Shōji Hamada Explained

was a Japanese potter. He had a significant influence on studio pottery of the twentieth century, and a major figure of the mingei (folk-art) movement, establishing the town of Mashiko as a world-renowned pottery centre.[1] In 1955 he was designated a "Living National Treasure".

Biography

Hamada was born in Kawasaki, Japan, in 1894, and was named .

After finishing his studies at the elite Hibiya High School, he studied ceramics at Tokyo Institute of Technology, then known as Tokyo Industrial College[2] with Kawai Kanjirō under Itaya Hazan. As the sole students in the school interested in becoming artist-potters, Hamada and the slightly elder Kawai were soon friends, touring the city in search of inspiration.[3] [4] They worked together in Kyoto at the former body of the Kyoto Municipal Institute of Industrial Technology and Culture[5] where they experimented on glazes using various minerals. They were acquainted by Yanagi Sōetsu and Tomimoto Kenkichi while visiting potteries and exhibitions.

Hamada was deeply impressed by a Tokyo exhibition of ceramic art by Bernard Leach, who was then staying with Yanagi Sōetsu, and wrote to Leach seeking an introduction. The two found much in common and became good friends, so much so that Hamada asked and was granted permission to accompany Leach to England in 1920 when the latter decided to return and establish a pottery there.

Pottery in Mashiko

Having spent three years in St Ives with Bernard Leach, he returned to Japan in 1923 and traveled to potteries and stayed at Tsuboya in Okinawa Prefecture for weeks, then eventually established his workshop in Mashiko, about 100km (100miles) north-east of Tokyo. Here, he built his own pottery and committed himself to using only locally sourced materials, not only in the clay he used, but also the glazes he created and the brushes he manufactured himself from dog hair and bamboo.[6]

In 1955 the Japanese government designated him "Living National Treasure", the first time for someone from the field of crafts. The previous year on 29 May 1954, the Cultural Property Protection Act had been amended, and a new Preservers of Important Intangible Cultural Properties (Jūyō Mukei Bunkazai Hojisha) designation was passed the bill in November for its criteria and approval details.[7]

Following Yanagi Muneyoshi, Hamada was enthusiastic about folk art movement in Japan. When Yanagi died in 1961, he succeeded as the second director of the Japanese Folk Crafts Museum, and in 1977, he opened his own museum at his home, Mashiko Sankōkan (present Shoji Hamada Memorial Mashiko Sankokan Museum),[8] and exhibited his collection of folk crafts from Japan and abroad.

Hamada Shoji was very supportive of young artists who moved to Mashiko such as his student Shimaoka Tatsuzō, and Kamoda Shōji, and was also important in establishing Mashiko as a destination for day tourism. He provided housing and hosted workplace for visiting potters from abroad as well.

Hamada died in Mashiko on January 5, 1978.

Preserving local architecture

Since he moved to Mashiko, Hamada bought, relocated, and refurbished traditional farm houses, stone warehouses, and nagaya-mon gatehouses of Edo period unique to southern Tochigi Prefecture on his property. The first was his residence in 1930,[8] followed by others he used as workshops and for entertaining guests and apprentices, with the last one used since 1942 as his workshop. In 1989 his residence was donated to and rebuilt at Mashiko Museum of Ceramic Art, or Ceramic Art Messe Mashiko,[8] after the house was designated a cultural property of Mashiko.[9] The museum is still open today and visitors can view Hamada's studio, living quarters, and various craft collections.

Influence

Throughout a lifetime dedicated to making pottery he achieved international recognition and his works have been collected by museums across the world. Hamada’s influence was felt not only in his native Japan, particularly in Mashiko, but also in the West. In the United Kingdom and the US, his style and philosophy became well known amongst studio potters, and he was revered as the archetypal "Oriental" potter.Today Hamada's works attain high prices at auction.[10] [11] In the UK, examples of his work can be seen at the York Art Gallery.

