The Mexico International Short Film Festival - Shorts México - is a film festival exclusively dedicated to short films in Mexico.[1]
Since 2006,[2] it has been held annually during the first week of September in Mexico City, in addition to having a national[3] and international Tour,[4] which takes Mexican short films to venues in Mexico City, other cities in the country and in the world.
It is a festival certified by the Mexican Academy of Cinematographic Arts and Sciences (AMACC). This means that by submitting a short film at this festival, one can register and be considered for the Ariel Award.[5]
The 15th edition of Shorts México (FICMEX) will take place from September 2 to 9, 2020.[6]
The Festival's founder and director is Jorge Magaña and the Director of programming is film curator and producer, Isaac Basulto.
Founded by Jorge Magaña, the first edition took place in 2006 under the name of Shorts Shorts Film Festival Mexico.[7] It was the adaptation of an Asian format, which continues to take place in the city of Tokyo. It was supported by institutions such as the Embassy of Japan in Mexico, Japan Foundation, the Mexican Institute of Cinematography (IMCINE), Cinemex, Televisa Foundation and Telmex Foundation. The venues were: Cinemex WTC, Cinemex Insurgentes, Bella Epoca Cine Lido Cultural Center, Cinematoía Loreto, Pabellón de Alta Tecnología (PAT), the Cineteca Nacional and the University Cultural Center of the UNAM.
As of 2011, the special program of Homenage en Corto was created, in which the works of some actors realized in short films are presented. In that edition, the first actress commemorated was Ana Ofelia Murguía;[8] in 2012, Damián Alcázar;[9] in 2013, Daniel Giménez Cacho; in 2015, the actress Cecilia Suárez;[10] in 2016, Mónica Huarte; in 2017, Vanessa Bauche[11] and in 2018, Arcelia Ramírez.[12] Likewise, in 2013, the Neo Mex Mexican Competition was created to promote new talents in Mexican cinema.
In 2012, it was decided to continue with the Short Film Screenplay Contest, in which the participants submit short film screenplays.[13]
In 2019, the Short Film Pitching Competition was created, in which participants submit short film projects.[14]
Created in 2014 with the purpose of having a place of continuous exhibition for the short film, they are also known as "Noche de Cortoteca".[15] It is an exhibition platform that has the presence of filmmakers, directors, producers, actors, who interact with the audience. They show mainly Mexican short films and a specialized selection of international shorts. This event takes place at the Cineteca Nacional, Fondo de Cultura Económica - Bella Epoca Cine Lido Cultural Center, and now the Comunal Condesa restaurant.
Web program dedicated exclusively to diffuse the national and international short films produced by Shorts México and the company Filmmen, presented by the actress Mónica Huarte.
Created in 2017, it is the first program dedicated to a film festival, presented by Mexican actress Vanessa Bauche and directed by Rafa Lara, aired on AZ Cinema.[16] The purpose of the program is to show the winning short films of each edition of the festival.
Series of conferences created and carried out on an academic level with professionals in the fields related to production, postproduction, screenplay, promotion, copyright, etc.[17]
At the end of its exhibition in Mexico City the festival has a Shorts México Tour throughout the year, which takes place in Mexico City, cities and towns of the Mexican Republic, as well as in various countries.[18] At the national level it has been presented in: Zacatecas, León, Morelia, Fresnillo, Xalapa, Los Cabos, Mérida, Querétaro, Monterrey, Cancun, Oaxaca, Puebla and Saltillo. Internationally, a selection of Mexican shorts have been presented in Tokyo, New York, Cairo, London, Paris, Madrid, Montreal, Santiago and Vancouver.
