Sergio Larraín Echeñique (1931 – 7 February 2012) was a Chilean photographer.[1] [2] He was a member of Magnum Photos during the 1960s.[3] He is considered the most important Chilean photographer in history,[4] making street photography, often of street children, using "shadow and angles in a way few had tried before."
Photographs he took in Paris by Notre Dame Cathedral, which revealed scenes of a couple only upon processing, became the basis for Julio Cortázar's story, "Las Babas del Diablo", "The Devil's Drool", which in turn inspired Michelangelo Antonioni's 1966 film Blowup.[5]
Larraín was born in 1931 in Santiago, into one of Chile's wealthiest families. He joined Magnum Photos as an associate in 1959 and became a full member in 1961. He worked professionally for a little over ten years, stopping in 1972. Larraín is best known for his street photography, often of street children, "and use of shadow and angles in a way few had tried before."
Following the Bolivian guru Oscar Ichazo, he retreated from public and professional life to live in a Chilean mountain village, Tulahuén, and at an even more remote refuge that he built, taking up calligraphy and meditation. He also wrote and continued to make personal photography, including that of the Chilean port of Valparaíso. He died in 2012 at the age of 80.