| Scène de vie | |
| Type: | Album |
| Artist: | Patricia Kaas |
| Cover: | Scène_de_vie.jpg |
| Released: | April 9, 1990 |
| Recorded: | Studio Guillaume Tell, Suresnes Local Studio, Rueil-Malmaison Studio Marcadet, Paris Musika Studios, Paris |
| Genre: | Pop |
| Length: | 42:09 |
| Label: | CBS Disques |
| Producer: | Bertrand Châtenet Franck Langolff Philippe Osman Jean-Jacques Souplet |
| Prev Title: | Mademoiselle chante... |
| Prev Year: | 1988 |
| Next Title: | Carnets de scène |
| Next Year: | 1991 |
Scène de vie (Eng: Moments in Life) is a studio album recorded by the French artist Patricia Kaas. It was her second album and was released in 1990. It confirmed the singer's potential, reaching the top of the albums chart in France.
In 1990, Kaas' first album, Mademoiselle chante..., was still well placed in the French charts. It was a huge success, and she decided to release a second album in order to consolidate her popularity. She left her former record company, Polydor, in order to join CBS/Sony. Cyril Prieur and Richard Walter from the firm 'Talent Sorcier' (Paris) replaced Bernard Schwartz and became her new managers. They both contributed significantly to the singer's success.
With her new record company, she produced her second studio album Scène de vie in 1990. As with the previous album, many tracks were composed by Barbelivien and Bernheim. With the song "Kennedy Rose" (dedicated to Rose Kennedy, matriarch of the Kennedy family and mother of former U.S. president John F. Kennedy), Kaas again worked with Elisabeth Depardieu and François Bernheim ; this collaboration was more successful than "Jalouse", even if it did not chart highly.
In France, there were four singles from this album, but only the first reached the top ten: "Les hommes qui passent" (#7), "Les Mannequins d'osier" (#21), "Kennedy Rose" (#36) and "Regarde les riches" (#27).[1] They were not certified by the SNEP.
In France, Scène de vie went to #2 on May 10, 1990, before reaching the top of the albums chart and staying there for ten weeks. It spent 38 weeks in the top ten and 78 in the top 50.[2] It went Diamond disc eight years after its release, just as Mademoiselle chante... had done before it.[3]
In Switzerland, the album entered the chart on May 6, 1990, at #17, and reached a peak position of #15. It remained on the chart for six weeks, then recharted for a further 16 weeks, from January 20 to May 5, 1991, entering the top 30 for eight weeks.[4] It was certified double platinum in 1993.[5]
The album also went platinum in Canada, after being gold on March 28, 1991.[6]
| Title[7] [8] | Length | |
|---|---|---|
| 1. | "Générique (Thème Montmajour)" (François Bernheim) | |
| 2. | "Les Mannequins d'osier" (Didier Barbelivien, Bernheim) | |
| 3. | "L'Heure du jazz" (Barbelivien, Bernheim, Jean-François Collo) | |
| 4. | "Où vont les cœurs brisés" (Charles France, Thierry Delianis) | |
| 5. | "Regarde les riches" (Barbelivien, Bernheim) | |
| 6. | "Les Hommes qui passent" (Barbelivien, Bernheim) | |
| 7. | "Bessie" (Pierre Grosz, Franck Langolff) | |
| 8. | "Tropic Blues Bar" (Joëlle Kopf, Jerry Lipkins) | |
| 9. | "L'Enterrement de Sidney Bechet" (Barbelivien, Bernheim) | |
| 10. | "Kennedy Rose" (Barbelivien, Bernheim, Élisabeth Depardieu) | |
| 11. | "Une derniere semaine à New York" (Barbelivien, Bernheim) | |
| 12. | "Patou Blues" (Barbelivien, Bernheim) | |
| 13. | "Generique (orchestral)" (Bernheim) | |
| Peak position | |
| European Albums (Music & Media)[10] | 20 |
|---|---|
| French Albums (SNEP)[11] | 1 |
| Position | ||
| French Albums (SNEP)[12] | 2 |
|---|
| Position | ||
| German Albums (Offizielle Top 100)[13] | 41 |
|---|