| Editions | Competitions | Awards | Winners |
|---|---|---|---|
| 2006[19] | MEXICAN CINEMA | Best Mexican short film | La leche y el agua by Celso García |
| Best director | Francisco Vargas Quevedo for El violín | ||
| Best screenplay | Celso García for La leche y el agua | ||
| Best photography | Ciro Cabello for El Otro Cuarto | ||
| Best actress | Vicky de Fuentes for Latidos | ||
| Best actor | Dagoberto Gama for El violín | ||
| Special mention | Música de ambulancia by Paula Marcovitch | ||
| MEXICAN VIDEO | Best Mexican short film in video | En el cielo como en la tierra by Natalia López | |
| IBEROAMERICAN | Best iberoamerican short film | Te quiero mal by Mireia Giró Costa from Spain | |
| Special mention | Medianeras by Gustavo Taretto from Argentina | ||
| 2007 | MEXICAN CINEMA | Best Mexican short film | Tiene la tarde ojos by Hari-Carlos Sama |
| Best Director | Pablo Fulgueira for Es muy fácil | ||
| Best screenplay | Sebastián Menagaz y Lucas Ezequiel Damino for Reality Show | ||
| Best photography | Ciro Cabello for Fin de trayecto | ||
| Best Actor | Enrique Arreola for Tiene la tarde ojos | ||
| Best actress | Ana Ofelia Murguía for Señas particulares | ||
| Special mention of the jury | De la vista nace el amor by Miguel Anaya, Ver Llover by Elisa Miller, El sueño de Isi by Isi Sarfati | ||
| MEXICAN VIDEO | Best Mexican short film in video | De causas y azares by Ileana Leyva | |
| Special mention of the jury | Ventana by Santiago Esteinou, Historia de un letrero by Alonso Álvarez | ||
| Special mention for photography | Lugares secretos by Alejandro Díaz | ||
| IBEROAMERICAN | Best iberoamerican short film | Éramos pocos by Borja Cobeaga | |
| Special mention of the jury | El canto del grillo by Dany Campos | ||
| 2008 | MEXICAN CINEMA | Best short film | Café paraíso by Alonso Ruizpalacios |
| Best Director | Alonso Ruizpalacios for Café paraíso | ||
| Best photography | Damián García for Café paraíso | ||
| Best screenplay | Alonso Ruizpalacios for Café paraíso | ||
| Best actor | Tenoch Huerta for Café paraíso | ||
| Best actress | Yuriria del Valle for La ropa sucia | ||
| Special mention of the jury | Cosita linda by Fernando Fidel Urdapilleta | ||
| ¡Destápalo! by Eun Hee Ihm | |||
| Jacinta by Karla Castañeda | |||
| La curiosa conquista del ampere by Ramón Orozco | |||
| MEXICAN VIDEO | Best short film | Edén, by Sergio Tovar Velarde | |
| Best director | Gabriel Herrera for Primer movimiento para veinte hombres en un cuarto vacío | ||
| Special mention for animation | El hambre de Caribdis by Chehaibar-Macias | ||
| Special mention for experimental | Pescador by Daniela Schneider | ||
| Technical special mention | Cero en geometría by Isac Betancourt | ||
| El llanto de la tierra by Lucio Olmos | |||
| IBEROAMERICAN | Best short film | Saliva by Esmir Filho (Brazil) | |
| Best director | Eduardo Chapero Jackson for the short film Alumbramiento (Spain) | ||
| Special mention of the jury | Convite para jantar com o camarada Stalin by Ricardo Alves (Brazil-Argentina) | ||
| Award SIGNIS | Paloma by Roberto Fiesco | ||
| Special mention SIGNIS | Carretera del Norte by Rubén Rojo Aura | ||
| Award Cinemex | Voodoo Bayou by Javier Gutiérrez | ||
| Award CINEMAFILMS | Best short film cinema | Café paraíso by Alonso Ruizpalaciocena | |
| Best short film video | Edén, by Sergio Tovar Velarde | ||
| 2009 | MEXICAN CINEMA | Best short | Tierra y Pan, by Carlos Armella |
| Best Director | Carlos Armella for Tierra y Pan | ||
| Best screenplay | 40 grados a la Sombra, by Flavio González Mello | ||
| Best photography | 40 grados a la Sombra, by César Gutiérrez and Iván Fernández | ||
| Best edition | El armadillo fronterizo, by Miguel Anaya Borja | ||
| Best sound | Carlos Zamorano for Tierra y pan | ||
