| Sella Turcica | |
| Director: | Fred Vogel |
| Producer: | Fred Vogel Shelby Vogel |
| Story: | Fred Vogel Don Moore Shelby Vogel Jerami Cruise |
| Starring: | Allie Nickel Jade Risser Harvey Daniels Camille Keaton Sarah Thornton Sean P. McCarthy Damien A. Maruscak |
| Music: | Mike Hammer |
| Cinematography: | Gabe Spangler |
| Editing: | Jason Kollat |
| Studio: | Toetag Pictures |
| Distributor: | Toetag Pictures |
| Runtime: | 106 minutes |
| Country: | United States |
| Language: | English |
| Budget: | $20,000 |
Sella Turcica is a 2010 horror film written and directed by Fred Vogel, and co-written by Shelby Vogel and Don Moore.
While serving in the Middle East, Sergeant Bradley Roback and his squad vanished while on patrol, their equipment and vehicles being found abandoned, with no signs of a struggle. Days after their disappearance, Brad and ten of the other twelve missing soldiers turned up unconscious outside of their base. When the men woke up in the LRMC in Germany, they were found to be suffering from unexplainable physical impairments. Brad lost the ability to walk, taste and see in color, and is plagued by frequent and severe headaches that are exacerbated by high-pitched noise.
Brad is sent home to his family, where his condition causes some tension, something not helped by his sister Ashley's insensitive boyfriend, Gavyn. As the hours pass, Brad's body and mind deteriorate. He has periods of unresponsiveness, suffers from seizures, a wound on his right foot worsens, he becomes gaunter, his eyes and tongue swell, his fingernails and teeth yellow, and he begins expelling a black fluid from his ears, mouth, and anus. In the morning after his return, Brad is found by his mother, Karmen, ingesting a large amount of salt in the kitchen, having apparently entered the room under his own power. As his mother gets his wheelchair from the parlor, Brad returns to his bed, and becomes semi-catatonic, refusing to move and denying that he needs to go to a hospital when his brother Bruce suggests it.
When Gavyn stops by, his blunt comments about Brad's condition and his relationship with Ashley sparks a fight between him and Bruce. After Bruce goes outside to cool off and gets into an argument with his mother in the yard, Brad (who has just killed and ate the family dog, Fulci) wheels into the kitchen, stands up and attacks Gavyn. Gavyn's screams alert Bruce and Karmen, who find him dead from severe head trauma, and Brad convulsing on the floor. As Bruce tries to revive Brad, Ashley (who had just arrived home from dance practice) leads their mother out of the room. As soon as Ashley and Karmen leave, Brad springs to life, rips Bruce's lower jaw off, and clumsily stumbles after his mother and sister, emitting animalistic noises.
Brad finds Ashley and Karmen, and kills the former by punching through a door and impaling her through the neck on the splintered wood, subsequently ripping her head off. As Brad struggles to get to her, Karmen bludgeons him with a metal wall ornament, prompting a slug-like creature to burst out of his sella turcica (seemingly confirming Brad's earlier, sarcastic theory that he and his squad were abducted and experimented on by aliens). Karmen beats Brad and the entity to death, and the film ends with home movies of the Robacks, and Karmen's husband returning home to discover his wife has hanged herself in the garage.
Moria awarded Sella Turcica two and a half stars out of five, finding the characters well-rounded and the drama and performances compelling, but the finale unsatisfying, stating it "is the point where the film goes from a well-established character ensemble about people reacting to a family member becoming ill to a predictable gore bloodbath" and that the effects were "impressively gore-drenched but not always the most convincing".[1] The exploitation film database The Worldwide Celluloid Massacre described Sella Turcica as "pretty good horror" with an interesting storyline, passable acting, and impactful gore scenes.[2]
Arrow in the Head had a lukewarm reaction to Sella Turcica, writing "It tries really hard. It does. Unfortunately its dramatic portion is overwrought and its gore freak-out ending feels like a cheat to make the movie more memorable than it deserves to be, even if said gore is fantastic".[3] The film was called "rotten" and "dead" by Soiled Sinema, which criticized the acting and felt the only worthwhile element of the "dreary production" was the ending massacre.[4]