| Save Our Children | |
| Type: | album |
| Artist: | Pharoah Sanders |
| Cover: | Pharoah_Sanders_Save_Our_Children.jpg |
| Released: | 1998 |
| Studio: | Orange Music, West Orange, New Jersey |
| Genre: | Jazz |
| Length: | 1:01:23 |
| Label: | Verve Records 557 297-2 |
| Producer: | Bill Laswell |
| Chronology: | Pharoah Sanders |
| Prev Title: | Message from Home |
| Prev Year: | 1996 |
| Next Title: | Spirits |
| Next Year: | 2000 |
Save Our Children is an album by saxophonist Pharoah Sanders. It was recorded in West Orange, New Jersey, and was released in 1998 by Verve Records. On the album, which was produced by Bill Laswell, Sanders is joined by keyboardists Jeff Bova, William Henderson, and Bernie Worrell, harmonium player Tony Cedras, bassist Alex Blake, and percussionists Trilok Gurtu and Zakir Hussain. Abiodun Oyewole, Asante, and Abdou Mboup also provide vocals on one track. Save Our Children was Sanders' second release with Verve, and the second to be produced by Laswell.[1] [2] [3] [4]
In a review for AllMusic, Richard S. Ginell noted the album's "sleek, absorbing sound," and stated that, in comparison with Message from Home, "the ambience is mellower, the spirituality less fierce." He wrote: "Though the African percussive element is still present, it now takes a back seat to subtle layered electronics and influences from India and the Middle East, and the huge, passionate Pharoah sound of old is mostly toned-down and recessed."
Willard Jenkins, writing for Jazz Times, commented: "From the opening bars it's clear this is more about Bill Laswell's vision than Pharoah Sanders... If you could ever imagine Pharoah Sanders on smooth jazz radio, this might be the track. Come back Pharoah, and leave Laswell to lesser lights."[5]
Joshua Klein of The A.V. Club remarked: "Save Our Children isn't the fiery free-jazz salvo of which [Sanders is] still capable; instead, the record is another eclectic hybrid that stays closely in sync with Laswell's one-world style... There's a sense of drifting peace cast over Save Our Children that often veers close to New Age, but as the harmoniums hum with Sanders on the meditative 'Kazuko,' it's hard to complain."[6]