| Best Actor | Rubén Pablos for La canción de los niños muertos | ||
| Best actress | Ana Elisa Fernández for Sobre ruedas | ||
| Special mention | Jaulas, by Juan José Medina | ||
| Sobre Ruedas, by Ivonne Delgadillo | |||
| Special mention (Carlos Bonfil) | La cena, by Gil González | ||
| Special mention (Mónica Huarte) | La espera, by Pablo Tamez | ||
| MEXICAN VIDEO | Best short | Fogatas en el cielo, by César Salgado | |
| Best animated short | El Gran Bang, by the collective Llamarada de Petate | ||
| Special mention of the jury | Pelea de gallos, by Gabriel Pontones | ||
| Pájaros en abril, by Gabriel Ridaura | |||
| El descubrimiento, by Alonso Álvarez Barreda | |||
| Nación Apache, by Carlos Muñoz | |||
| Día Festivo, by Eber García | |||
| IBEROAMERICAN | Best short | Donde quiera que vayas, by Sara Barbas from Portugal/UK | |
| Best director | Brian Jacobs for Quien es el Verdugo, from Cuba/Perú | ||
| Best screenplay | El ataque de los robots de la nebulosa-5, by Chema García Ibarra from Spain | ||
| Best photography | Javier Fuentes for El mal de Schneider, by Javier Chillón from Spain | ||
| Best acting | Mónica Muntaner in Absent, by Guillermo Asensio from Spain | ||
| Best sound | Carlos Manrique Clavijo, Gonzalo García for En Agosto; Andrés Barrientos and Carlos Andrés Reyes from Colombia | ||
| Best edition | Enterrados by Alex Lora Cércos, from Spain | ||
| SIGNIS | Award SIGNIS | La canción de los niños muertos, by David Pablos. | |
| Special mention SIGNIS | El armadillo fronterizo, by Miguel Anaya Borja | ||
| RED RENTALS | RED RENTALS | Tierra y pan by Carlos Armella | |
| 2010[20] | MEXICAN FICTION | Best short film | Últimos pasajeros, directed by Ricardo Soto |
| Best Director | Felipe Gómez for the short film Lupano Leyva | ||
| Best screenplay | Erick Garcia Corona and Alexandra Márquez for the short film Amanecer, directed by Erick Garcia Corona | ||
| Best photography | Andrés León Becker for the short film 5 recuerdos, directed by Oriana Alcaine and Alejandra Márquez | ||
| Best actress | Leticia Huijara for the short film Las Ovejas pueden pastar seguras, directed by Nestor Sampieri | ||
| Best Actor | Ramiro Ramírez for the short film A solas, directed by David Romay | ||
| Best edition | Yibran Asuad for the short film 5 Recuerdos, directed by Oriana Alcaine and Alejandra Márquez | ||
| Best sound design | Pablo Fernández for el Último Canto del pájaro Cú, directed by Alonso Ruizpalacios. | ||
| MEXICAN ANIMATION | Mention for Best short ANIMATION | Martyris directed by Luis Felipe Hernández | |
| Mention for Best short film Experimental | Tensa Calma directed by Alfredo Salomon | ||
| Amanecer by Erick García Corona (Gustavo Montiel Pagés) | |||
| Cinco Recuerdos by Oriana Alcaine and Alejandra Marquez (Iliana Fox) | |||
| La mina de oro by Jacques Bonnavent (Monica Dionne) | |||
| Martyris by Luis Felipe Hernández (Javier Arath Cortes) | |||
| MEXICAN DOCUMENTARY | Best short film | Cassandro, el exótico directed by Michael Ramos Araizaga | |
| Best director | Carlos Hernández for Aquellos sin nombre | ||
| Best photography | Juan Carlos Lazo for the short film Solo pase la persona que se va a retratar, directed by Roque Azcuaga | ||
| Special mention for the short film Tragicómico | Autocasting directed by José Luis Soto Ruvalcaba | ||
| IBEROAMERICAN | Best short film | Abuelos directed by Michael Wahrmann from Brazil | |
| Best Director | Michael Wahrmann for the short film Abuelos from Brazil | ||
| Best screenplay | Cláudia Varejao and Graca Castanheira, for the short film Un día frió from Portugal | ||
| Best photography | Rui Xavier, for the short film Un día Frió from Portugal | ||
| SIGNIS | Award SIGNIS | La patrona directed by Lizzette Arguello, Mexico | |
| NOT BEEN DONE | Best Skateboarding short film in the professional category | Skater directed by Francisco Manzanares | |
