| Shoji Nishio | |
| Native Name: | 西尾 昭二 |
| Native Name Lang: | ja |
| Birth Date: | 5 December 1927 |
| Birth Place: | Aomori Prefecture, Japan |
| Death Place: | Tokyo, Japan |
| Martial Art: | Aikido, Iaido |
| Teacher: | Morihei Ueshiba, Kyuzo Mifune, Yasuhiro Konishi, Shigenori Sano |
| Other Names: | Ai Do In Bu Yo Sho Gaku Yu Ko Ko Ji (posthumous Dharma name) |
| Rank: | 8th Dan Aikikai, 7th Dan Iaido, 6th Dan Judo, 5th Dan Karate |
was a Japanese aikido practitioner and innovator. He held the rank of 8th dan shihan from the Aikikai. He was a student of Aikido founder Morihei Ueshiba and practiced along with Seigo Yamaguchi and Hiroshi Tada.[1] He achieved multiple high ranking honors in other martial arts, most notably Iaido, Judo, Karate.[2] [3] [4] [5]
Nishio developed his Aikido style based on his understanding of Ueshiba's teaching and experience with other martial arts. His style has been described by practitioners as dynamic, natural and effective.[6] [7] The uniqueness of his style compared to other Aikido styles is the integration of the sword principles into Aikido techniques.[8]
His approach to martial art is demonstrated by the creation of a new school of iaido, the introduction of koshinage, and a different interpretation of classical budo concept. Some emphases of his Aikido style include the importance of acknowledgement of opposition, weapon techniques, natural stance, and atemi. Nishio's contributions to Aikido extended beyond technical aspects as he played a significant role in the art's international development. He left a lasting impact through his teachings, publications, and the worldwide propagation of his style. It is taught in 19 countries in Europe, America, Asia, South East Asia and Australia.[9] [10] He was honored by the Japanese Budo Federation with the Budo Kyoryusho award (2003) for his contribution to Aikido's development and global reach.
Nishio started practicing judo in 1942 in a dojo near the Ministry of Finance in the Japanese Mint, where he was then employed. After the war ended in 1945, he joined the Kodokan Judo Institute. Kyuzo Mifune, considered to be one of the greatest judo practitioners,[11] was Nishio's trainer during this period. He achieved 6th Dan Kodokan Judo. This background created the technical foundation that helps him introduced koshinage into official Aikido throwing repertoire.
By 1950, Nishio switched to practicing karate because he felt the restriction from judo competition inhibited his martial art growth.[12] In karate, Nishio was trained under Yasuhiro Konishi, the founder of Shindō jinen-ryū (神道自然流) karate.[13] He achieved 5th Dan Shindō jinen-ryū.
The technical influence of karate in Nishio's Aikido style is significant as he emphasized the importance of atemi (strikes)[14] as well as the comprehensive range of atemi types in his teaching.[15]
Still feeling that karate was limiting, Nishio kept searching for another martial art. After being told about a ghost-like martial artist whom Nishio's sensei at the time couldn’t hit,[16] he decided to try Aikido. With his karate friends, Nishio went to Nuke Benten to watch Aikido. He signed up after watching two classes. Changing primary martial art did not stop Nishio from practicing other ones. At the beginning of his Aikido career, he was still practicing judo and karate. It was common for him to train about five hours a day.
See main article: Nishio style Aikido. Nishio joined Aikikai Hombu Dojo in 1952 after 10 years of practicing other martial arts. Aikido was still in the early stage of development as the dojo was not yet properly repaired after the war and there were around five people practicing on a good day. He was promoted to shihan and began to teach around 1955.[17] As his Aikido developed, he incorporated skills and principles of other martial arts into his own aikido style. In 1976, he was promoted to 8th dan Aikido.
