| Sete Fontes | |
| Native Name: | Complexo das Sete Fontes |
| Location: | S. Victor |
| Location City: | Braga |
| Location Country: | Portugal |
| Coordinates: | 41.5695°N -8.4039°W |
| Building Type: | Water supply |
| Architectural Style: | Baroque |
| Material: | Granite |
| Opened Date: | 1st century |
| Owner: | Portuguese Republic |
The Sete Fontes (literally 'Seven Springs') is part of a large water supply system built in mid-18th century, that supplied potable water to the northern Portuguese municipality of Braga, until the first half of the 20th century. In reality, there are only six springs from this network that still exist, following destruction of one in the early 1990s, to allow the construction of residential homes. The remaining sections of the Sete Fontes are identifiable for the springs that are housed within their respective ('mother of waters'), which are connected via aqueducts running along the surface or through tunnels, known as ('mines').
The system is located on the outskirts of the civil parish of São Victor close to the ancient (also known as Route XVIII). There is speculation that these springs may date to the Roman occupation, when Braga was then known as Bracara Augusta.
For Braga, the necessity to support its population, came from its archbishops, which were preoccupied with these issued at least until the 16th century.[1] Until the beginning of that century, D. Diogo de Sousa had brought water from, in 1531 until, while (at the same time) constructing the fountain of Carcova, building a fountain in the .[1]
The main sections of the system were constructed between 1744 and 1752, under the patronage of Archbishop D. José de Bragança (1741–1756), although it is known that his predecessor D. Rodrigo de Moura Telles (1704–1728) already completed portions of the network: first deposit dates to 1752.[1] D. José became interested in this issue immediately after arrive in Braga, starting in August 1741, and continuing at a steady rhythm until 1744.[1] For his part, D. Rodrigo de Moura Telles supplied water to the Hospital of São Marcos and substituted this fountain with another (the Fountain of Castelos).[1]
Friar D. Caetano Brandão (1790–1805) ordered the opening of the ('Mine of the Orphans') around 1804 to supply water to the institution which he founded.
By 1914, the network continued to function. Until the beginning of water treatment and supply from the Cávado River in 1914, the Sete Fontes was the main source of water for the city. It continued to be used until 1929, even as water continues to flow through the system. Still today water is running through the system.
Although the Sete Fontes was mentioned within the city plans of Braga as late as 1994, as an important resource, beginning in the mid-1990s several developments put in cause the protection of the historical system. The was destroyed in 1995, with rumour developing that the stones were stored somewhere in Braga. On 18 April 1995, a dispatch was authorized for the system's evaluation for consideration as a national monument.
The 1999 city plan indicated that the upper portion of the Sete Fontes was to be destroyed in order to provide space for the construction of an extension to the national road network. During public consultations in 2003, regarding this planned 4-lane roadway, engineers indicated the need to destroy half of the Sete Fontes in order to build the expansion. The initial Environmental impact assessment (EIA) noted that at least five of the aqueducts and many would be affected by this construction project, but researchers at the (IPPAR), stated the project could be completed, if proper monitoring was accomplished, noting that the aqueducts should be restored after the construction was completed.
The area occupied by the Sete Fontes is located in an area designated for urban expansion within the municipal plan. Many of the parcels were purchased by real estate companies and/or developers, without submitting plans for the system's preservation and rehabilitation. Although, the municipal authorities had indicated their desire to preserve the Sete Fontes as a National monument and transform the area into a municipal park, the area continued to be identified for construction and road redevelopment, in the municipal plan. In the 1999-2000 municipal plan, three of the upper fell within an area classified as "public utility" and were zoned for the construction of a hospital in 2002. Yet, these lands were also classified for use by the Portuguese armed forces.
On one occasion, the municipal government had attempted to impede the re-classification process for the system. Concerning nationally sensitive heritage sites, Portuguese law states that the authorized patrimonial agency (IPPAR, IGESPAR or DRCNorte) has to give explicit approval for projects within 50m (160feet) of a designated structure, or group of structures. There have been no approvals under its classification file.[1]
In 2009, in order to remedy the planned construction, Estradas de Portugal suggested the construction of a bridge over Sete Fontes.
In 2008, a large section of the lands, 57950m2, were put on sale: these included the parcels that covered the,,, (near), and half, that also included various aqueducts and underground galleries.
The president of the local Junta Freguesia of São Vitor thinks attempted to obtain clarification as to the status of the Sete Fontes, and the sale of these lands. Approaching the municipal authorities, on several occasions, the president had not received any answers. Yet, the director of the (DRCNorte) also confirmed that there were promises to build on lands of the Sete Fontes. Inadvertently, this was also supported by claims on building densities for the area of Sete Fontes, where the municipal authority indicated that proposed densities were 25% less than first expected, in the detailed plan for Sete Fontes. Opposition politicians within the municipal council suggested that landowners within the Sete Fontes should trade their lands for others in the region, a process that was successfully implemented with the construction of the municipal stadium. By trading lands with local developers, it was assumed that the city could ensure a 20 hectare green space (that included the Sete Fontes), and a park of 56 hectares.
