| A Midsummer Night's Dream | |
| Director: | Jiří Trnka |
| Producer: | Erna Kmínková Jaroslav Mozis |
| Based On: | [1] |
| Narrator: | Rudolf Pellar |
| Cinematography: | Jiří Vojta |
| Editing: | Hana Walachová |
| Distributor: | Ústřední půjčovna filmů |
| Runtime: | 76 minutes [2] |
| Country: | Czechoslovakia |
| Language: | Czech |
A Midsummer Night's Dream (Czech: '''Sen noci svatojánské''') is a 1959 Czechoslovak animated puppet film directed by Jiří Trnka, his last feature length film before his death 10 years later in 1969. It is based on the Shakespeare play of the same name.[3] [4]
Trnka, working under the Czech communist regime who had previously been denied in his wish to adapt Don Quixote, worked for several years on his adaptation of A Midsummer Night's Dream. The film established a new pinnacle of craftmanship.
Beyond the artistic aspects the film was technically advanced. Trnka used expensive Eastmancolor stock*[5] Every scene was shot with two cameras simultaneously—one shooting Academy ratio, and one shooting in the then new CinemaScope format, effectively producing an in-camera pan-and-scan version—all so Trnka could ensure that his widescreen production would not be presented letterboxed. The film thus exists in two definitive editions.
Garik Seko, a Georgian born animator from Zlin worked in the movie as an assistant. This is because the film cooperated with Czech animator Vlasta Jurajdova and co-existed with another work from Hermina Tyrlova namely Vlacek Kolejacek (The Little Train).[6] They returned in 1976 for the short film, O mistru Hanusovi.
The score was composed by Václav Trojan.[7]
The film received a lukewarm initial response, but was entered into the 1959 Cannes Film Festival where it tied for the French: Prix de la meilleure sélection (the selection of the Technical Committee) alongside Vojtěch Jasný's Desire (Touha). It also won an Honourable Medal at the 20th Venice International Film Festival in 1959; first prize for best film in Bucharest in 1960; second prize in Montevideo in 1960; and first prize—the "Golden Mercury"—for music in Valencia in 1962. Time magazine included the film in the Top 10 foreign movies of 1961.[8]
Cerise Howard, discussing the film in a retrospective on Trnka for Senses of Cinema, describes the puppet animation as "more liquid, more balletic than ever"; the scenes between Nick Bottom and Titania are "achingly tender"; Titania's train is "an especially astonishing, luminous creation… constituted of tens of fairies, individually animated amidst reams of gorgeous, extensive coral garlanding". Overall the film is "distinguished by exquisite design throughout".
An English-language version was made with narration by Richard Burton and voice work by Alec McCowen.