Sigma Corporation | |
Native Name: | 株式会社シグマ |
Native Name Lang: | ja |
Type: | Private KK |
Foundation: | Setagaya, Japan |
Founder: | Michihiro Yamaki |
Location: | Asao-ku, Kawasaki, Kanagawa 215-8530, Japan |
Key People: | Kazuto Yamaki (CEO) |
Industry: | Electronics |
Num Employees: | 1,135 |
Subsid: | Foveon |
Footnotes: | [1] [2] |
is a Japanese company, manufacturing cameras, lenses, flashes and other photographic accessories. All Sigma products are produced in the company's own Aizu factory in Bandai, Fukushima, Japan. Although Sigma produces several camera models, the company is best known for producing high-quality lenses and other accessories that are compatible with the cameras produced by other companies.
The company was founded in 1961 by Michihiro Yamaki, who was Sigma's CEO until his death at age 78 in 2012.[3]
Sigma products work with cameras from Canon, Nikon, Pentax, Sony, Olympus and Panasonic, as well as their own cameras.
Sigma has also made lenses under the Quantaray name, which have been sold exclusively by Ritz Camera. Similarly, Sigma lenses were sold exclusively by the former Wolf Camera, but following the merger of Wolf and Ritz, both brands could be purchased.
Sigma's digital SLRs, the SD9, SD10, SD14 and SD15, plus the latest SD1 are unusual in their use of the Foveon X3 image sensor. The company's mirrorless cameras, the Sigma SD Quattro and SD Quattro H, use the Foveon Quattro sensor, an updated version of the Foveon X3. All use the SA lens mount. The Sigma DP series of high-end compact P&S cameras also use the Foveon Quattro sensor, which gives them a much larger sensor than other cameras of this type.
In September 2018 Sigma became one of the founding members of the L-Mount Alliance; it announced that it will cease to develop SA-mount cameras and instead use Leica's L-Mount. A new full-frame mirrorless camera, Sigma FP, was launched in 2019 along with a range of L-Mount lenses and adapters.[4]
Sigma is the world's largest independent lens manufacturer and is a family-owned business.[5]
Sigma has made a number of film SLR cameras, including the SA-300, SA-5, SA-7 and SA-9. Their latest consumer digital SLR is the SD15. During photokina 2010, Sigma announced a new flagship DSLR camera, the SD1. SD1 features a new 46MP Foveon X3 sensor with 1.5x crop, as opposed to the 1.7x crop of previous models.[6]
All Sigma SLR, DSLR, and mirrorless cameras use the Sigma SA mount, which is mechanically similar to the Pentax K mount and electrically an adaptation of the Canon EF lens mount lens control system.
Sigma also produces the DP series of high-end compact digital cameras. The Foveon APS-C sized sensors are similar to those used in the DSLR line. The current line makes use of the Quattro sensor, a variant of the Foveon design that has a higher resolution top layer and lower resolution lower layers combined into a final image that is claimed to be equivalent to a 39 megapixel color filter array image. The four compact cameras are differentiated by their fixed prime lens, with the ultra wide DP0, the wide DP1, the normal DP2 and the telephoto DP3.
In February 2016, Sigma announced two new mirrorless cameras—the SD Quattro and SD Quattro H. Both cameras use the full-depth Sigma SA mount, allowing the use of existing SA-mount lenses, and also use Foveon Quattro sensors. The SD Quattro uses an APS-C sensor with 19.6 MP in the top layer, while the SD Quattro H uses an APS-H (1.35x crop) sensor with 25.5 MP in the top layer. The company claims that the Foveon Quattro technology produces a level of detail equivalent to that of a Bayer sensor with twice the pixel count.[7]
Sigma produces multiple software packages for use with their cameras and lenses.[8]
Sigma makes autofocus lenses for the Sigma SA, Canon EF, Nikon F, Minolta/Sony α, Pentax K and Four Thirds lens mounts. Each lens may not be available in all mounts, and may lack certain features (such as HSM) on certain mounts.
