| Birth Place: | Eastmain, Quebec, Canada |
| Occupation: | Actor, writer, producer, director & visual artist, chancellor |
| Spouse: | Blake Debassige |
Shirley Cheechoo (Cree: ᔒᓕᒋᒍ born 1952) is a Canadian Cree actress, writer, producer, director, and visual artist, best known for her solo-voice or monodrama play Path With No Moccasins, as well as her work with De-Ba-Jeh-Mu-Jig theatre group. Her first break came in 1985 when she was cast on the CBC's first nations TV series Spirit Bay, and later, in 1997, she found a role on the CBC's TV series The Rez.
She was named chancellor of Brock University in July 2015,[1] the institution's first female and first aboriginal chancellor. She held the position to 2020.
Shirley Cheechoo was born in 1952 in Eastmain, Quebec,[2] and grew up in Moose Factory and Hearst, Ontario. Shirley spent her early life on traplines with her parents and brothers, but at the age of nine was sent to a residential school, Shingwauk Residential School, now known as Algoma University College. At this school Cheechoo, like many other residential school survivors, experienced violence and abuse and was told that "her parents would die if she ran away."[3] After leaving school at fifteen, Cheechoo experienced problems with substance abuse, but eventually, she turned her life around and began to work in film and theatre to explore themes of healing and survivance post-trauma. Her experiences at a residential school and her road to healing are documented in her stage play 1991 Path with No Moccasins.
Shirley attended art classes at the Manitou Arts Foundation during the summer of 1970.
Shirley founded De-ba-jeh-mu-jig theatre, which developed out of the children's theatre. After starting the theatre company, partner Blake Debassige, a visual artist, served on the board of directors and as president of the board during the early years of De-Ba-Jeh-Mu-Jig theatre group.
During her time at Debaj, Shirley fulfilled the role of artistic director, president of the board of directors, as well as fulfilling much of the administrative roles, actor, and playwright.
Shirley is the first First Nations woman to "write, produce, direct, and act in a feature length film from Canada".[4] [5]
Shirley first gained national attention with Path With No Moccasins. Her directorial debut was with a short film called Silent Tears, which won several film festival awards for Best Short Film and was "screened at the 1998Sundance Film Festival."[4]
Her first feature film was Backroads, a journey into the harsh contemporary life of Cree women. The movie was financed and executive-produced by Offline Entertainment Group.[6] [7]
Shirley realized that she could "ease a pain or raise an issue with her film work" and so dedicated herself to creating film by enrolling in writing classes, director's labs, acting workshops and film schools.[8]
Much of her art is based on biographical elements. Path With No Moccasins gave Shirley the opportunity to "speak about her life and the struggle to retain her identity, and Cree heritage".[9] Silent Tears chronicles the events of a "harsh winter trip with her parents to a northern trap line when she was eight years old".
In order to promote Aboriginal artists, Shirley and Blake Debassige co-own Kasheese Studios art gallery. She is also the president of Spoken Song film production company and founded the Weengushk Film Institute on Manitoulin Island that will train, develop and guide independent filmmakers.[8] Through the Weengushk Film Institute, she also launched the annual Weengushk International Film Festival in 2018.
Her artwork is inspired by Woodlands School, which is a concept given birth by Norval Morrisseau. Her art has been exhibited around the world, and her commissions include:
She is a mentor to many in the Native arts community and one of Canada's most well-known and respected artists. She visits other communities and schools and holds workshops. On the topic of visiting schools to host acting and playwrighting workshops, Shirley has said
the kids that come into the theatre, into the drama workshops, are the kids that I pick. I feel that they need some kind of self-esteem, and drama does it. Anything in the arts gives these kids a lot of self-esteem ... the arts are really important for children and they're not taught in the schools
Shirley is concerned with Indigenous people's complacency with "small advancements and the slight changes that appear when it comes to equality and respect" and believes that "We must continue to fight in the most positive way to try and find a level playing field for Indigenous people to work, live, and create in the main".[8]
In February 2008, Shirley was awarded a Lifetime Achievement Award in the area of art by the National Aboriginal Achievement Foundation.[10] She was also awarded the Queen's Diamond Jubilee Award in 2013 to recognize her commitment to education.[11] She also received the Anishinabek Nation Lifetime Achievement Award in 2019.[12]