She Don't Let Nobody (But Me) | |
Type: | single |
Artist: | Curtis Mayfield |
Album: | Love Is the Place |
Released: | 1981 |
Length: |
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Label: | Boardwalk |
Producer: |
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Prev Title: | Tripping Out |
Prev Year: | 1980 |
Next Title: | Toot An' Toot An' Toot |
Next Year: | 1982 |
"She Don't Let Nobody (But Me)" is a song by American singer-songwriter Curtis Mayfield, included on his twentienth solo album, Love Is the Place (1982). It was released in 1981 by Boardwalk Records as the first single from the album and reached 15 on the US Billboard Hot Soul Singles chart.
She Don't Let Nobody | |
Cover: | Chaka Demus & Pliers-She Don't Let Nobody.jpg |
Type: | single |
Artist: | Chaka Demus & Pliers |
Album: | Tease Me |
Released: | 1993 |
Genre: | Reggae fusion |
Length: | 3:49 |
Label: | Mango |
Producer: |
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Prev Title: | Tease Me |
Prev Year: | 1993 |
Next Title: | Twist and Shout |
Next Year: | 1993 |
In 1993, Jamaican reggae duo Chaka Demus & Pliers covered the song as "She Don't Let Nobody" for their fourth album, Tease Me (1993). The song was produced by Lloyd "Gitsy" Willis, Sly & Robbie and Trish Farrell. It was released as a single in late 1993 by Mango Records and was a top-20 hit in at least five countries, peaking at No. 4 in the United Kingdom, No. 9 in Ireland, and No. 12 in the Netherlands.
Larry Flick from Billboard wrote, "Reggae duo interprets a Curtis Mayfield evergreen with a warm and faithful hand. Delicate funk rhythms are injected with subtle island nuances. The vocal arrangement is handled in a similar fashion, as tuneful toasting is countered by smooth and easygoing crooning."[1] In his weekly UK chart commentary, James Masterton felt that it "is ever more commercial than the last hit. Top Ten assured."[2] James Hamilton, in Music Weeks RM Dance Update, described the song as a "sweetly soulful swayer".[3] Gavin Reeve from Smash Hits gave it three out of five, saying, "Mr Demus opens up his toolbox and builds another big reggae hit wit his friend Mr Pliers. This time around, they actually sing and quite good they are too." He deemed it "a slow-dance of a song".[4]
Chart (1993–1994) | Peak position | |
---|---|---|
Europe (Eurochart Hot 100)[5] | 22 | |
Europe (European Dance Radio)[6] | 15 | |
Europe (European Hit Radio)[7] | 23 | |
UK Airplay (Music Week)[8] | 4 | |
UK Dance (Music Week)[9] | 11 | |
UK Club Chart (Music Week)[10] | 57 |
Chart (1993) | Position | |
---|---|---|
UK Singles (OCC)[11] | 48 | |
UK Airplay (Music Week)[12] | 29 |