At the time of the construction of the local hospital, the site-plan for the building partially covered the Sete Fontes complex. When contacted, the (IGESPAR), the patrimonial agency responsible for the site, claimed that they were unaware of the situation: the construction company had ignored the presence of Sete Fontes. During the construction, representatives of the construction company expelled at least one of the archaeologists, that by law were required to accompany the progress of the construction. This followed the drainage of loose soil downstream by rainwater, into the area of the Sete Fontes, that impaired the structural integrity of at least one of the underground galleries, altered the landscape and created ditches, affecting the . During the building process, Roman ruins were discovered within the area.
At least one ventilation shaft for the underground gallery leading water to was disturbed. At the end of 2008, the builders erected a fence just within the 50m (160feet) minimum demarcation zone required by Portuguese law. The, and its underground gallery, were demolished in February 2011 because of a new road. The authorities (DRCNorte, Estradas de Portugal and the cabinet chief of the Secretary of State for Culture) claimed that both and 2 were never part of Sete Fontes (but in reality were never included in the IPPAR/IGESPAR classification process). In addition, both Estradas de Portugal and Braga Municipal Council claimed that the access road to the hospital would not affect Sete Fontes. By early 2011, the city's geographical information system platform continued to classify most of the terrains as suitable for construction (except for those included within the hospital's construction zone).
Since most of the remaining sections of the complex are on private land the process of conserving and promoting the group has been difficult. The non-governmental organization ('Association for the Defence, Study and Promotion of the Natural and Cultural Patrimony') had, for a long period of time, been promoting the Sete Fontes as a National monument. The organization petitioned the IPPAR on 27 March 1995 to classify the Sete Fontes as a national monument, in dispatch 95/3-15 (1). A process was begun shortly after this request. In 2001, a proposal for the 50m (160feet) general protection zone was published, and signed by the mayor of Braga, but many structures of the Sete Fontes were excluded from the ZPE, including the two (1 and 2), as well as the final aqueduct to, which did not mention the water basin. In 2003, Sete Fontes was placed on the official evaluation for national monument status, and in May 2003, after the proposal of the IPPAR, the signed the Minister of Culture signed the decree.
In May 2009, the Ministry of Culture suggested setting up (ZPE) around the Sete Fontes complex, which was published later that year (although the official definition of the ZPE was never defined). Specifically, although many of the sections of the Sete Fontes were included, the areas around (1 and 2) and aqueduct of were not included. The establishment of the ZPE, included provisions for public consultation and feedback, although all claims and suggestions were summarily turned down. A petition undersigned by over 6000 persons was handed over to the president of the Portuguese parliament in mid-2010. A parliamentary committee discussed these issues, and debate occurred in parliament, after which two official statements were issued indicating the support of classifying Sete Fontes as a national monument. By law, the Sete Fontes had to be classified by end of 2010, otherwise the classification would be annulled, but on the final day of 2010, the process was extended for another year. The Portuguese Council of Ministers, on 3 March 2011 decreed that they would be proceeding with the classification of Sete Fontes as a national monument, with the official notification occurring in the Portuguese official journal (Diário da República), published in 2011, which also included the definition of the special zone of protection (ZPE). A large part of the ZPE, as defined, continues to be occupied by the hospital and its access roads.
Of the original aqueduct system, there still are some 13 springs providing potable water, regularly maintained by the municipal water supply division.[1] This branch conducts periodic analysis of the water's quality, maintains a two-person staff to maintain and clean the system.[1] The Sete Fontes continues to be used as a water resource, integrated within the city of Braga's strategic plan and providing water to fountains of the town squares .[1]
There is one public faucet, the (near) that is regularly maintained and monitored (almost monthly) by the local authority of São Vítor.[1] There also was a faucet (? near), but it was destroyed when the access road to the hospital was built.
The name gives the impression that at some time there were seven springs. In the official document defining the special protection zone (ZEP) one can count 14 endings of underground galleries, each should be a spring. But this counting ignores three underground galleries (and), the spring in and possibly some more springs along the underground galleries (e.g. the so-called chambers in and it is unclear whether one should count one or two springs for). Also, receives water from two aqueducts that not marked on the official map of the ZEP, so at its peak there were at least 20 springs at Sete Fontes.
The São Vitor regularly tests the water coming out of the faucet near (actually coming from a tube placed in the Capela). Since the measurements started the water has always been found to be considered suitable for drinking.
