Signs of Life | |
Type: | studio |
Artist: | Billy Squier |
Cover: | Signs of Life (Billy Squier album - cover art).jpg |
Released: | July 1984 |
Recorded: | April 28, 1984 – June 16, 1984 |
Genre: | |
Length: | 49:46 |
Label: | Capitol |
Producer: | |
Prev Title: | Emotions in Motion |
Prev Year: | 1982 |
Next Title: | Enough Is Enough |
Next Year: | 1986 |
Signs of Life is the fourth studio album by American musician Billy Squier. It was co-produced by Meat Loaf's songwriter Jim Steinman, replacing Reinhold Mack, who had produced Squier's previous two records, Don't Say No (1981) and Emotions in Motion (1982).
Signs of Life became Squier's third-in-a-row platinum selling record. It was his highest new entry, at #61, on the Billboard album chart (also the peak of his next offering). The disc spent nearly a year in the charts, reaching #11. It made the Top 10 in Cash Box.[1]
The album's best known song, "Rock Me Tonite", was his best charting Pop hit and second #1 single in the Mainstream Rock charts. The perceived challenge to Squier's image as a guitar-playing rocker is often regarded as one of the main reasons for Squier's subsequent popularity decline as well as one of the worst music videos in the history of MTV; in the book I Want My MTV there is a whole chapter dedicated to it.
Apart from its lead single's music video, the album's elaborated production with heavy usage of synthesizers, as well as poppier songwriting, divided Squier's audience. Critics of the time relegated a portion of his rock audience to pop fans. In a two-star review, AllMusic's Mike DeGagne felt the album lacking the "over-the-top approach Squier usually adds to his music".[2] Nowadays, the album is viewed as one of Squier's finest artistic achievements, despite its notoriety.
Cash Box described the second single from the album, "All Night Long," as a "superb combination of tight tracks, strong vocals and high energy."[3] Cash Box said of the single "Eye on You" that it "is more typically melodic and moving than...'All Night Long'" and added that "with a strong chorus, hook and a mid-tempo backing, Squier’s vocals have a chance to breathe and he makes full use of a throaty growl."[4]
Peak position | |
Australian Albums (Kent Music Report)[6] | 96 |
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