| Genre: | Soap opera |
| Creator: | Roy Winsor |
| Starring: | Mary Stuart Larry Haines |
| Narrated: | Dwight Weist |
| Composer: | Dick Hyman |
| Country: | United States |
| Language: | English |
| Num Seasons: | 35 |
| Num Episodes: | 9,130 |
| Camera: | Multi-camera |
| Runtime: | 15 minutes (1951–68) 30 minutes (1968–86) |
| Company: | Procter & Gamble Productions |
| Channel: | CBS (1951–82) NBC (1982–86) |
Search for Tomorrow is an American television soap opera. It began its run on CBS on September 3, 1951, and concluded on NBC, 35 years later, on December 26, 1986.[1]
Set in the fictional town of Henderson in an unspecified state, the show focuses primarily on the character of Joanne "Jo" Gardner, portrayed by Mary Stuart for the entire run of the series.[2]
Search for Tomorrow was created by Roy Winsor and was first written by Agnes Nixon (then known professionally as Agnes Eckhardt) for the series' first 13 weeks and later by Irving Vendig.[3] The program was one of several daytime soap operas produced from the 1950s through the 1980s by Procter & Gamble Productions, the broadcasting arm of the famed household products corporation. Procter & Gamble used the program, as well as the company's other serials, to advertise its products (such as its Joy dishwashing liquid and Spic and Span household cleaner). As Searchs ratings increased, other sponsors began buying commercial time during the program.
Search for Tomorrow initially aired as a 15-minute serial from its debut in 1951 until 1968, at 12:30 p.m. Eastern/11:30 a.m. Central Time. The serial discontinued live broadcasts in favor of recorded telecasts in March 1967, began broadcasting in color on September 11, 1967, and expanded to a half-hour on September 9, 1968, keeping the 12:30/11:30 slot, while its old 15-minute partner The Guiding Light also expanded to 30 minutes and moved to the CBS afternoon lineup at 2:30/1:30.[4] At the time, Search for Tomorrow and The Guiding Light, which had shared the same half hour for sixteen years, were the last two 15-minute daytime programs airing on television. Search for Tomorrow would remain the top-rated show at 12:30/11:30 well into the late 1970s, despite strong competition from shows like NBC's The Who, What, or Where Game and ABC's Split Second and Ryan's Hope.
On June 8, 1981, CBS moved Search for Tomorrow from its longtime 12:30 p.m./11:30 a.m. Central time slot, which it had held for 30 years, to the 2:30/1:30 p.m. time slot between As the World Turns and Guiding Light, its two P&G sister shows in order to accommodate the hit serial The Young and the Restless. Procter & Gamble urged CBS to return Search for Tomorrow to its former slot. The program's relocation confused or angered many longtime viewers habituated to seeing it earlier in the day. Another P&G-produced soap opera, The Edge of Night, had suffered the same problem six years earlier when the company insisted that the show be moved to the 2:30/1:30 p.m. time slot; it had previously dominated the other two networks in the ratings for the 3:30/2:30 p.m. slot for almost a decade. The network refused to move Search for Tomorrow back to its original 12:30/11:30 time slot and, as the show's contract with CBS was about to expire, Procter & Gamble sold the broadcast rights to Search for Tomorrow to NBC rather than negotiate a renewal with CBS. NBC already had two soaps produced by the company, Another World and its Dallas-inspired spin-off Texas, as part of its daytime lineup. Search for Tomorrow aired its last episode on CBS on March 26, 1982, and had its NBC premiere the following Monday, March 29; CBS filled the program's former time slot with a new political soap opera, Capitol.
