Saturday-morning cartoon explained
"Saturday-morning cartoon" is a colloquial term for the original animated series and live-action programming that was typically scheduled on Saturday and Sunday mornings in the United States on the "Big Three" television networks. The genre was a tradition from broadly the mid-1960s to mid-2010s; over time its popularity declined, in the face of changing cultural norms, increased competition from formats available at all times, and heavier media regulations.[1] [2] [3] In the last years of the genre's existence, Saturday-morning and Sunday-morning cartoons were primarily created and aired on major networks to meet "educational and informational" (E/I) requirements. Minor television networks, in addition to the non-commercial PBS in some markets, continued to air animated programming on Saturday and Sunday while partially meeting those mandates.[4] [5]
In the United States, the generally accepted times for these and other children's programs to air on Saturday mornings were from 8:00 a.m. to approximately 1:00 p.m. Eastern Time Zone. Until the late 1970s, American networks also had a schedule of children's programming on Sunday mornings, though most programs at this time were repeats of Saturday-morning shows that were already out of production.[6] [7] In some markets, some shows were pre-empted in favor of syndicated or other types of local programming.[8]
History
See also: Children's programming on NBC, Children's programming on the American Broadcasting Company and Children's programming on CBS.
1960s
Beginning in the mid-1960s, the Saturday-morning timeslot would feature a great deal of series appropriate for children, although most of these were reruns of animated series originally broadcast in prime time and adventure series made in the 1950s, as well as telecasts of older cartoons made for movie theaters.[9] Later in the decade, the slot would be dominated by superhero and action cartoon series, influenced by the success of Space Ghost.[10] [11] These were heavily criticized by parents for their violence.[12]
1970s
By 1972, most action programming had been removed from the Saturday-morning slot, following pressure from parents' lobbying groups such as the Action for Children's Television (ACT).[13] These groups voiced concerns about the presentation of commercialism, violence, anti-social attitudes and stereotypes in Saturday-morning cartoons. By the 1970s, these groups exercised enough influence, especially with the U.S. Congress and the Federal Communications Commission, that the television networks felt compelled to impose more stringent content rules for the animation houses.[14] [15] [16] In 1978, the Federal Trade Commission was openly considering a ban on all advertising during television programming targeting preschoolers, and severe restrictions on other children's program advertising, both of which would have effectively killed off the format; the commission ultimately dropped the proposal.[17]
The networks were encouraged to create educational spots that endeavored to use animation and/or live-action for enriching content,[18] including the Schoolhouse Rock! series on ABC which became a fondly-remembered television classic. With the 1970s came a wave of animated versions of popular live-action prime time series, mainly with the voices of the original casts, as well as imitations of the highly successful Scooby-Doo[19] combining teen characters and talking animals with supernatural mystery stories.
1980s
By 1982, under President Ronald Reagan, the Federal Communications Commission (FCC) had loosened programming and advertising regulations,[20] leading to the era of "half-hour toy commercials", starting with He-Man and the Masters of the Universe and continuing with such series as The Transformers and Teenage Mutant Ninja Turtles. These were heavily criticized by ACT, but were nevertheless successful.[21] As well, several more lighthearted series appeared, popularized by Hanna-Barbera’s The Smurfs and Jim Henson’s Muppet Babies.[22] These included series based on popular video games, such as Saturday Supercade.[23]
1990s
Despite increased competition from cable television networks (such as Nickelodeon, Cartoon Network, and Disney Channel),[24] [25] Saturday-morning and weekday cartoon blocks continued to remain popular in the 1990s. Such examples included Disney's Disney Afternoon in syndication, Fox's Fox Kids, UPN's UPN Kids, CBS's CBS Saturday, The WB's Kids' WB, and Amazin' Adventures (later Bohbot Kids Network) in syndication.
Creator-driven animation experienced a renaissance at this time, some examples being Fox Kids's acclaimed ,[26] ,[27] and Animaniacs.[28] Teenage Mutant Ninja Turtles continued to be produced into the 1990s, experiencing a popularity peak[29] known as "Turtlemania".[30]
2000s
In the late 1990s and early 2000s, Japanese anime shows such as Pokémon, Dragon Ball, Sailor Moon, Digimon and Yu-Gi-Oh! were introduced to American Saturday-morning television, and came to dominate the timeslot.[31] By this point, Kids' WB had pulled ahead of Fox Kids in ratings due to its anime series (particularly Pokémon).[32] Despite the popularity of its own Digimon, Fox Kids declined in ratings and rebranded in 2002 to the anime-oriented Fox Box, then to 4Kids TV in 2005. 4Kids TV ended its run in 2008; Fox opted to drop children's programming altogether rather than lease the block to another company,[33] and would not carry children's programming for six years until the launch of Xploration Station.[34]
Networks continued to carry Saturday-morning cartoons into the 2000s, with other blocks such as Disney's One Saturday Morning[35] (later ABC Kids) on ABC, Disney's One Too[36] on UPN, and NBC's Qubo. By this point, much of the non-E/I programming consisted of either dubbed anime from Japan or reruns of cable programs. Among the "Big Three" traditional major networks, the final non-E/I cartoon to date (Kim Possible) was last aired in 2006.
