| Seeds | |
| Type: | studio |
| Artist: | TV on the Radio |
| Cover: | tvotr - seeds.jpg |
| Released: | November 18, 2014 |
| Recorded: | 2013–2014 |
| Genre: |
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| Length: | 52:43 |
| Label: | Harvest |
| Producer: | Dave Sitek |
| Prev Title: | Nine Types of Light |
| Prev Year: | 2011 |
Seeds is the fifth studio album by American art rock band TV on the Radio, released on November 18, 2014 through Harvest Records.[1] It is the band's first album since the 2011 death of their bassist, Gerard Smith.
The album's first single, "Happy Idiot", was released on September 2, 2014.[1]
Seeds was recorded in Los Angeles, at guitarist Dave Sitek's Federal Prism home studio.[2] Sitek also produced the record. Lead singer Tunde Adebimpe explained, "It was nice to be somewhere where you're not exactly on the clock and worried about how much everything is costing you. It was pretty much the same situation as when we started making music."[3]
The band announced the album on July 29, 2014.[4] Adebimpe stated in a press release:
Seeds was positively received by most critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 78, based on 30 reviews, indicating "generally favorable reviews". Many reviewers commented on the album's shift in aesthetic from the band's past work, attributing it to the passing of long-time band member Gerard Smith. Heather Phares of AllMusic wrote that "Seeds has a palpable sense of moving on for TV on the Radio [...] with the band confronting loss directly on the album's first half and accepting it on the second." She found the album to be "a fine tribute to Smith and the sound of enduring unimaginable loss." Mark Beaumont of NME observed that "grief and anger are channelled into a propulsive energy, driving the quartet's synthetic pop explorations with added garage-rock urgency" and ultimately concluding that the band "have returned from an uncertain period sounding remarkably fresh." Ian Gormely of Exclaim! described it as a "sublime catharsis after the group's tragic loss and a perfect distillation of what the band do best".[5]