Nishio believed that one of Aikido's core tenets was about acknowledging the other person.[18] Most Aikido techniques offer 3-4 opportunities to striking down opponents but ultimately choose the least damaging option.[19] He said Aikido practitioners should try not to injure the attacker. This type of choice materializes the philosophy of acknowledgment, understanding, acceptance and mutual respect of and for others, even as they are opposition. Aikido's philosophy stands in contrast to other martial arts' goal of overcoming other. Nishio believed that this context helped recreating each technique close to the spirit of Ueshiba.
Nishio believed that the innovation of Aikido was a requirement Ueshiba had from its practitioners. He also asked practitioners to develop based on on their own background.[20] His conclusion based on Ueshiba's words was
Before the Founder passed away thirty-four years ago he told us, “This old man has brought [aikido] this far; all of you must take it from here.” In light of these words, I think it is insufficient—unforgivable, in fact— for us to simply maintain the status quo.[21]The commitment to this view is reflected by Nishio's technical contributions and distinctions within the martial art world. He is considered as "one of the foremost technical innovators" in Aikido.
Nishio believed that other martial arts knowledge was a "nourishment" for one's Aikido development.[22]
All styles of budo are continuously struggling in their own fashion to improve. Practitioners of budo must remain aware of and understand the nature of these changes. Arts like karate, judo and kendo all have their good points and these can be used to nourish one's own budo training, taking them into account and making even greater efforts. [...] The only people who condemn other budo are those that do not practice them;.[23] Shoji Nishio
Nishio believed that natural stance (shizentai) was the way to face an opponent, adversary, or training partner. It becomes a physical manifestation of humanity in Aikido. It's said that in his final years, O'Sensei also disliked kamae (roughly means stance before the fight).
In Nishio's style, the stance takes form of hand, hip straight down naturally. Both feet should also be straight with one slightly higher than the other. This feet position let the practitioner face his opposition directly and acknowledge him (a core tenet in Nishio-style). This stance is the same when practitioner use a sword or a jo (a wooden stick). With the sword, the tip of the sword lie down near front foot in front of the holder. With the jo, the direction of the jo intersect with opposition's eyes.[24]
Physically, these form a "no stance" stance; however, the practitioner should already taking a mental stance of acceptance, awareness, preparation. The hand is then offered to the opposition. Entering technique starts at the moment of contact. In comparison, most other Aikido styles' stance have one hand or both hands extended forward, usually with extended fingers.[25] [26] [27] [28]
In budo, irimi is essentially the movement to obtain an opponent's "dead angle." This refers to a strategic position offering effective strike and control opportunities while it is significantly harder/slower for the opposition to do so. In Nishio's style, in front-facing position, irimi is taken as a half-step[29] instead of a one-step in other Aikido schools.[30] The step is to the right and slightly forward, create a direction of about 30 degree compare to the shoulder's initial position.[31] By taking half-step instead of full step, practitioner stays connected to the opposition thereby maintaining effective control of the situation.
Aikido is forty percent throwing and sixty percent pinning. [...] Further, in all of the techniques there is atemi. [...] In the aikido I learned (and that I now teach), we do throws and pins with the rhythm and feeling of atemi.[32] Shoij NishioIn mainstream Aikido styles, atemi are demonstrated infrequently, and felt into disuse.[33] In Nishio's style, atemis are everywhere and numerous (his teaching list at least 10 different hand strikes, 5 elbow strikes). Almost all Aikido techniques demonstrated by Nishio have multiple atemis at the beginning and during techniques.[34] More than strikes, atemis in his style determine the rhythm and timing of techniques.[35]
The "hip throw" which is now commonly performed during promotion examinations at Aikikai dojos, was not a well-known technique at first. Aikido's throwing repertoire was limited to iriminage, shihonage, and kotegaeshi. Koshiwaza was independently researched and developed by Nishio (utilizing his judo background) and Hiroshio Kuroiwa when they were young instructors at the headquarters, and it is said to have spread to other Aikido practitioners.[36]
In 1955, due to the lack of explanation regarding sword and jo techniques from Ueshiba (and other instructors), Nishio started to study iaido under Shigenori Sano (10th dan Muso Jikiden Eishin-ryu). He achieved 7th Dan Nihon Zenkoku Iaido Renmei.