A young Sardar Gurcharan Singh met him and further developed his style of pottery in India.[12] [13] [14]

Awards and merits

Degrees

Further reading

Books

Hamada's own works

  1. Book: Hamada. Shoji. Yanagi . Muneyoshi. Shoji Hamada. Tokyo. Asahi Shimbun Publishing Company. 1966. [16]
  2. Book: Hamada, S.. The Works in Shoji Hamada, 1921-1969. Tokyo. Asahi Shimbun Publishing Company. 1969. [16]
  3. Book: Hamada, S.. Hamada Shoji Ten. Hamada Shoji Exhibition. ja. Tokyo. Nihon Keizai Shinbunsha. 1977. [16]
  4. Book: Hamada, S. . Okinawan pottery. 84482222. Okinawa. Ryukyu Telegraph and Telephone Public Corp. 1972.
  5. Book: Hamada. S.. Serizawa. Keisuke. Tonomura. Kichinosuke. Sugano Yoshikatsu (photograph). Sekai no mingei. Mingei of the World. ja. Asahi Shimbun Publishing Company. 703795769. 1972. [17]
  6. Book: Hamada. S.. Mujinzo. Limitless. Asahi Shimbun Publishing Company. 1974. With time table by Mizuo Hiroshi, pp. 336–341[18]
  7. Book: Hamada. S.. Kama ni makasete. As the Kiln Goes. Nihon Keizai Shinbunsha. 703789746. 1976. With time table by Mizuo Hiroshi, pp. 185–204.[19]
  8. Web site: Shoji Hamada Memorial Mashiko Sankokan Museum. Jnto Japan. [16]
  9. Web site: Hamada, Shoji. Encyclopedia.com. The Gale Group Inc.. 29 October 2017.

