| Sergei Lemeshev | |
| Birth Name: | Sergei Yakovlevich Lemeshev |
| Birth Date: | 10 July 1902 |
| Birth Place: | Staroe Knyazevo, Tverskoy Uyezd, Tver Governorate, Russian Empire |
| Death Place: | Moscow, Soviet Union |
| Occupation: | Operatic singer |
| Years Active: | 1926–1975 |
Sergei Yakovlevich Lemeshev (Russian: Серге́й Я́ковлевич Ле́мешев; – 27 June 1977) was a Soviet and Russian opera singer and director. People's Artist of the USSR (1950).
Lemeshev was born into a peasant family, and his father wanted him to become a cobbler. In 1914, he left a parish school and was sent to be trained to make shoes in Saint Petersburg. In 1917, he graduated from school in Tver, where he received vocal training. He began first at a local workers' club and later moved to Moscow.
Between 1921 and 1925, he studied at the Moscow Conservatory with Nazari Raisky. In 1924, he sang in the opera studio of Konstantin Stanislavski. From 1926 and 1931, he sang in the theatres of Sverdlovsk, Harbin, and Tbilisi.
In 1931 Lemeshev was invited to the Bolshoi Theatre, made his debut and eventually became the theatre's soloist. His lyrical tenor of an unusually soft and light timbre almost at once brought him love and popularity among admirers of the operatic art. Nevertheless, Lemeshev was a great worker and worked hard to develop each of his opera roles. His vocal and artistic qualities, evident to every listener, are beauty of timbre, musicality, effortlessness of vocal production, expressiveness, very clear diction and incredible pianissimo. The best years of his operatic career were from 1931 to 1942. He was also an outstanding concert singer and a brilliant performer of traditional Russian folk songs. In 1938, he became the first artist to sing all 100 romances by Tchaikovsky in 5 concerts. Folk songs broadcast on the radio further sealed his stature as a truly national singer.
The beginning of the Great Patriotic War was crucial for Lemeshev; during one evacuation he caught a very bad cold which resulted in two attacks of pneumonia, complicated by pleurisy and tuberculosis of the right lung. He was treated with artificial pneumothorax, which induced the therapeutic collapse of one lung. Although singing was forbidden, he adapted by being more conscious and sensitive with regard to his technique, and continued to sing with one lung from 1942 to 1948, when the other lung was also artificially collapsed and re-inflated. During that period he recorded Lakmé, The Snow Maiden, Les pêcheurs de perles, Mozart and Salieri and pieces from operas like The Barber of Seville and Rigoletto.
In 1947, he toured and performed at the Berlin State Opera. Along with his friendly rival, tenor Ivan Kozlovsky, he was the leading tenor at the Bolshoi until 1956.
Lemeshev's operatic repertoire consisted primarily of Russian works along with a particularly significant number of French and a few Italian and German pieces. Almost all works were performed in the Russian language. Unfortunately, very few complete recordings are available, with only excerpts available in spite of Lemeshev's numerous performances on stage in roles such as the Duke in Rigoletto and Almaviva in The Barber of Seville.
Lemeshev's signature role was as Lensky in Eugene Onegin by Pyotr Ilyich Tchaikovsky, and he performed it more than 500 times from 1927 onwards. He performed it for the last time on his 70th birthday, after suffering three heart attacks and having a lung removed.
In 1953 Lemeshev was given the prestigious title People's Artist of the USSR. He was also appointed assistant manager of the Bolshoi from 1957 to 1959. He debuted as director in 1951, with the production of La traviata in the Maly Opera Theatre in Leningrad (now known as the Mikhailovsky Theatre). Following this, he was made director for the production of Massenet's Werther in 1957 at the Bolshoi.
Toward the end of his career, he mainly gave concerts of Russian classic romances and folk songs, with performances aired on the radio, and taught in the Moscow Conservatory as associate professor.
He was buried in the Novodevichy Cemetery in Moscow.
Six marriages and numerous affairs focused the attention of Lemeshev's fans on his personal life. His fourth wife was the famous soprano Irina Maslennikova, who gave birth to Lemeshev's daughter Maria.Ultimately, he found his life partner in singer Vera Kudryavtseva. Their marriage lasted for over 20 years, until Lemeshev's death in 1977.
He authored the book "The Way to Art", published in 1968.
Asteroid number 4561 received the name Lemeshev in 1978, a year after Sergei Lemeshev's death.
Vasiliev, Viktor Dmitrievich: Doroga k Lemeshevu, Tver', 2002,