| Sanyasi | |
| Director: | Sohanlal Kanwar |
| Producer: | Sohanlal Kanwar |
| Screenplay: | Ram Kelkar |
| Story: | Ram Kelkar |
| Music: | Shankar Jaikishan |
| Cinematography: | Radhu Karmakar |
| Editing: | Nand Kumar |
| Studio: | Filmnagar |
| Distributor: | Filmnagar |
| Runtime: | 160 mins |
| Country: | India |
| Language: | Hindi |
Sanyasi is a 1975 Hindi film directed by Sohanlal Kanwar, starring Manoj Kumar and Hema Malini as leads. The film is noted for its music by Shankar Jaikishan. The film was the third highest grossing film of the year.[1]
Renukadevi (Sulochana) is widowed and the mother of a son named Ram (Manoj Kumar). Her husband had indulged in all possible vices, and died. Her father-in-law, Rai (Brahma Bharadwaj), does not want Ram to repeat his father's mistakes, and teaches him all the positive values of the Hindu religion, in particular the contents of the Bhagavad Gita. As a result, Ram refrains from all known vices, is an expert in yogic exercises, decides to live the life of a celibate, and refuses to marry anyone. When Rai dies, Renuka asks Ram to fulfill his grandfather's last wishes, one of which was to get married. She even arranges his introduction to Aarti (Hema Malini), an attractive young woman. But Ram is convinced that marriage is not for him. Renuka is overjoyed when her estranged brother, Gopinath, (Raj Mehra) and his son, Rakesh, (Prem Chopra) return from abroad. With their help she hopes to get Ram married with Aarti. Then things get complicated when Rakesh falls in love with Aarti. Ram leaves town to attend to business, and circumstances propel Renuka to will her entire estate to Rakesh and change his name to Bharat, with the blessings of a renowned saint named Ishwar Baba. (Premnath). After this ceremony, the people around Renuka start showing their true colors, and after an open-palmed stinging slap from Aarti, Renuka realizes that her place in this house is now worse than that of a lowly servant. Renuka now finds out that Aarti, Gopinath, and Rakesh are not who they claim to be, but will this realization be enough to reverse the order of events, or does fate have something even worse in store for Renuka?
Ram (Manoj Kumar): In a gorgeous place stays a sanyasi – a religious minded young man who runs away from the wedding nuptials.
Aarti (Hema Malini): Today's Menaka. Yesterday's Menaka tried to disturb Vishwamitra's communion with god and today's Menaka Aarti tries to distract Ram's mind away from his religious thoughts. She adopts many disguises and agrees to do what one least expects a noble, attractive, and good girl like her to attempt.
Renuka Devi (Sulochana): Ram's mother. Her husband ruined his life while he was still young, because of drinking and womanising. Not wanting her son to be like his father, she has kept Ram surrounded by a religious atmosphere since his childhood. The result is that Ram grows up to be different from all other young men – a true sanyasi.
Girdhari and Banwari: The robbers. They have entered Ram's house in disguise as his uncle and cousin, posing as father and son. They have taken the place of Renuka Devi's brother and his son who died in a train accident. Ram's mother embraces them as her long separated brother and nephew, but does not know that these two devils are here to swindle her belongings and happiness.
Shanti Baba: A true sanyasi. Who can kill the soul that lives only to bring happiness to others? The most unforgettable screen character you will ever come across, the true sanyasi who lays down his life in order to rescue a helpless woman from the clutches of Mangal Singh.
Ishwar Baba: A fraud, a blot on the very noble tribe of a saffron-clad sanyasi. He is, in fact, evil dacoit Mangal Singh, a murderer, rapist and drunkard. But in daytime he poses as a recluse and pretends to perform miracles to impress the unsuspecting devotees.
Nominated
Music Director for all songs: Shankar-Jaikishan
| Title | Singer(s) | Lyrics | ||
|---|---|---|---|---|
| 1 | "Chal Sanyasi Mandir Mein" | Lata Mangeshkar, Mukesh | Vishweshwar Sharma | |
| 2 | "Sun Baal Bramhachari" | Lata Mangeshkar, Mukesh | Verma Malik | |
| 3 | "Bali Umariya Bhajan Karoon Kaise" | Lata Mangeshkar, Mukesh | Vitalbhai Patel | |
| 4 | "Sham-E-Furqat Ka Dhal Gaya Saya" | Lata Mangeshkar, Premnath | Hasrat Jaipuri | |
| 5 | "Choron Ka Maal Chor Kha Gaya" | Mukesh, Suman Kalyanpur | M. G. Hashmat | |
| 6 | "Jaise Mera Roop Rangila" | Lata Mangeshkar | Vishweshwar Sharma | |
| 7 | "Yeh Hai Geeta Ka Gyan" | Lata Mangeshkar, Mukesh | M. G. Hashmat | |
| 8 | "Kya Maar Sakegi Maut Use" | Manna Dey | Indeevar |