In August 2013, Sigma announced that starting the following month, it would offer a mount conversion service for its newest "Global Vision" lenses—those with either an "A" (Art), "C" (Contemporary), or "S" (Sport) as part of their model name. For a cost that varies with lens and market—from $80 to $250 in the U.S., not including shipping costs—owners can send their lenses to their local Sigma company, which in turn sends them to Japan for mount replacement, including calibration and optimization for the new camera system. Lenses designed for DSLRs can be converted to Canon EF, Nikon F, Pentax K, Sigma SA, or Sony A mounts; those designed for MILCs can be converted to Micro Four Thirds or Sony E-mount.[9]
Focal length | Aperture | EX | full-frame | HSM | Series | Note |
---|---|---|---|---|---|---|
8–16mm | 4.5-5.6 | |||||
10–20mm | 4-5.6 | |||||
10–20mm | 3.5 | |||||
12–24mm | 4.5-5.6 | Aspherical | ||||
12–24mm II | 4.5-5.6 | Aspherical | ||||
12–24mm | 4 | A | ||||
14-24mm | 2.8 | A | DN | |||
14-24mm | 2.8 | A | ||||
15–30mm | 3.5–4.5 | Aspherical | ||||
16-28mm | 2.8 | C | DN | |||
17–35mm | 2.8–4 | Aspherical | ||||
18–35mm | 3.5-4.5 | Aspherical | ||||
20–40mm | 2.8 | Aspherical | ||||
21–35mm | 3.5-4.2 | |||||
24–35mm | 2 | A | ||||
Focal length | Aperture | EX | full-frame | OS | HSM | Series | Note |
---|---|---|---|---|---|---|---|
17–50mm (2010) | 2.8 | ||||||
17–70mm | 2.8–4.5 | MACRO | |||||
17–70mm | 2.8-4.0 | MACRO | |||||
17–70mm | 2.8-4.0 | C | MACRO | ||||
18–35mm | 1.8 | A | |||||
18–50mm | 2.8 | ||||||
18–50mm | 2.8 | C | DN | ||||
2.8 | MACRO | ||||||
18–50mm | 2.8-4.5 | ||||||
18–50mm | 3.5–5.6 | ||||||
18-200mm | 3.5-6.3 | C | MACRO | ||||
24–60mm | 2.8 | ||||||
24–70mm | 2.8 | MACRO | |||||
24–70mm | 2.8 | ||||||
24–70mm | 2.8 | A | DN | ||||
24–70mm | 2.8 | A | |||||
24–70mm | 3.5–5.6 | Aspherical HF | |||||
24–105mm | 4 | A | |||||
24–135mm | 2.8–4.5 | Aspherical IF | |||||
28–70mm | 2.8 | ||||||
28–70mm | 2.8 | ||||||
28–70mm | 2.8 | DF | |||||
28–70mm | 2.8 | ||||||
28–70mm | 2.8 | C | DN | ||||
28–70mm | 2.8–4 | ||||||
28–70mm | 2.8–4 | UC | |||||
28–70mm | 3.5–4.5 | UC | |||||
28–80mm | 3.5–5..6 | Aspherical Macro | |||||
28–84mm | 3.5–4.5 | ||||||
28–85mm | 3.5–4.5 | ||||||
28–105mm | 2.8–4 | ||||||
28–105mm | 3.8–5.6 | Aspherical IF | |||||
28–105mm | 4–5.6 | UC | |||||
28–135mm | 3.8–5.6 | ||||||
28–135mm | 4–5.6 | ||||||
28–200mm | 3.5–5.6 | Macro | |||||
28–200mm | 4–5.6 | ||||||
28–300mm | 3.5–6.3 | Macro | |||||
28-300mm | 3.5-6.3 | DL Hyperzoom Aspherical IF | |||||
35–70mm | 2.8–4 | ||||||
35–70mm | 3.5–4.5 | ||||||
35–80mm | 4–5.6 | DL | |||||
35–105mm | 3.5–4.5 | Macro | |||||
35–135mm | 3.5–4.5 | ||||||