The water basin seems to be mainly fed by rain water in the valley of Sete Fontes. The water flux response is in most springs quite quick to rain and some springs give very little water in dry periods giving the impression that the spring water is mostly rain water rather than coming from underground aquifer under pressure.
The mineral content of the water various both in time and place. The same spring can give different levels depending on the flux of water, many increase mineralisation with higher flux. The lower lying springs in general yield higher mineral content that those at higher altitudes, but there are also differences for some elements that does not follow this trend. This has been attributed both to differences in sediment and rock layer throughout the system but also influences of domestic, industrial waste water and agricultural fertilisers seeping into the ground water.
The Sete Fontes complex consists of a cluster of aqueducts and structures stretching over 3500m (11,500feet) in the parish of São Vítor. The network is segmented into 14 underground galleries and six junctions in an ensemble built in stone.
The more prominent features of this system, are the commonly referred to as ('Mothers of Water'). These structures are built in Baroque style, consisting of a cylindrical structure and vaulted dome, trimmed by a circular cornice and topped with pinnacles.[1] Each is decorated with a coat of arms representing its patron.[1] Although rarely used in their identification today, the include (from the highest elevation): (1752),,, (1804),,, (1744),,, (destroyed in 2011) and and (destroyed in 1995). There are also two untitled cylindrical structures, breathers (Portuguese: respiros|links=no), near the and .[1]
The Sete Fontes is a unique specimen of 18th-century Portuguese engineering, that includes the creation of galleries and visitors chambers, the layout of underground and surface channeling of water, and the attempt to follow the valley's natural topography.[1] The pipes are delicate works, its elements fitting snugly together, its waters branching across the system for almost 100m (300feet) between junctions.[1]
Apart from old documents at the Mayor's Office there are at least four documents that include the names of the structures of Sete Fontes:
There are some inconsistencies in the names. The above documents use different names for the same structures. Some parts are named of the land owner (at the time of naming: and) and others are named after the institution that paid for its construction (e.g. and). This also gave the constructor the right to a certain flux of water.
The more emblematic structures are alternatively called ('mother of water'), ('castle'), ('box') or ('dome'). The more simple entrances are called ('boxes') but sometimes person simply refer to the name of the underground gallery (mina). There are also three structures above ground which does not include a door, the ('breaths'). Part of the aqueduct consists of tubings made out stone placed at ground level. There are also a number of underground springs but most of them have not been designated any specific name, except the one called the chapel in one of the side galleries of the .
It is a bit unclear when the complex got the name . In the municipal archives the term is used at least as early as 1737. Certainly much of the structures were in place by then, even though it that is before the dates engraved in many head stones, i.e. 1744, 1752, 1761 and 1804.
The ('boxes') are entrances to the underground galleries. The are fairly simple structures in granite. Only one is adorned with a heraldic shield. Only one has both year and name inscribed. Sometimes they are referred to as ('mouth of the mine').
(also known as:). It is almost entirely below ground level, and the main portion is only visible when one stands next to it. There are two doors, the left one has a heraldic shield and a date. One leads to the main aqueduct, but is only to walk in a few meters. It has a heraldic shield with a year engraved, 1761 (or 1767). The other door leads to the underground gallery of .
Simple structure, halfway sunken into the ground. It was rediscovered during the clearing of trees in an area in late 2014 (October/November?) Unknown interior.
Entrance to (also known as and) named after the institution that paid for its construction. Has the year 1804 engraved above the entrance. From here water leads in underground stone tubings to the nearby .
Entrance to the ('lower pine tree mine'), also known as ('black mine'). Simple construction with a rusted metal door. A metal pipe is seen leading from it into the neighbouring . Some parts of the system were retrofitted with metal tubings in the first half of the 20th century.
Simple structure with metal door. It is also known as . From it leads an aqueduct of stone pipes about 20 metres down to the main aqueduct .
(also known as) was partially destroyed when building the access road to the hospital. Simple structure. The water is not obviously leading to any aqueduct. Drawings from 1937 indicate an aqueduct leading to . The nearby house use the water for irrigation.
(also known as and) was completely destroyed/dismantled during the construction of the access road to the hospital. A mock up entrance was constructed afterwards. Júlio Lima had a property in the parish of São Vicente. There is a street called nearby this (former) underground gallery. A dug down aqueduct (stone piping) leads down to .
Was destroyed in 1995. Drawings from early 20th depict a simple structure with junction between the aqueduct from and the main aqueduct (: main conduit).
means 'mother of water''; this is misleading since there are no springs inside, just junctions of aqueducts. They are similar in build: cylindrical, with an entrance and rounded cupula. In 2014 they were all given a new whitish coat of cement. Inside is a "separation swirl" where the aqueducts meet, this lets sand and silt deposit thus removing from them the flowing water. The three upper have entrances to the underground whereas the lowest only has aqueducts coming, and also acts as the tool shed for the ('the water men').