In iaido, Nishio practiced a number of different styles and consolidated what he believed to be useful. By 2001, numerous addition and revision of kata were introduced in Nishio's iaido system. At one point, the number of kata were over 30. By the end, he finalized his iaido system to 15 katas, most of which correlated to specific Aikido movements. His system is called Aiki Toho Iaido or Nishio-ryu Iai.[37]
In 1957 or 1958, Nishio trained in jōdō with Takaji Shimizu (headmaster of Shintō Musō-ryū jōjutsu)[38] and Yari or art of the spear (Hōzōin-ryū sōjutsu).
In Nishio's style, all techniques can be performed with the wooden sword bokken, wooden stick jo in hand as well as without weapons.[39]
I have experience in karate and judo, and feel the way of the sword is central, so I reflect empty-hand techniques and throws in my sword and jo movements. O-sensei said, "If your hands hold a sword, then aikido is a sword; if your hands hold a jo, then aikido is a jo." - Shoji NishioIn weapon training, he believes, practitioners should try to be "on the edge". That means avoid being struck, deliver an effective final strike and stop within hair's breadth of contact.
Nishio believed the purpose of the Aikido sword was to purify, as he called it the "sword of purification". The sword in Aikido does not cut the opponent. Rather, it is a tool to control the attack, even before its occurrence. The sword is used to redirect opponent's energy, voiding the need of physical strike.[40] This approach emphasizes the focus on control, the removal of conflict and unnecessary of damaging others. Thereby using in this way, it will forge the sword's controller out of mental "impurities" (the desire to hurt and creation of conflict). The sword techniques in Aikido aim to find unified direction, not cutting down opponent. Therefore it is a tool to guide both persons toward new understanding and mutual respect. This aspect shows the "purification" of intention of the opposition. The swords also help practitioners understand the core physical mechanics of empty-handed Aikido techniques.[41] This view of utility emphasizes striving for perfection of bodily movements, hence "purifying".
The sword of Aikido makes no sound. - Shoji NishioDescribed as otonashi, or "silent," which means sword techniques mostly produces almost no harsh sound. It is the result of Nishio's sword work relies on minimal blade contact with opposition's sword. His sword techniques anticipate and exploit gaps in opponent's attacks, turning defense into offense usually in one single precisely timed movements. This approach differs from Morihito Saito's style, where the significant part of controls are achieved through impact with the other sword, resulting in significant clashing of the swords heard throughout.[42]
Nishio's impact on Aikido went beyond the Japanese border and transcended techniques. He contributed to the international development of Aikido throughout the world by teaching, holding seminars and help establishing dojos of his Aikido style. The regions teaching Nishio-style Aikido include Central and Northern Europe, the United States, Mexico, France and Germany as well as Vietnam, Iran, Australia. In 2003, Nishio received the Budo Kyoryusho award from Japanese Budo Federation for his lifetime contribution to development and worldwide propagation of Aikido.
Nishio cultivated a following in many countries. Some notable practitioners of his style includes:
| Koji Yoshida[43] | 7th Dan | 6th Renshi in Musoshinden-ryu Iaido, 7th in Nishio-ryu Toho Iaido | USA | |
| Ichiro Shishiya[44] | 7th Dan | 5th Dan Aikido Toho Iai | Japan | |
| Kunio Yoshimoto[45] | 7th Dan | 5th Dan Iaido | ||
| Paul Muller[46] | 7th Dan | 5th Dan Aikido Toho Iai | France | |
| Philip Greenwood[47] | 6th Dan | 5th Dan Iaido | USA |
Nishio was born in Aomori Prefecture of Japan in 1927. Occupationally, he mostly worked for the Ministry of Finance in the Japanese Mint for his entire career from 1942 to 1980.[48] He died in March 2005 from prostate cancer.