Saturday Night with Mr. C. | |
Type: | Album |
Artist: | Perry Como |
Cover: | Saturdaywithmrc.jpg |
Released: | May 1958 |
Recorded: | February 12, 13, 19, 20 & March 5, 6, 11, 12, 1958 |
Genre: | Vocal |
Length: | 49:00 |
Label: | RCA Victor |
Producer: | Joe Reisman |
Prev Title: | We Get Letters |
Prev Year: | 1957 |
Next Title: | When You Come to the End of the Day |
Next Year: | 1958 |
Saturday Night with Mr. C. was Perry Como's third RCA Victor 12" long-play album, and his first recorded in stereophonic sound.[1] [2] [3] The album is structured as an extended version of the request section of his popular television show, beginning and ending with his theme songs "Dream Along With Me" and "You Are Never Far Away" and with his TV request theme, "We Get Letters" used twice in the album as an intro. At the time, Perry was seen on NBC's Saturday night schedule at 8 P.M. Eastern Time.
All stereo pressings of Saturday Night With Mr. C. excluded the track "Come Rain or Come Shine", despite that song having its title clearly printed on the jacket. It is assumed that this cut had something to do with space limitations within the new stereo LP format; with a playing time of nearly 50 minutes, the album was nearly twice as long as the typical pop LP of the period. "Come Rain or Come Shine" was reissued in 1967 on the RCA Camden compilation Hello, Young Lovers, but the stereo version on that album was electronically reprocessed ("fake stereo") from monophonic. In 2001, Saturday Night with Mr.C was reissued on compact disc by the Collectables Records third-party reissue label by arrangement with RCA; this reissue included the first release of the true stereo version of "Come Rain or Come Shine".[4]
Since Como's television show ran on Thursday evenings in Australia, the title for the Australian pressing of this album is Thursday Night With Mr. Como.[5] In the United Kingdom, the album was called Dear Perry and spent five weeks in the Melody Maker album chart Top 10, entering on 8 November 1958 and peaking at number 6.[6]
Background accompaniment is provided by the Mitchell Ayres orchestra, with the Ray Charles Singers and arrangements done by Joe Lipman.[7] Cover art by Victor Kalin.
Side one
Side two