The first (or at least) the upper most structure above ground (also called). With the Bragança family's large heraldic shield and the year 1752 engraved above the entrance. Water leads from two underground galleries: (from southeast) and (from northeast). From here the water leads in an underground aqueduct (stone pipes) to .
Cylindrical structure (also called) which receives water from and . The former is quite simple in its finish. As it leads in the one can find an outline drawing of the adornment at the top of this . Inside is a "separation swirl". From here the main conduit in ground-level stone tubing continues down to the next to . Next to the entrance is an Egyptian-style eye engraved into the stones of a low wall.
Cylindrical structure (also called and : upper twin mother of water) with the year 1744 engraved above the entrance. It receives water from the main conduit (via the next to) and ('upper pine tree mine') which in turns receives water from ('nuns' mine'). It has a "separation swirl" inside. From here the main conduit in ground-level stone tubing continues down to .
Very similar to its twin (and called the lower twin) and also with 1744. It receives water from 3 directions: 1. Main conduit (from the upper twin), 2. and and . The latter have dried out (see more in the below sections on the aqueduct). Inside is a "separation swirl". Only tubings lead here. Notably iron tubing from, which obviously is not part of the original design. From here the water leads into town in the main down conduit at ground level via the now-destroyed .
The structures called ('breaths') or ('cup') with small openings at the top have unclear function. All three of them are situated on top of a spring, from which lead an underground gallery .
A popular hypothesis is that somehow the underground galleries need to breathe in order not to create suction that would prevent the water to flow. But the entrances which recently were given doors would yield ample flux of air through the underground galleries. Perhaps it is more to let bats in so that they can eat bugs living in there.
Cylindrical structure with a flat roof with small holes in it (also called). Has its own spring and receives water from both the main conduit (via) and . From outside it looks quite narrow but inside the base is it almost three meters wide, normally full with shallow water. At the top one can see a vault that inside the platform one sees from the outside, above which extends almost three meters of more narrow cylinder (approximately one meter inner diameter). From here water leads in an underground gallery to .
Cylindrical structure very similar to . From here water leads in an underground gallery to . From spring to rooms is more than five meters. The spring once had dried out when the was built (or repaired); it essentially extends under this .
Octagonal structure with a pointy top approximately two meters wide, also with holes in it. It has spring the only gives water after heavy rain, but also receives water from a spring in an upstream underground gallery. From spring to roof is approximately five meters. From here the water leads in underground gallery to the underground gallery of .
The tubings of the aqueduct seen at ground level is made out of local granite (there are two kinds in this area), and so is everything else. The sections are little over one meter long with square cross section of four dms and bore of one dm radius. Each section has a male and female end which fits fairly snugly into its neighbour. Most have a square hole upwards which is capped with a stone and a kind of concrete. The same concrete is used to seal the gaps in the connections. The upper hole is opened in order to clean the tubings, especially to remove the so-called fox tails which are bundles of tree roots invading the aqueducts. Some loose pieces of the aqueduct are on display next to .
From here the main conduit is an unusually steep slope for approximately 20 metres before it goes underground.
The two sections above Alvim em cima are actually the ceilings of underground galleries.
The main conduit is almost horizontal here, and surrounded by meter-high walls on both sides. One side with stone, the other is mainly dirt, but eventually becomes the outer wall of . On some sections one can see the pillow finish that is said be a Roman design. In some sections one can see wedge-formed grooves on the outer edges. This is from the use of wooden wedges that are put in water to expand to cut the stones.
From here the main conduit leads to the conduit from and to . For a little over 100 metres the aqueduct is resting on stones, and is in fact above-ground level. It makes some twists and turns on its way. On most days one can see water leaking out. During and after heavy rain the flux of leaks is quite dramatic. Some parts seems to have rows of stones creating a kind of external support structure.
A short ground-level main conduit (approximately 20 metres) leads into the main conduit. The stones in this section are much more uneven (less worked) than other sections. Sections do not have square cross sections. From here the ground level aqueduct leads to .
It is unclear whether the section next to the former is still intact. The section is now underground because of the construction works here in 1995. There is an aqueduct upstream and downstream. Downstream the aqueduct is partially intact all the way until the road . Some parts are contained within high stone walls; some parts are under or partially under residential buildings. The last bit until the is placed in an "alley" between villas. From here in leads the underground aqueduct into town. Probably in more than one place aqueducts from other springs feed (or did feed) into the system.
The underground galleries are fairly unexplored. The guided tours normally only show the two underground galleries leading into and up to the chapel. The water men obviously have seen most of the system. But some parts, especially the sections under the parking lot of the new hospital, are only good for crawling.