35–135mm | 4–5.6 | UC | |||||
35–200mm | 4–5.6 | ||||||
39–80mm | 3.5 | XQ | |||||
Focal length | Aperture | EX | full-frame | OS | HSM | Series | Introduction | Note |
---|---|---|---|---|---|---|---|---|
50-100mm | 1.8 | A | 2016 | |||||
50-150mm | 2.8 | |||||||
50-150mm II | 2.8 | |||||||
50-150mm | 2.8 | APO | ||||||
50–200mm | 3.5-4.5 | APO | ||||||
50–500mm | 4–6.3 | |||||||
50–500mm | 4.5-6.3 | |||||||
55–200mm | 4–5.6 | |||||||
60–600mm | 4.5–6.3 | S | ||||||
70–150mm | 3.5 | |||||||
70–200mm | 2.8 | 2006 | MACRO | |||||
70–200mm | 2.8 | 2005 | ||||||
70–200mm 4/3 | 2.8 | 2008 | ||||||
70–200mm II | 2.8 | 2007 | MACRO | |||||
70–200mm[11] | 2.8 | 2010 | APO | |||||
70-200mm | 2.8 | S | 2018 | |||||
70-210mm | 2.8 | APO | ||||||
70–210mm | 3.5–4.5 | APO | ||||||
70–210mm | 4-5.6 | UC | ||||||
70–210mm II | 4-5.6 | UC | ||||||
70–210mm | 4.5 | UC | ||||||
70–250mm | 3.5-4.5 | |||||||
70–300mm | 4–5.6 | MACRO | ||||||
70–300mm | 4–5.6 | APO | ||||||
75–200mm | 2.8-3.5 | |||||||
75–200mm | 3.8 | |||||||
75–230mm | 4.5 | |||||||
75–250mm | 4.5 | |||||||
75–300mm | 4.5–5.6 | APO | ||||||
80–200mm | 3.5 | |||||||
80–200mm | 3.5-4.0 | |||||||
80–200mm | 4.5–5.6 | |||||||
80–400mm | 4.5–5.6 | |||||||
100–200mm | 4.5 | |||||||
100–300mm | 4 | |||||||
100–300mm | 4.5–6.7 | DL | ||||||
100-400mm | 5-6.3 | C | 2020 | DN | ||||
100-400mm | 5-6.3 | C | 2017 | |||||
100–500mm | 5.6–8 | APO Zoom Tau | ||||||
120–300mm | 2.8 | |||||||
120–300mm | 2.8 | |||||||
120-300mm | 2.8 | |||||||
120–300mm | 2.8 | S | ||||||
120–300mm | 5.6 | |||||||
120–300mm | 5.6-6.3 | |||||||
120–400mm | 4.5–5.6 | APO | ||||||
135–400mm | 4.5–5.6 | |||||||
150–500mm | 5–6.3 | APO | ||||||
150–600mm | 5–6.3 | C | ||||||
150–600mm | 5–6.3 | S | ||||||
170–500mm | 5–6.3 | |||||||
200–500mm | 2.8 | 2x teleconverter included, allowing 400–1000mm 5.6 | ||||||
300–800mm | 5.6 | APO | ||||||
350-1200mm | 11 | APO | ||||||
Focal length | Aperture | EX | full-frame | HSM | Series | Note |
---|---|---|---|---|---|---|
8mm | 3.5 | Circular Fisheye | ||||
8mm | 4 | Circular Fisheye | ||||
10mm | 2.8 | Fisheye Ultra-Wideangle | ||||
12mm | 2.8 | Fisheye Ultra-Wideangle | ||||
14mm | 1.8 | A | ||||
14mm | 2.8 | Aspherical | ||||
14mm | 3.5 | |||||
15mm | 2.8 | Diagonal Fisheye | ||||
16mm | 1.4 | C | DN | |||
16mm | 2.8 | XQ Filtermatic Diagonal Fisheye | ||||
18mm | 2.8 | Filtermatic | ||||
18mm | 3.2 | XQ | ||||
18mm | 3.5 | XQ | ||||
20mm | 1.4 | A | DN | |||
20mm | 1.4 | A | ||||
20mm | 1.8 | Aspherical RF | ||||
20mm | 2 | C | DN | |||
24mm | 1.4 | A | DN | |||
24mm | 1.4 | A | ||||
24mm | 1.8 | Aspherical | ||||
24mm | 1.8 | Aspherical Macro | ||||
24mm | 2 | C | DN | |||
24mm | 2.8 | XQ Filtermatic | ||||