| Best Skateboarding short film in the independent category | Out of Bounds directed by Enrique M. Benites | ||
| 2011[21] | MEXICAN FICTION | Best short | Una noche by Acán Coen |
| Best director | Firmes by Yordi Capó | ||
| Best screenplay | Acán Coen for Una Noche | ||
| Best photography | Heriberto Acosta for Firmes | ||
| Best actor | Mario Zaragoza for Una noche | ||
| Best actress | María Deschamps for Miel | ||
| Special mention | Borreguito for La dirección | ||
| To Rubén Pablos's acting in El pescador | |||
| El pescador, screenplay by Samantha Pineda and Davy Giorgi | |||
| De este mundo, work of the actress Diana Lein | |||
| Miel, direction and screenplay by Lucero Sánchez | |||
| Mari Pepa for direction and screenplay of Samuel Kishi | |||
| MEXICAN ANIMATION | Best short | Clean es Good by Carlos Matiella | |
| Special mention | Prita Noire by Sofía Carrillo | ||
| Mutatio for concept and realization | |||
| MEXICAN DOCUMENTARY | Best DOCUMENTARY | Nunca nunca no dejé ir by Moisés Aisemberg | |
| Special mention | Río Lerma by Esteban Arrangoiz | ||
| Semana santa cora by Omar Osiris and Beatriz B. Bautista | |||
| SIGNIS | Award SIGNIS | Firmes by Yordi Capó | |
| IBEROAMERICAN | Best short | El Cortejo by Marina Seresesky from Spain | |
| Best director | 15 summers later by Pedro Collantes | ||
| Best screenplay | Protopartículas by Chema García | ||
| Best photography | Voodoo by Sandro Aguilar de Portugal | ||
| Special mention | Hidden Soldier by Alejandro Suárez | ||
| Birdboy by Pedro Rivero and Alberto Vázquez | |||
| 3,2 Lo que hacen las novias by Jota Linares | |||
| INTERNATIONAL | Best short | Colivia by Adrian Sitaru from Romania | |
| Special mention | Vafor by Kave Nobation from Canada-Mexico | ||
| 2012[22] | MEXICAN FICTION | Best short | La herida de Lucrecia by Sabrina Maldonado |
| Best director | Sebastian Quintanilla for La Habitación | ||
| Best screenplay | Alexandra Marquez for Dos de tres by Paulina Rosas | ||
| Best photography | Alejandro Cantú for Revelación by Acán Coen | ||
| Best actor | Juan Carlos Barreto for Apocrifo by Ernesto Fundora | ||
| Best actress | Karina Gidi for La Habitacion by Sebastián Quintanilla | ||
| Special mention acting | Aida López for La Madre by Ernesto Martínez Bucio | ||
| Kids and teenagers | Emanuel Espíndola, Alan Fuentes, Sebastián Díaz, Rebeca Tolsá Bolado, Sergio Meneses Villarreal and Assira Abbate Machado, from the castings of the following shorts: Dos de tres by Paulina Rosas, Dentro de uno by Salvador Aguirre, Assemble by Miguel Ferráez, Pollito Chiken, Gallina Hen by Marta Hernaiz Pidal, and Plutón y los planetas by Vonno A. Ambriz. | ||
| Best edition | Miguel Ferraez for Assemble by Miguel Ferráez | ||
| Best sound | MCO estudios for Apocrifo by Ernesto Fundora | ||
| Best art | Rol Juárez Pérez for El Banquete del Clown by Franco Carmona | ||
| Special mention Art | Sofía Carrillo for Retrato anónimo by Paola Chaurand | ||
| Special mention | Me extinguiré en el silencio by David Castañón Medina | ||
| Del aire soy by Rodrigo Ugalde de Haene | |||
| MEXICAN ANIMATION | Best short | Dame posadas by Cecilio Vargas Torres | |
| Special mention | A secas by Andreas Papacostas | ||
| Teclopolis by Javier Mrad from Argentina | |||
| MEXICAN DOCUMENTARY | Best DOCUMENTARY | Fuimos gigantes by Víctor Navarro | |
| Special mention | Yuban by Ya´asib Vázquez Colmenares | ||
| Ruinas by Martín Molina Gola | |||
| IBEROAMERICAN | Best short | Salón Royal by Sabrina Campos from Argentina. | |
| Special mention | La Matraca de Benfhazi by Paco Torres from Spain and Ireland | ||
| INTERNATIONAL | Best short | Normal People by Piotr Zlotorowitcz from Poland | |
| Special mention | A trois by Vanessa Clement / Jonathan Hazan from France | ||