Works by others

Exhibition catalogs

Audio visual materials

Videos

Films

Slides

Footnotes

  1. Web site: Organization. Japan National Tourism. Mashiko Tochigi Attractions Travel Japan JNTO. 2021-09-04. Travel Japan.
  2. Book: Bernard, Leach. Hamada, Potter. Kodansha International Ltd.. 1975. 978-0870118289. New York. 34.
  3. Leach, 1990:93
  4. Web site: Kawai Kanjiro. Eocene Arts. 2017-10-09.
  5. https://www.city.kyoto.lg.jp/sankan/page/0000228138.html Kyoto Municipal Institute of Industrial Technology and Culture
  6. Book: Riddick. Sarah. Richard. Green. Pioneer Studio Pottery: The Milner-White Collection. 1990. Lund Humphries Publishers Ltd. 0853315906. 214380411.
  7. Web site: Nihon dento kogeiten enkaku—Showa 29-nen (1954). History of traditional Japanese craft exhibition: 1954 (Showa 29). ja. Japan Kōgei Association. 2017-10-09.
  8. Web site: Hamada Shoji Kinen Mashiko Sankokan. Shoji Hamada Memorial Mashiko Sankokan Museum. ja. 2017-10-09.
  9. Web site: Shoji Hamada's House. Mashiko Museum of Ceramic Art. 2017-10-09.
  10. Web site: Hamada Shoji: past results . Christie’s. 2017-10-09.
  11. Web site: Shoji Hamada, prices and estimates. 2017-10-09.
  12. https://icaf.org.in/team-members/padma-shree-sardar-gurcharan-singh/
  13. https://scroll.in/reel/1047039/a-documentary-revisits-legendary-studio-potter-gurcharan-singhs-journey-of-utility-and-beauty
  14. https://theaidem.com/the-lotus-and-the-swan-a-television-documentary-by-nirmal-chander/
  15. Web site: Hamada Shōji. Hamada Shoji . ja. 2017-10-09.
  16. Web site: Shoji Hamada (1894-1978) . Arizona State University. 2017-10-09.
  17. Reprint, Book: Hamada. S.. Serizawa. Keisuke. Tonomura. Kichinosuke. Sugano Yoshikatsu (photograph). Sekai no mingei. Mingei of the World. ja. Nihon Tosho Center. 9784284502832. 779138648. 2012.
  18. Reprint in paperbackBook: Hamada. S.. Mujinzo. Limitless. Kodansha. Kodansha bungei bunko. 9784061982161. 674842709. 2000.
  19. Reprint.Book: Hamada. S.. Hamada Shoji: Kama ni makasete. Hamada Shoji: As the Kiln Goes. Nihon Tosho Center. Ningen no Kiroku. 50. 4820542931. 675393250 . 1997. With time table, pp.161-177.
  20. Translated into German, Japanese, and Spanish. Reprint in hardback. Book: Leach, Bernard . A Potter's Book. London. 9781910065167. 930816596. Unicorn. 2015.
  21. Reprint. Book: Leach, Bernard . A Potter in Japan, 1952–1954. 2015. London. 9781910065174. 927982934 . Unicorn Press.
  22. Held between 9–27 July 1929.
  23. Held between 17 January-25 April 1993. Works exhibited also included by Howard Kottler, Bernard Leach, Harrison McIntosh, Paul Soldner, Peter Voulkos, Beatrice Wood, Robert Arneson, and F. Carlton Ball.
  24. Exhibition lasted between 15 September-14 October 1995, with works of Bernard Leach, Shoji Hamada, Warren MacKenzie, Shimaoka Tatsuzō, Randy Johnston, and Matsuzaki Ken.
  25. Exhibitions held at
  26. Exhibition held between 16 May-12 July 2015.
  27. Shows potters Shōji Hamada, Antonio Prieto, and Peter Voulkos throwing pots.Held in University of New England. Dixson Library.
  28. Pottery making as an artistic craft. Australian students and the Japanese master potter Shoji Hamada demonstrate techniques involved, and typical creative work is shown.
  29. Held in www.sl.nsw.gov.au State Library of NSW
  30. Presents the work of English potter Bernard Leach and Japanese potter Shōji Hamada. Shows each potter demonstrating and discussing his craft, beginning with the digging of clay through its firing in a kiln.
  31. Slides for Potters
    • a. Bottle 1963. Slab-built, salt glaze.
    • b. Bottle. 1963. Slab, "Kaki" ash glaze.
    • c. Bottle, 1963. Tall slab-built, "Kaki".
    • d. Vase.1963. "Kaki" glaze, wax resist.
    • e. Pot. 1963. Flattened, iron brushwork.
    • f. Bottle. 1963. Tall rectangular wax resist.
    • g. Pot. 1963. Flattened, block glaze trail.
    • h. Bottle. 1963. Curved slab, wax resist.
    • i. Bottle. 1963. Thrown square brushwork, salt glaze.
    • j. Bottle. 1963. Slab, panelled decoration.
    • k. Bottle. 1963. Rectangular, finger sgraffito. Pot.