24mm | 2.8 | Aspherical | ||||
24mm | 2.8 | Super Wide | ||||
24mm II | 2.8 | Super Wide | ||||
24mm | 3.5 | C | DN | |||
28mm | 1.4 | A | ||||
28mm | 1.8 | Aspherical Macro | ||||
28mm | 2.8 | XQ Filtermatic | ||||
28mm | 2.8 | Mini Wide II | ||||
30mm | 1.4 | C | DN | |||
35mm | 1.2 | A | DN | |||
35mm | 1.4 | A | DN | |||
35mm | 1.4 | A | ||||
35mm | 2.8 | GN (guide number) | ||||
Focal length | Aperture | EX | full-frame | HSM | Series | Note |
---|---|---|---|---|---|---|
1.4 | 45mm equivalent on most APS-C systems, 48mm equivalent on Canon APS-C, 51mm on Sigma, 60mm on Four Thirds | |||||
30mm | 1.4 | C | DN | |||
30mm | 1.4 | A | available for Canon, Nikon, and Sigma mounts | |||
35mm | 2 | C | DN | |||
40mm | 1.4 | A | ||||
45mm | 2.8 | C | DN | |||
50mm | 1.4 | |||||
50mm | 1.4 | A | ||||
65mm | 2 | C | DN | |||
Focal length | Aperture | EX | full-frame | OS | HSM | Note |
---|---|---|---|---|---|---|
Macro 50mm | 2.8 | |||||
Macro 50mm | 2.8 | |||||
Macro 55mm | 2.8 | XQ | ||||
Macro 70mm | 2.8 | |||||
Macro 90mm | 2.8 | |||||
Macro 100mm | 2.8 | XQ | ||||
Macro 105mm | 2.8 | |||||
Macro 105mm | 2.8 | |||||
Macro 105mm | 2.8 | |||||
APO Macro 150mm | 2.8 | |||||
APO Macro 105mm | 2.8 | |||||
APO Macro 180mm | 2.8 | |||||
APO Macro 180mm | 2.8 | |||||
APO Macro 180mm | 2.8 | IF | ||||
APO Macro 180mm | 5.6 | |||||
Focal length | Aperture | EX | full-frame | OS | HSM | Series | Note |
---|---|---|---|---|---|---|---|
56mm | 1.4 | C | DN | ||||
85mm | 1.4 | [12] | |||||
85mm | 1.4 | A | DN | ||||
85mm | 1.4 | A | |||||
90mm | 2.8 | C | DN | ||||
105mm | 1.4 | ||||||
105mm | 2.8 | A | DN MARCO | ||||
105mm | 1.4 | A | |||||
135mm | 1.8 | A | |||||
135mm | 1.8 | XQ | |||||
135mm | 1.8 | Sigmatel | |||||
135mm | 2.5 | T-mount | |||||
135mm | 2.8 | ||||||
135mm | 3.5 | ||||||
200mm | 2.8 | XQ | |||||
200mm | 3.5 | ||||||
200mm | 4 | ||||||
APO 300mm | 2.8 | ||||||
APO 300mm | 2.8 | ||||||
300mm | 4 | XQ | |||||
APO 300mm | 4 | MACRO | |||||
APO 300mm | 4 | MACRO | |||||
APO 300mm | 4.5 | ||||||
300mm | 5.6 | ||||||
400mm | 5.6 | ||||||
400mm | 5.6 | Mirror | |||||
APO 400mm | 5.6 | ||||||
APO 400mm | 5.6 | MACRO | |||||
APO 400mm | 5.6 | MACRO | |||||
500mm | 4 | Mirror-Ultratelephoto | |||||
APO 500mm | 4.5 | ||||||
APO 500mm | 4.5 | ||||||
500mm | 4 | S | |||||
APO 500mm | 7.2 | ||||||
500mm | 8 | Mirror | |||||
600mm | 8 | Mirror | |||||
APO 800mm | 5.6 | ||||||
APO 1000mm | 8 | ||||||
1000mm | 13.5 | Mirror | |||||
In 2011, Nikon filed a suit against Sigma, alleging it had violated patents relating to Nikon's "Vibration Reduction" image stabilisation technology.[18] In 2015, the suit ended through settlement, with no details disclosed.[19]