Shih-Hui Chen Explained

Shih-Hui Chen is a Taiwanese composer who lives and works in the United States.

Biography

Chen Shih-hui (陳士惠) was born in Taipei, Taiwan, and came to the United States in 1982 to study for a master's degree from Northern Illinois University and a doctoral degree from Boston University.[1] After receiving her DMA in Music Composition, Shih-Hui Chen took a position at the Shepherd School of Music, Rice University[2] where she is currently Professor of Music Composition and Theory. Chen also serves on Asia Society Texas Center's Performing Arts & Culture Committee and is the director of 21C: Classical, Contemporary, and Cross-Cultural Music Festival at Rice University.

Chen Shih-hui's work has been performed widely throughout the U.S. and abroad, including Taiwan, China, Germany, and Italy. In 1999, she received an American Academy in Rome Prize, a Guggenheim Fellowship in 2000, and a Goddard Lieberson Fellowship from the American Academy of Arts and Letters in 2007. In 2010, Chen received a Fulbright Fellowship to study traditional Chinese Music, Nanguan music, and music of Taiwanese Indigenous peoples.

Work

Musical style

Chen Shih-hui composes for orchestra, chamber ensemble, voice, and solo instruments. She also composes music for theater and film.[3]

Her music blends both her Western training and cultural heritage. A citation accompanying her 2007 Goddard Lieberson Fellowship from the American Academy of Arts and Letters states, “Among the composers of Asian descent living in the U.S.A.,Shih-Hui Chen is most successful in balancing the very refined spectral traditions of the East with the polyphonic practice of Western art-music. In a seamless narrative, her beautiful music, always highly inventive and expressive, is immediately as appealing as it is demanding and memorable.”

Selected recent compositions

Distinctions

External links

Notes and References

  1. Mittler, Barbara. Chen Shihui. Grove Music Online. Oxford Music Online (Online version of The New Grove Dictionary of Music and Musicians, 2nd edition.).
  2. Book: Dangerous tunes: the politics of Chinese music in Hong Kong, Taiwan and the People's Republic of China since 1949. Mittler, Barbara. 1997.
  3. Book: Film review: Special: Issues 55-56. 2005.