References

  1. Web site: Organization. Japan National Tourism. Mashiko Tochigi Attractions Travel Japan JNTO. 2021-09-04. Travel Japan.
  2. Book: Bernard, Leach. Hamada, Potter. Kodansha International Ltd.. 1975. 978-0870118289. New York. 34.
  3. Leach, 1990:93
  4. Web site: Kawai Kanjiro. Eocene Arts. 2017-10-09.
  5. https://www.city.kyoto.lg.jp/sankan/page/0000228138.html Kyoto Municipal Institute of Industrial Technology and Culture
  6. Book: Riddick. Sarah. Richard. Green. Pioneer Studio Pottery: The Milner-White Collection. 1990. Lund Humphries Publishers Ltd. 0853315906. 214380411.
  7. Web site: Nihon dento kogeiten enkaku—Showa 29-nen (1954). History of traditional Japanese craft exhibition: 1954 (Showa 29). ja. Japan Kōgei Association. 2017-10-09.
  8. Web site: Hamada Shoji Kinen Mashiko Sankokan. Shoji Hamada Memorial Mashiko Sankokan Museum. ja. 2017-10-09.
  9. Web site: Shoji Hamada's House. Mashiko Museum of Ceramic Art. 2017-10-09.
  10. Web site: Hamada Shoji: past results . Christie’s. 2017-10-09.
  11. Web site: Shoji Hamada, prices and estimates. 2017-10-09.
  12. https://icaf.org.in/team-members/padma-shree-sardar-gurcharan-singh/
  13. https://scroll.in/reel/1047039/a-documentary-revisits-legendary-studio-potter-gurcharan-singhs-journey-of-utility-and-beauty
  14. https://theaidem.com/the-lotus-and-the-swan-a-television-documentary-by-nirmal-chander/
  15. Web site: Hamada Shōji. Hamada Shoji . ja. 2017-10-09.
  16. Web site: Shoji Hamada (1894-1978) . Arizona State University. 2017-10-09.
  17. Reprint, Book: Hamada. S.. Serizawa. Keisuke. Tonomura. Kichinosuke. Sugano Yoshikatsu (photograph). Sekai no mingei. Mingei of the World. ja. Nihon Tosho Center. 9784284502832. 779138648. 2012.
  18. Reprint in paperbackBook: Hamada. S.. Mujinzo. Limitless. Kodansha. Kodansha bungei bunko. 9784061982161. 674842709. 2000.
  19. Reprint.Book: Hamada. S.. Hamada Shoji: Kama ni makasete. Hamada Shoji: As the Kiln Goes. Nihon Tosho Center. Ningen no Kiroku. 50. 4820542931. 675393250 . 1997. With time table, pp.161-177.
  20. Translated into German, Japanese, and Spanish. Reprint in hardback. Book: Leach, Bernard . A Potter's Book. London. 9781910065167. 930816596. Unicorn. 2015.
  21. Reprint. Book: Leach, Bernard . A Potter in Japan, 1952–1954. 2015. London. 9781910065174. 927982934 . Unicorn Press.
  22. Held between 9–27 July 1929.
  23. Held between 17 January-25 April 1993. Works exhibited also included by Howard Kottler, Bernard Leach, Harrison McIntosh, Paul Soldner, Peter Voulkos, Beatrice Wood, Robert Arneson, and F. Carlton Ball.
  24. Exhibition lasted between 15 September-14 October 1995, with works of Bernard Leach, Shoji Hamada, Warren MacKenzie, Shimaoka Tatsuzō, Randy Johnston, and Matsuzaki Ken.
  25. Exhibitions held at
  26. Exhibition held between 16 May-12 July 2015.
  27. Shows potters Shōji Hamada, Antonio Prieto, and Peter Voulkos throwing pots.Held in University of New England. Dixson Library.
  28. Pottery making as an artistic craft. Australian students and the Japanese master potter Shoji Hamada demonstrate techniques involved, and typical creative work is shown.
  29. Held in www.sl.nsw.gov.au State Library of NSW
  30. Presents the work of English potter Bernard Leach and Japanese potter Shōji Hamada. Shows each potter demonstrating and discussing his craft, beginning with the digging of clay through its firing in a kiln.
  31. Slides for Potters
    • a. Bottle 1963. Slab-built, salt glaze.
    • b. Bottle. 1963. Slab, "Kaki" ash glaze.
    • c. Bottle, 1963. Tall slab-built, "Kaki".
    • d. Vase.1963. "Kaki" glaze, wax resist.
    • e. Pot. 1963. Flattened, iron brushwork.
    • f. Bottle. 1963. Tall rectangular wax resist.
    • g. Pot. 1963. Flattened, block glaze trail.
    • h. Bottle. 1963. Curved slab, wax resist.
    • i. Bottle. 1963. Thrown square brushwork, salt glaze.
    • j. Bottle. 1963. Slab, panelled decoration.
    • k. Bottle. 1963. Rectangular, finger sgraffito. Pot.

External links