| Classic of Mountains and Seas | |
| Collapse: | no |
| Pic: | NLC403-312001066437-18606 山海經 卷五.pdf |
| Piccap: | Scrollable pages from volume five of the Classic of Mountains and Seas, a Ming dynasty (1368–1644) woodblock printed edition |
| L: | "Classic of Mountains and Seas" |
| P: | Shānhǎi jīng |
| W: | Shan1-hai3 ching1 |
| Y: | Sāan-hói gīng |
| J: | Saan1-hoi2 ging1 |
The Classic of Mountains and Seas, also known as Shanhai jing,[1] formerly romanized as the Shan-hai Ching,[2] is a Chinese classic text and a compilation of mythic geography[3] [4] and beasts. Early versions of the text may have existed since the 4th century BCE,[5] [6] but the present form was not reached until the early Han dynasty.[6] It is largely a fabulous geographical and cultural account of pre-Qin China as well as a collection of Chinese mythology. The book is divided into eighteen sections; it describes over 550 mountains and 300 channels.
Since Sima Qian, the debate about the author(s) of the book has been going on for more than two thousand years.
The earliest records of the Classic of Mountains and Seas can be found in Sima Qian's "Records of the Grand Historian - Biography of Dawan".[7] The author of the book was first clearly identified in "The table of the Classic Mountains and Seas" written by Liu Xiu in the Western Han dynasty. Liu Xiu believed that the Classic of Mountains and Seas was written by Yu the Great and Boyi, during the classical era around Xia dynasty.[8]
Wang Chong and Zhao Ye in the Eastern Han dynasty also identified the author as Boyi in their works, and was modified by later generations in the process of spreading.[9] In Zhao Ye's Spring and Autumn Annals of Wu and Yue, Guo Pu's Preface of Classic Mountains and Seas, and Yan Zhitui's The Yan Family's instructions,' all of them supported the idea that the book's authors are Yu the Great and Boyi.[10]
However, scholars after the Tang dynasty raised doubts about the authenticity of assigning the book's authors as Yu the Great and Boyi. Chen Zhensun's Zhizhai Bibliography, Zhu Xi's Annotations on Chu Ci: Dialectical Differentiation of Chu Ci, Hu Yinglin's Shaoshi Mountain Room Pen Cluster and others have acknowledged that it is a book written during the classical era, but it is not written by Yu the Great and Boyi.[11] Many people also believe that the book was written by the descendants according to a map, which is the text description of the map named "Mountains and Seas".[12]
Zhu Xi from the Southern Song dynasty and the scholar from Ming dynasty Hu Yinglin believed that the book was written by a curious person during the Warring States period. Hu Yinglin recorded in his Shaoshi Mountain Room Pen Cluster that the book was by "a curious man in the Warring States period", based on the books Tale of King Mu, Son of Heaven and Tian Wen.
On the basis of summarizing the research achievements of the previous dynasties scholars, Bi Yuan of the Qing dynasty further proposed that different sections of the book were written separately by different authors. He claimed that the "Mountains Classic" was written by Yu the Great and Boyi, the "Overseas Classic" and "Inside Seas Classic" were written by people from the Qin dynasty, and the "Great Farmland Classic" was produced when Liu Xiu revised it.
Moving to the 20th century, some scholars put forward that the author of the book was Zou Yan in the Warring States period. This theory originated from Liu Shipei, who in his research on "A Study of Zou Yan's Theory on the Plurality of Literature in the Western Han Dynasty" inferred that, according to records in Mozi, the book Biographic of the Great Yu was a combined version of Records of the Grand Historian: Biography of Dawan and the Classic of Mountains and Seas, which supports the idea that the book was written by Zou Yan.
In addition, some scholars also believe that the author of the book is written by a disciple of Mozi, named Sui Chaozi, during the Warring States period.[13]
The book is not a narrative, as the "plot" involves detailed descriptions of locations in the cardinal directions of the Mountains, Regions Beyond Seas, Regions Within Seas, and Wilderness. The descriptions are usually of medicines, animals, and geological features. Many descriptions are very mundane, and an equal number are fanciful or strange. Each chapter follows roughly the same formula, and the whole book is repetitious in this way.
It contains many short myths, and most rarely exceed a paragraph. A famous ancient Chinese myth from this book is that of Yu the Great, who spent years trying to control the deluge. The account of him is in the last chapter, chapter 18, in the 2nd to last paragraph (roughly verse 40). This account is a much more fanciful account than the depiction of him in the Classic of History.
Earlier Chinese scholars referred to it as a bestiary, but apparently assumed it was accurate.[<nowiki/>[[Wikipedia:Citation needed|''citation needed'']]] In fact, the information in the book is mythological. It is not known why it was written or how it came to be viewed as an accurate geography book.
Ancient Chinese scholars also called it an encyclopedia of geographical knowledge and a strange work with the most myths that records ancient China's "history, philosophy, mythology, religion, medicine, folklore, and ethnicity", reflecting a wide range of cultural phenomena and also involving "geography, astronomy, meteorology, medicine, animals, plants, minerals ..."[14]
Contemporary academia has three main different arguments for the nature of the book:
During this period, the contents of the book were considered authentic and reliable. All the mountains, rivers, strange objects and creatures recorded in the book are credible.
Through this period, the book was regarded as a fictional work. Due to people's increasing cognition of the world and the prevalence of novels in the Ming dynasty and Qing dynasty, the credibility of the Classic of Mountains and Seas gradually decreased. More people started to believe in the Novel Theory.
During this period, researchers gave the book different orientations according to various research directions and theories. Due to the introduction of Western anthropology, folklore/ etc., many scholars regarded the book as a synthesis of various disciplines, using it as a reference for analysis and summarizations.[16]
The mythological creatures first described in Shanhaijing appear in many historical and modern stories and art based on Chinese mythology; for examples, the Ba snake, the Bi Fang bird, the qiongqi ("thoroughly odd", one of the Four Perils), the tiangou (heavenly dog), the zouyu, etc.
| width=55% | Title | width=20% | Publication Date | width=25% | ISBN |
|---|---|---|---|---|---|
| The Classic of Mountains and Seas by Anne Birrell (Paperback) | January 1, 2001 | ||||
| A Chinese Bestiary: Strange Creatures from the Guideways Through the Mountains and Seas by Richard Strassberg | June 17, 2002 (Hardcover); November 4, 2008 (Paperback) | (Hardcover); (Paperback) | |||
| Fantastic Creatures of the Mountains and Seas: A Chinese Classic by Jiankun Sun, Siyu Chen, Howard Goldblatt (Hardcover) | June 1, 2021 |