| The Extraordinary Life of Rocky by Kevin Meul and Steven Dhoedt from Belgium | |||
| NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Cuando yo era viejo by Armando Narváez del Valle | |
| Special mentions | Carmita by Yoame Escamilla de Arsenal | ||
| Mimodrama by Carlos Alvahuante | |||
| Esa palabra con C by Karla E. López Romero | |||
| Award KUBRIK Universidad de la Comunicación | DOCUMENTARY | Fuimos gigantes by Víctor Navarro | |
| FICTION | Assemble by Miguel Ferráez | ||
| ANIMATION | A secas by Andreas Papacostas | ||
| Award MacTrainee | Best Mexican screenplay | Cuando yo era viejo by Armando Narváez del Valle | |
| Best DOCUMENTARY | Fuimos gigantes by Víctor Navarro | ||
| Best animation short | Dame posadas by Cecilio Vargas Torres | ||
| Best fiction short | La herida de Lucrecia by Sabrina Maldonado | ||
| 2013 | MEXICAN FICTION | Best short | Contrafábula de una niña disecada by Alejandro Iglesias Mendizábal |
| Best director | Alejandro Iglesias Mendizábal for Contrafábula de una niña disecada | ||
| Best screenplay | Juan Manuel Barreda and Ana Mary Ramos for Inframundo | ||
| Best photography | Ignacio Miranda for La Tiricia o cómo curar la tristeza | ||
| Best actor | Pedro Hernández for La banqueta and Kristyan Ferrer for Ratitas | ||
| Best actress | Concepción Márquez for El cielo en el lago and Andrea Berzosa for forcelana | ||
| MEXICAN ANIMATION | Best short | Lluvia en los ojos by Rita Basulto | |
| Special mention | Electrodoméstico | ||
| MEXICAN DOCUMENTARY | Best DOCUMENTARY | La Parka by Gabriel Serra Argüello | |
| Special mention | B-Boy by Abraham Escobedo Salas | ||
| MEXICAN NEOMEX | Best short | Antídoto by Tania Karenni Flores | |
| Special mention | El silencio by Sinhue Benavides | ||
| IBEROAMERICAN | Best short | Voice Over by Martín Rosete from Spain | |
| Special mention | Anacos by Xacio Baño from Spain | ||
| INTERNATIONAL ANIMATION | Best short | Lady with Flower Hair by Sarah Tabibzadeh from Iran | |
| Special mention | The Kiosk by Anete Melece from Switzerland | ||
| Head over Heels by Timothy Reckart from UK | |||
| INTERNATIONAL FICTION | Best short | Death of a Shadow by Tom Van Avermaet (Belgium/France) | |
| Special mention | Traje de Baño by Mathilde Bayle (France) | ||
| NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Rewind by Santiago Ortiz Monasterio | |
| 2014[23] | MEXICAN FICTION | Best short | Matabichos, by Gabriela Palacios |
| Best director | Bella, by Maricarmen Merino | ||
| Best screenplay | El Sonámbulo, by Lenz Claure | ||
| MEXICAN ANIMATION | Best short | El don de los espejos, by Mara Soler Guitián | |
| Special mention | El modelo de pickman, by Pablo Ángeles | ||
| DOCUMENTARY MEXICANO-IBEROAMERICANO | Best DOCUMENTARY MEX | Fuera de Foco, by Adrián Arce and Antonio Zirión | |
| Special mention MEX | Sueño de Juguetes, by Francisco Machado | ||
| Best short IA | Godka Cirka, by Alex Lora, Spain | ||
| Special mention IA | Prisioneros del Kanun, by Roser Corella, Spain | ||
| IBEROAMERICAN | Best short | Minerita, by Raúl de la Fuente, Spain | |
| Best director | Óscar Bernácer, Bikini, Spain | ||
| Best screenplay | Bikini, by Óscar Bernácer, Spain | ||
| INTERNATIONAL | Best short | Zima, by Cristina Picchi, Russia | |
| Best screenplay | Washingtonia, by Konstantina Kotzamani, Greece | ||
| Best director | Ilan Klipper, Juke Box, France | ||
| Special mention | The mass of men, by Gabriel Gauchet, UK | ||
| Hasta Santiago, by Mauro Carraro, Switzerland / France | |||
| The way back, by Halla Kim, South Korea | |||
| 2015[24] | MEXICAN FICTION | Best short | Trémulo, by Roberto Fiesco |
| Best director | Roberto Fiesco, for Trémulo | ||
| Best screenplay | Julio Berthely, for Mientras duermo | ||
| Best photography | Alejandro Cantú for Trémulo | ||
