Holden’s rhetoric with respect to the objects of his scorn:

“His repugnance is all-encompassing: it lacks antecedents and seems too excessive for the actual circumstances of this story.”[17]

Slawenski draws a distinction between two Holdens:

Significantly, Holden’s experiences are delivered in the third-person, rather than the first-person narration in Catcher, leaving the protagonist “far removed from the reader.”[18]

Theme

The Holden Caulfield of “Slight Rebellion” exposes the pathetic disorientation of “an individual trapped by the limitations of his own experience.” [19] The story, with its autobiographical elements, reveals the dichotomy that characterized Salinger outlook before 1942.[20] Indeed, “Salinger aligns himself so closely to Holden Caulfield as to cast his own spirit within the main character.”[21] Kenneth Slawenski writes:

Holden’s desperate and absurd scheme is a “confession” of the professional and personal contradictions that plagued Salinger in his early 20s.[22] Literary critic John Wenke writes:

The “playacting” in which Holden indulges, including a mock electric-chair execution, prefigures similar enactments of death that appear in The Catcher in the Rye (1951).[23]

Sources

Notes and References

  1. Wenke, 1991 p. 167: Selected Bibliography
  2. Wenke, 1991 p. 124: Salinger’s “first Holden Caulfield story…”
  3. Slawenski, 2010 p. 43: On the introduction of his character Holden Morrisey Caulfield in the story. And p. 44: “The first of nine stories featuring the Caulfield family, “Slight Rebellion” supplied the avenue along which Salinger’s career would move until it culminated in The Catcher in the Rye.”
  4. Wenke, 1991 pp. 25-28: Plot summary. And p. 25: “...third-person narrator…”
  5. Slawenski 2010 pp. 44-46: Plot summary
  6. Slawenski, 2010 p. 40: “The Lovely Dead Girl” that Salinger “referred to as such…” And p. 43: Salinger “had renamed the story…”
  7. Wenke, 1991 p. 6: “...it is generally unrecognized that the contours of Holden Caulfield’s character were drawn as early as 1941.” And p. 124: Salinger’s “first Holden Caulfield story…”
  8. Slawenski, 2010 p. 43
  9. Slawenski, 2010 p. 43: Accepted by The New Yorker in October 1941
  10. Slawenski, 2010 p. 47
  11. Slawenski, 2010 p. 78
  12. Slawenski, 2010 p. 148
  13. Wenke, 1991 p. 24: “...purchased by The New Yorker in 1941, but not published until December 1946. ” And p. 124: “...its publication delayed until after the war.”
  14. Book: Alexander, Paul . 14 July 2000 . Salinger: A Biography . New York . Renaissance Books . 978-1580631488.
  15. Slawenski, 2010 p. 45
  16. Wenke, 1991 p. 26: The story “focuses not only on phony language but more sweepingly on conventional forms of behavior.”
  17. Wenke, 1991 p. 26
  18. Slawenski, 2010 p. 88: In “Slight Rebellion” Salinger used a remote third-person narrative to tell Holden’s tale.”
  19. Slawenski, 2010 p. 45
  20. Slawenski, 2010 p. 45: Holden “torn in opposite directions…so clearly yearns for the very things he claims to hate.”
  21. Slawenski, 2010 p. 44
  22. Slawenski, 2010 p. 46: “confession” of Salinger’s “frustration…in his own life at the time.” And p. 44: Salinger merges with his character Holden.
  23. Wenke, 1991 p. 27