2010s
By the 2010s, the increased availability of streaming services led to a further decline in Saturday-morning viewership, as they allowed children to watch their favorite cartoons at any given time. As the popularity of these blocks continued to wane, Litton Entertainment took over programming the Saturday-morning children's blocks from ABC, CBS, The CW, and NBC in 2011,[37] [38] [39] 2013,[40] 2014,[41] [42] and 2016,[43] [44] respectively. Under Litton, these networks shifted from weekend-morning educational programming aimed towards preteen audiences, to live-action documentary programming ostensibly targeted at teenagers. These series were relatively less expensive to produce, met the FCC's educational mandates, and were less likely to cause a clash with morning news programs. This documentary programming also benefited from having less restrictive rules for advertising compared to programming targeted to children.[45]
In the United States, The CW continued to air non-E/I cartoons until 2014, with the discontinuation of the Vortexx block, which was viewed by some media outlets as the end of an era. Sinclair Broadcast Group's KidsClick block, which ran from 2017[46] to 2019[47] on This TV and later TBD,[48] aired no E/I programming. Since then, some cable television networks have revived the practice of debuting their most popular animated programming on Saturday and Sunday mornings on a sporadic basis. A handful of digital subchannels also make use of Saturday-morning cartoon reruns, including Get After It Media's PBJ, Ion Media's Qubo, Retro Television Network, and MeTV[49] (as well as its companion network MeTV Plus).
Factors contributing to decline
Multiple factors contributed to the decline of the Saturday-morning timeslot. Among them were the introduction of people meters that children found difficult to operate in the late 1980s,[50] [51] an increasingly competitive market fueled by the multi-channel transition,[52] [25] a boom in first-run syndicated content,[53] viewers growing bored with stagnant tropes and limited animation from studios such as Hanna-Barbera and Filmation,[54] [50] the introduction of home video (and later video on demand)[50] and video games,[55] the FCC's educational content mandates[56] [57] and FTC's increasing restrictions on advertising,[57] and broader cultural changes stemming from an increase in no-fault divorces and the end of the post-World War II baby boom.[58] [57] [50]
Some networks would replace their Saturday-morning cartoon lineups with live-action teen-oriented series[59] or infomercials.[60] Others would expand their morning news shows onto the weekend lineup, leaving less time for animation.[61] [62] [63] Attempting to pair the newscasts with the remaining cartoons was largely unsuccessful because the two program formats drew widely different audiences that did not lend themselves to leading in and out of each other, leading to viewership oddities (such as NBC's children's block having an average viewership age of over 40 years old).[64] [45]
Legacy
This era continues to be satirized and/or spoofed in popular culture. The tribute album was released in 1995, featuring covers of Saturday-morning cartoon themes from the 1960s and 1970s as performed by alternative rock artists.[65] The Netflix animated series Saturday Morning All Star Hits! parodies the mid-1980s to early 1990s era of Saturday-morning animation, such as Thundercats, Care Bears, and Denver, the Last Dinosaur.[66] The science fiction animated series Futurama also spoofed 1970s and 1980s Saturday-morning cartoons in the episode "Saturday Morning Fun Pit".[67]
See also
External links
Notes and References
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- Television: trouble in toontown . Time . November 25, 1996 . https://web.archive.org/web/20101029213422/http://www.time.com/time/magazine/article/0,9171,985595,00.html. dead. October 29, 2010. August 12, 2010.
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- News: Mangan . Jennifer . 'Animaniacs' Stars Can Make Even A Parent Laugh . May 28, 2011 . . December 21, 1993 . USA. https://web.archive.org/web/20120929012859/http://articles.chicagotribune.com/1993-12-21/features/9312210097_1_animation-cartoon-characters-peep. September 29, 2012. live.
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- Web site: How the Teenage Mutant Ninja Turtles Came to Dominate '90s Culture. Flavorwire. English. Elisabeth Donnelly. 12 June 2014. 15 January 2019.
- Book: O'Melia . Gina . Japanese Influence on American Children's Television: Transforming Saturday Morning . 2019 . Springer . 978-3-030-17416-3 .
- One-Two Punch of Pokémon and Batman Beyond Flattens Competition for Kids' WB . June 4, 1999 . . July 5, 2011 . https://web.archive.org/web/20120427010246/http://www.timewarner.com/newsroom/press-releases/1999/06/OneTwo_Punch_IPokEacuteMonI_IBatman_BeyondI_Flattens_06-04-1999.php . April 27, 2012.
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- Web site: Litton Announces "ABC Weekend Adventure". Business Wire. May 24, 2011. May 24, 2011. https://web.archive.org/web/20160304073435/http://www.businesswire.com/news/home/20110524007282/en/Litton-Announces-ABC-Weekend-Adventure. March 4, 2016.
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- https://www.polygon.com/22826878/saturday-morning-all-star-hits-netflix-impression Saturday Morning All Star Hits! review: Kyle Mooney brings his weird to Netflix - Polygon
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