| Best sound | Alberto Molero for Nunca regreses | ||
| Best edition | Aina Calleja for Huellas | ||
| Best art | Maria José Pizarro for La tiara vacía | ||
| Best actor | Burak Yigit for Juego de dedos | ||
| Best actress | Margarita Sanz for Tres variaciones de Ofelia | ||
| Best production | Huellas, by Jorge Orozco Watson | ||
| MEXICAN DOCUMENTARY | Best short | Mucacho en la barra se mastura con rabia y osadía by Julián Hernández | |
| MEXICAN ANIMATION | Best short | Zimbo by Juan José Medina and Rita Basulto | |
| MEXICAN NEOMEX | Best short | Afuera by José Permar | |
| MÉXICO VIDEO | Best short | El incansable amor por la ruta del grupo Ramona | |
| IBEROAMERICAN FICTION | Best ibero-American fiction short film | La Gallina de Manel Raga / Spain | |
| IBEROAMERICAN ANIMATION | Best short | Edificio Tatuapé Mahal by Carolina Marcowicz and Fernando Salloum / Brazil | |
| IBEROAMERICAN DOCUMENTARY | Best short | La Reina by Manuel Abramovich / Argentina | |
| INTERNATIONAL DOCUMENTARY | Best short | Waiting For The (T)rain by Simon Panay / USA | |
| INTERNATIONAL ANIMATION | Best short | Dinner for Few by Nassos Vakalis / Greece | |
| INTERNATIONAL FICTION | Best short | Angels Die In The Soil by Babak Amini / Iran | |
| NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Tutti Frutti by Miguel Saucedo | |
| 2016[25] | MEXICAN FICTION | Best short | 24 º 51’ Latitud Norte, by Carlos Lenin Treviño, Ana Valentina López De Cea |
| Best director | Carlos Lenin Treviño for 24 º 51’ Latitud Norte | ||
| Best screenplay | Juliana Orea and Peter Asley Solís for En el estacionamiento | ||
| Special mention for screenplay | Rodrigo Ruiz Paterson, and Claudia Saint Luce for Australia | ||
| Best photography | Diego Tenorio for 24 º 51’ Latitud Norte | ||
| Best sound | Galileo Galaz, Be Flores and Misael Hernández for 24 º 51’ Latitud Norte | ||
| Best edition | David Zonana and Karen Espinal for Sangre Alba | ||
| Best art | Estibaliz Valdivia and Leo Juárez for El ocaso de Juan | ||
| Best costumes | Paula Quintanar and Constanza Martínez for En el estacionamiento | ||
| Best actor | Kristyan Ferrer for El Ocaso de Juan | ||
| Best actress | Lisa Owen for Australia | ||
| Special mention for the actress | María Fernanda Carrillo, for En el estacionamiento | ||
| MEXICAN DOCUMENTARY | Best short | Tobías, by Francisco de Acosta and Ramiro E. Pedraza | |
| Special mention | Club Amazonas, by Roberto Fiesco | ||
| Special mention | Aurelia and Pedro, by José Permar and Omar Robles | ||
| MEXICAN ANIMATION | Best short | Revoltoso, by Vonno Arturo Ambriz and Roy Ambriz | |
| Special mention | Los aeronautas, by León Fernández | ||
| Special mention | Los gatos, by Alejandro Río | ||
| MEXICAN NEOMEX | Best short | Puertas, by Soledad Violeta Carbajal | |
| Special mention | Abducción, by Antonio Ayala Galindo | ||
| Special mention | Luz de día, by Maurico Calderón Mora | ||
| IBEROAMERICAN FICTION | Best ibero-American fiction short film | San Cristóbal, by Omar Zuñiga Hidalgo, from Chili | |
| Mention | Lo compró en Zaratutz, by Aitor Arregui, from Spain | ||
| IBEROAMERICAN ANIMATION | Best short | La noche del oceano, by María Lorenzo, from Spain | |
| Special mention | Un nueve de abril, by Edgar Álvarez, from Colombia | ||
| IBEROAMERICAN DOCUMENTARY | Best short | A poquito es noche, by Paula Murcia Restrepo, from Cuba-Colombia | |
| Special mention | La impresión de una guerra, by Camilo Restrepo, from Colombia-France | ||
| INTERNATIONAL DOCUMENTARY | Best short | Irregulars, by Fabio Palmieri, from Italy | |
| Special mention | Mining poems or Odes, by Callum Rice, Scotland | ||
| INTERNATIONAL ANIMATION | Best short | To Build A Fire, by Fx Goby, from France | |
| Special mention | Deer Flowers, by Kangmin Kin, from South Korea | ||