The shift from CBS to NBC would prove to be the beginning of the serial's terminal decline. At its new network, Search for Tomorrow now found itself going head-to-head with its former CBS stablemate The Young and the Restless and would later face additional soap competition when Loving premiered on ABC in June 1983. Additionally, several NBC-affiliated stations opted to run syndicated programming or local newscasts in the 12:00/11:00 slot, a practice dating back to NBC's daytime ratings struggles in the 1970s that also affected already struggling soap opera The Doctors, which was airing at 12:30/11:30, until NBC bumped it to 12:00/11:00 (the fourth and final time slot that the show occupied during its 19-year run) to accommodate Search for Tomorrow. (The Doctors, along with Texas, were both canceled at the end of 1982.) As a result, Search for Tomorrows ratings plummeted through its four-year run on NBC and never recovered; it was among the lowest-rated soaps on television at the time, kept alive mainly by its hardcore and largely elderly fans. As such, the show was increasingly unappealing to advertisers other than P&G. (The Edge of Night faced similar issues following its move to ABC in the 4:00/3:00 timeslot, where it did only slightly better in the ratings, before being cancelled in 1984 due to the erosion of its overall ratings caused in part by affiliate preemptions for syndicated programming.)
On August 4, 1983, both the master copy and the backup of an episode of Search for Tomorrow scheduled for that day were reported missing, and the cast was forced to do a live show for the first time since the transition to recorded broadcasts 16 years earlier.[5] It was the first live daytime serial since two other CBS soaps, As The World Turns and The Edge of Night, had discontinued the practice in 1975; to date, the only other soap operas to have done live episodes in any capacity since – albeit as programming stunts – were ABC's One Life to Live (for a one-week "sweeps" stint from May 13–17, 2002) and General Hospital (for two episodes on May 15 and 18, 2015).
In the fall of 1986, NBC announced that Search for Tomorrow would be canceled, citing its declining ratings. The show aired its 9,130th and final episode on December 26, 1986, after 35 years on the air. At the time of its cancellation, it was the longest-running daytime program in American television history, but has since been surpassed by other shows. The following Monday, the game show Wordplay took over the 12:30 p.m. Eastern time slot.
From 1987 until the summer of 1989, reruns of Search for Tomorrow aired late nights on the USA Network. The cable network aired episodes from the first three years on NBC (1982–1985), along with its sister P&G soap The Edge of Night.
In 2006, P&G began making several of its soap operas available, a few episodes at a time, through America Online's AOL Video service, downloadable free of charge.[6] Reruns of Search for Tomorrow began with the October 5, 1984, episode and ceased with the January 13, 1986, episode after AOL discontinued the P&G Soaps Channel on December 31, 2008.[7]
| Actor | Character | Duration | |
|---|---|---|---|
| John Aniston | Martin Tourneur | 1979–84 | |
| Rod Arrants | Travis Sentell | 1978–84 | |
| Lewis Arlt | David Sutton | 1976–81 | |
| Matthew Ashford | Cagney McLeary | 1984–86 | |
| Kevin Bacon | Todd Adamson | 1979 | |
| Kathleen Beller | Liza Walton | 1972–74 | |
| Meg Bennett | Liza Walton | 1974–76 | |
| Neil Billingsley | Danny Walton | 1975–77 | |
| Domini Blythe | Estelle Kendall | 1985–86 | |
| Marion Brash | Eunice Gardner Wyatt | 1957–61 | |
| Robert Curtis Brown | Alec Kendall | 1984–85 | |
