Shmuel Joseph Schweig Explained

Samuel Joseph Schweig
Birth Date:1905
Birth Place:Ternopil, Austria-Hungary
Death Date:1984
Death Place:Jerusalem, Israel
Nationality:Austria-Hungary, Mandate Palestine, Israel
Field:Photography

Samuel Joseph Schweig, in Israel known as Shmuel Yosef Schweig (1905 in Tarnopol, Austria-Hungary – 19 March 1985 in Jerusalem, Israel) was an Israeli photographer.[1]

Biography

Early life in Europe

Shmuel Joseph Schweig (S.J. Schweig) was a photographer born in 1905 in Galicia, then part of the Austro-Hungarian Empire.[2] He showed interest in photography still while in Tarnopol and later studied it in Vienna.[2]

In Mandate Palestine and Israel

His Zionist convictions made him emigrate to the Land of Israel, then Mandate Palestine, already in 1922.[2] Here he started his career photographing sites and landscapes of the country.[2] Between 1925 and 1927 Schweig worked as a photographer for the JNF. In 1927 he established a workshop in Hanevi'im (Prophets) Street in Jerusalem. The first color photographs taken by a local photographer in Palestine were done by Schweig.[3]

After specialising in archaeological photography, he became the chief photographer of the Department of Antiquities of the Mandatory administration,[2] housed from 1938 onward by the Palestine Archaeological Museum, a.k.a. the Rockefeller Museum.

Beginning in the 1920s, his photographs helped shape the world's perception of the Zionist enterprise. But Shmuel Joseph Schweig is equally renowned as Israel's first artistic photographer of landscape and archaeology. Schweig is considered one of the most important of those who fashioned the image of Palestine, beginning in the 1920s, and he is identified with the Zionist enterprise and the nation-building project of the Jewish people. However, he saw himself above all as an artistic photographer; indeed, he is considered the first local art photographer of landscape and archaeology.

Some of the early photographs of the Great Isaiah scroll – one of the Dead Sea Scrolls – was taken by Schweig.[4]

Book publications

He worked at several archaeological publications and was in charge of the illustration and layout of the Encyclopedia of Archaeological Excavations in the Holy Land (editor Michael Avi-Yonah, Prentice-Hall, 1978).[2]

Schweig produced at the request of the office of the Secretary of State for the Colonies an album of Tegart forts known as "The Police Stations Plan 1940–1941", "The Wilson Brown Buildings" or "From Dan to Be'er Sheva".[5]

Museums and archives

The Schweig collection, which includes both glass and large gelatin negatives, is divided among the Israel Museum, the archive of the JNF, the Central Zionist Archives and the Rockefeller Museum. Many original prints, mostly small in size, are held by private collectors.[3]

Education

Titles, awards and prizes

Selected exhibitions

The Open Museum for Photography, Tel Hai.

Articles

Further reading

See also

Notes and References

  1. News: Image Maker. 17 June 2010. 27 October 2019. Haaretz.
  2. (a book review) . Israel Exploration Journal . 1985 . 35 . 1 . Israel Exploration Society . Jerusalem . 77 . 27925973.
  3. News: Dalia Karpel . Image Maker . . 17 June 2010 . 27 November 2015 .
  4. Book: Qimron, Elisha . Studies on the Texts of the desert of Judah . 1979. BRILL . 9004112774.
  5. News: Dalia Karpel . Potent Presence . . 17 June 2010 . 27 November 2015 .
  6. Beit Hatfutsot Photo Collections, The Herbert and Leni Sonnenfeld Collection, accessed April 2020