| INTERNATIONAL FICTION | Best short | Zeus, by Pavel Vesnakov, from Germany | |
| Special mention | The Ravens, by Jennifer Perrot, from Australia | ||
| Award OF THE AUDIENCE ON LINE | ANIMATION | Revoltoso, by Vonno Arturo Ambriz and Roy Ambriz | |
| Queer | Libar, by Bárbara Moreno Turcott | ||
| FICTION | La hija prometida | ||
| NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Espuma de mar, by Luis Mariano García | |
| Special mention | Psic0nautas, by Israel Granja Hernández | ||
| Award OF THE PRESS | Best short | 24 º 51’ Latitud Norte, by Carlos Lenin Treviño, Ana Valentina López De Cea | |
| 2017[26] | MEXICAN FICTION | Best short | Verde, by Alonso Ruizpalacios |
| Best director | Alonso Ruizpalacios, for Verde | ||
| Best screenplay | Antonio de Jesús Sánchez, for La Ramona | ||
| Best photography | Julio Llorente, for Loving South | ||
| Best sound | Javier Umpierrez, for Verde | ||
| Best edition | Sheila Altamirano and Esteban Arrangoiz, for Peñas | ||
| Best art | Javier Umpierrez, for Verde | ||
| Best costumes | Alex Caraza and Eloise Kazan, for Julkita | ||
| Best actor | Gerardo Taracena, for La Ramona | ||
| Best actress | Meraqui Pradis, for Fuerza Bruta | ||
| MEXICAN ANIMATION | Best short | Cerulia, by Sofía Carrillo | |
| Special mention | Poliangular, by Alexandra Castellanos Solís | ||
| MEXICAN DOCUMENTARY | Special meSogon | La yarda, by Francisco Javier Sandoval | |
| Best short | Relato Familiar, by Sumie García | ||
| Special mention | Semillas de Guamúchil, by Carolina Corral Paredes | ||
| Special mention | Los árboles no dejan ver el bosque, by Gastón Andrade | ||
| MEXICAN NEOMEX | Special mention | Tierra Baldía, by Argenis Salinas Pineda | |
| Best short | Bestia, by José Permar | ||
| Special mention | El sabor de los nudillos, by Dante Alejandro Silva Treviño | ||
| Special mention | Colapso, by Santiago González Gavilanes | ||
| IBEROAMERICAN FICTION | Special mention | Hijo por Hijo, by Juan Avellar, from Venezuela | |
| Best ibero-American fiction short film | Culiaos, by Samuel González, from Chile | ||
| IBEROAMERICAN ANIMATION | Mention | Here's the plan, by Fernanda Frick, from Chile | |
| Mention | La casa de los colores, by Nicolas Villareal, from Argentina | ||
| Best short | Corp, by Pablo Polledri, from Argentina | ||
| IBEROAMERICAN DOCUMENTARY | Best short | Bolingo, el Bosque del amor, by Alejandro G. Salgado, from Spain | |
| INTERNATIONAL ANIMATION | Special mention | I think you are a little confused, by Iku Ogawa, from Japan | |
| Best short | Au Revoir Balthazar, by Rafel Sommerhalder, from Switzerland. | ||
| INTERNATIONAL DOCUMENTARY | Best short | One day in Aleppo, by Ali Alibrahim, from Syria-Sweden-Denmark | |
| Special mention | Speaking is difficult, by A. J. Schnack, from USA | ||
| INTERNATIONAL FICTION | Special mention | Semele, by Myrsini Aristidou, from Greece | |
| Best short | Minh Tam, by Vincent Maury, from France | ||
| AWARD OF THE ASOCIACION DE MUJERES EN EL CINE Y LA TV | Taller de Corazones Luisa Alba, for Filamentos | ||
| NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Eternity, by Davy Giorgi and Samantha Pineda | |
| 2018[27] | MEXICAN FICTION | Best short | Los desterrados hijos de Eva, by Omar Robles |
| Best director | El aire delgado, by Pablo Giles | ||
| Best screenplay | Mamartuile, Gabriel Nuncio | ||
| Best photography | Ulises, Tonatiuh Martínez | ||
| Best sound | Ulises, Rodrigo Barberá and José Iván Aguilera | ||
| Best edition | Laura y el viento, Natali Montell, Arián Sánchez and Gabriela Ruvalcaba | ||
| Best art | Mamartuile, Oscar Tello | ||
| Best costumes | Los desterrados hijos de Eva, Constanza Martínez | ||
| Best actor | El futuro, Krystian Ferrer | ||
| Best actress | El futuro, Jana Raluy | ||