| Hope Busby | Liza Walton | 1977–78 | |
| David Canary | Arthur Benson | 1978 | |
| Melanie Chartoff | Nancy Craig | 1976 | |
| Maree Cheatham | Stephanie Wyatt | 1974–84 | |
| Jill Clayburgh | Grace Bolton | 1969 | |
| Kevin Conroy | Chase Kendall | 1984–85 | |
| Michael Corbett | Warren Carter | 1982–85 | |
| Colleen Dion-Scotti | Evie Stone | 1985–86 | |
| Val Dufour | John Wyatt | 1972–79 | |
| Olympia Dukakis | Barbara Moreno | 1983 | |
| George Ebeling | Peter Rand | 1963 | |
| Terri Eoff | Susan Wyatt | 1984–86 | |
| Morgan Fairchild | Jennifer Pace | 1973–77 | |
| Larry Flieschman | Ringo Altman | 1982–83 | |
| David Forsyth | Hogan McCleary | 1983–86 | |
| David Gale | Rusty Sentell | 1982–83 | |
| Jennifer Gatti | Angela Moreno | 1983 | |
| Anthony George | Tony Vicente | 1970–75 | |
| Cynthia Gibb | Susan Wyatt Carter | 1981–83 | |
| Louan Gideon | Liza Walton | 1985–86 | |
| Nicolette Goulet | Kathy Phillips Taper | 1979–82 | |
| Marian Hailey | Janet Collins | 1971 | |
| Larry Haines | Stu Bergman | 1951–86 | |
| Ron Hale | Walt Driscoll | 1969 | |
| Bethany Hanes | Victoria Carson | 1977 | |
| Page Hannah | Adair McCleary | 1984–85 | |
| Peter Haskell | Lloyd Kendall | 1983–85 | |
| Michael Hawkins | Steve Haskins | 1951 | |
| Joel Higgins | Bruce Carson | 1977 | |
| John James | Tom Bergman | 1977 | |
| Jane Krakowski | T.R. Kendall | 1984–86 | |
| Mark Lenard | Nathan Walsh | 1959–60 | |
| Audra Lindley | Sue Knowles | 1962 | |
| Mitch Litrofsky | Thomas "Trip" Bergman | 1981–83 | |
| Richard Lohman | Gary Walton | 1975–77 | |
| Carl Low | Bob Rogers | 1965–83 | |
| Christopher Lowe | Eric Leshinski | 1969–78 | |
| Robert Mandan | Sam Reynolds | 1965–70 | |
| Sherry Mathis | Liza Walton | 1978–85 | |
| Andrea McArdle | Wendy Wilkins | 1977 | |
| Jane McArthur | Marian Rand | 1963 | |
| Marcia McCabe | Sunny Adamson | 1978–86 | |
| Marilyn McIntire | Carolyn Hanley | 1977–80 | |
| Stacey Moran | Susan Wyatt | 1977–80 | |
| Denise Nickerson | Liza Walton | 1971–72 | |
| Michael Nouri | Steve Kaslow | 1975–78 | |
| Terry O'Sullivan | Arthur Tate | 1952–56 | |
| Tina Orr | Meredith Hartford | 1977–78 | |
| Will Patton | Kentucky Bluebird | 1984–85 | |
| Anne Pearson | Allison Metcalf | 1959–65 | |
| Patsy Pease | Cissie Mitchell Sentell | 1978–84 | |
| Lisa Peluso | Wendy Wilkins | 1977–85 | |
| Melba Rae | Marge Bergman | 1951–71 | |
| Leslie Ann Ray | Donna Davis | 1977–78 | |
| Sandy Robinson | Janet Collins | 1956–61 | |
| Robert Rockwell | Greg Hartford | 1977–78 | |
| Frank Schofield | John Austin | 1963 | |
| Louise Shaffer | Stephanie Wyatt | 1984–86 | |
| Fran Sharon | Janet Collins | 1961–65 | |
| Courtney Simon | Kathy Phillips | 1971–79; 1984 | |
| Peter Simon | Scott Phillips | 1969–79 | |
| Marcus Smythe | Dane Taylor | 1982–83 | |
| Ellen Spencer | Janet Collins | 1951–56 | |
| Ralph Stantley | Lloyd Gibson | 1963 | |
| Douglas Stevenson | Lee Sentell | 1980–82 | |
| Mary Stuart | Joanne Gardner | 1951–86 | |
| Tom Sullivan | Michael Kendall | 1983 | |
| Millee Taggart | Janet Collins | 1971–82 | |
| Wayne Tippitt | Ted Adamson | 1980–82 | |
| Gary Tomlin | Bruce Carson | 1973–74 | |
| Patrick Tovatt | Matt McCleary | 1986 | |
| Martin Vidnovic | Cord Tourneur | 1984 | |
| Douglass Watson | Walter Haskins | 1960s | |
| Billie Lou Watt | Ellie Harper Bergman | 1968–81 | |
| Ann Williams | Eunice Gardner Wyatt | 1966–76 | |
| Marian Woods | Victoria Windsor | 1984 | |
| Anne Wyndham | Amy Carson | 1975–77 |
| Category | Recipient | Role | Year | |
|---|---|---|---|---|
| Lead Actor | Larry Haines Val Dufour | Stu Bergman John Wyatt | 1976 | |
| Supporting Actor | Larry Haines | Stu Bergman | 1981 |