| MEXICAN DOCUMENTARY | Best short | La sombra de un Dios, by Bernhard Hetzenauer | |
| Special mention | Oro Rosado, by Daniel Anguiano Zúñiga | ||
| MEXICAN ANIMATION | Best short | In a heartbeat, by Esteban Bravo and Beth David | |
| MEXICAN NEOMEX | Best short | El último romántico, by Natalia García Agraz | |
| Special mention | Espuma de mar, by Luis Mariano García | ||
| IBEROAMERICAN FICTION | Best ibero-American fiction short film | Lucy, by Roberto Gutiérrez (Venezuela) | |
| IBEROAMERICAN ANIMATION | Best short | Lupus, by Carlos Gómez Salamanca (Colombia/ France) | |
| Special mention | O vestido de Myriam, by Lucas H. Rossi (Brazil) | ||
| Special mention | Rabia, by Romina Tamburello (Argentina) | ||
| IBEROAMERICAN DOCUMENTARY | Best short | Detroit ́s Rivera, by Julio Ramos (Puerto Rico/ USA) | |
| Special mention | Here - Ici, by Cayetano Espinosa (Peru) | ||
| Special mention | Drop by drop, by Alexandra Ramírez and Laura Goncalves (Portugal) | ||
| INTERNATIONAL DOCUMENTARY | Best short | Edith+Eddie, by Laura Checkoway and Thomas Lee Wright, USA | |
| Special mention | The rabbit hunt, by Patrick Bresnan, USA and Hungary | ||
| INTERNATIONAL ANIMATION | Best short | Sog, by Jonatan Schwenk, Germany | |
| INTERNATIONAL FICTION | Best short | Adele, by Mirene Igwabi, Australia | |
| Special mention | May Day, by Olivier Magis and Fedrik De Beul, Belgium | ||
| NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Recalentado es Best, by Alba Cecilia Garza and Diana López | |
| Award OF THE PRESS | Special mention | Ulises, by Jorge Malpica | |
| Best short | Al caer la noche, by Rocko Desvan | ||
| 2019[28] | MEXICAN FICTION | Best short | Playa Gaviotas by Eduardo Esquivel |
| Best director | Laura Baumeister, for Water Navel. | ||
| Best screenplay | Betzabé García, for The girl with two heads. | ||
| Best cinematography | Alana Mejía González, for The Girl with Two Heads. | ||
| Best sound | Fernando Gómez, Paulina Villavicencio and Óscar Victoria, for No Returns. | ||
| Best editing | Eduardo Spiegeler and Julián Sarmiento, for Navel of water. | ||
| Best art | Lou Peresandi, for The Witch of the Walking Match. | ||
| Best costumes | Lilia Hernández, for The walking witch match. | ||
| Best actor | Noé Hernández, by Arcángel. | ||
| Best actress | Tessa Ia, for No Returns.Sofía Espinosa, for No Returns. | ||
| MEXICAN DOCUMENTARY | Best short | Goodbye, Goodbye, Goodbye, by Ricardo Castro. | |
| Special mention | Symphony of a sad sea, by Carlos Mario Morales García | ||
| MEXICAN ANIMATION | Best short | Grandma´s pie, by Ricardo San Emeterio (Mexico / USA). | |
| Special Mention | Adelina, by Ana Portilla. Gina by David Diomedes Heras | ||
| MEXICAN NEOMEX | Best short | Lazareto, by Gustavo Hernández De Anda. | |
| Special mention | We exist in silence, by Héctor Ibarra Jiménez. | ||
| IBEROAMERICAN FICTION | Best ibero-American fiction short film | Matria, by Álvaro Gago (Spain). | |
| IBEROAMERICAN ANIMATION | Best short | Agouro, by David Doutel and Vasco Sá (Portugal / France). | |
| IBEROAMERICAN DOCUMENTARY | Best short | We were waiting for it to get dark, by Wendi V. Muñiz and Guillermo Zouain (Dominican Republic - USA). | |
| Special mention | Laatash, by Elena Molina (Spain). | ||
| INTERNATIONAL DOCUMENTARY | Best short | The space shuttle challenger, by Cecilia Araneda (Canada). | |
| INTERNATIONAL ANIMATION | Best short | Raymonde Ou L'evasion Verticale, by Sarah Van Den Boom (France). | |
| INTERNATIONAL FICTION | Best short | Skin, by Guy Nattiv (USA). | |
| NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Pinky promise, by Indra Villaseñor Amador. | |
| Award OF THE PRESS | Special mention | The Witch of the strolling phosphor, by Sofía Carrillo. The Missing Persons Press Award, by Astrid Domínguez | |
| Best short | Arcángel, by Ángeles Cruz. |