The Basilica of Saint Augustine of Hippo in Camp Martius | |
Native Name: | Latin: Basilica Sancti Augustini in Campo Martio Italian: Basilica di Sant'Agostino in Campo Marzio |
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Mapframe-Zoom: | 13 |
Mapframe-Marker: | religious-christian |
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Location: | 80 Via della Scrofa (parish office), Rome |
Country: | Italy |
Denomination: | Catholic |
Religious Order: | Order of Saint Augustine |
Founder: | Pope Boniface VIII Guillaume d'Estouteville |
Dedication: | Augustine of Hippo Tryphon |
Cult: | Madonna del Parto Saint Augustine Saint Monica |
Relics: |
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Status: | Minor basilica |
Functional Status: | Active |
Architect: | Giacomo di Pietrasanta Francesco Borromini Baccio Pontelli Luigi Vanvitelli Carlo Murena |
Style: | Roman renaissance |
Diocese: | Diocese of Rome |
Cardinal Protector: | Jean-Pierre Ricard |
Priestincharge: | Felice Perrino |
The Basilica of Saint Augustine in Camp Martius (Italian: Basilica di Sant'Agostino in Campo Marzio; Latin: Basilica Sancti Augustini in Campo Martio), commonly known as Basilica of Saint Augustine is a Catholic titular minor basilica in the Campus Martius area of Rome, Italy. Dedicated to Saint Augustine of Hippo it serves as the motherhouse of the Augustinian Friars.
First conceived in 1286, the current basilica (completed in 1483) is known for its Renaissance architecture style; housing artwork by Roman artisans Michelangelo Merisi da Caravaggio, Raffaello Sanzio da Urbino, and Giovanni Francesco Barbieri. It is also the burial site of Saint Monica, the mother of Augustine.
Pope John Paul II raised the shrine to the status of Minor Basilica via decree on 29 October 1999.
The former parish of Saint Tryphon in Posterula Church was built at this site in 700 A.D. and was originally dedicated to the martyr Saint Tryphon of Campsada. The Order of Saint Augustine was founded at the Basilica of Santa Maria del Popolo in Rome in 1244. The Augustinian friars soon desired to have their main monastery and church closer to Vatican City.[1] The Roman nobleman Egidio Lufredi donated land near here in Campo Marzio to the Augustinian friars in 1286. On 20 February 1287 Pope Honorius IV granted the St. Tryphon in Posterula Church to the Augustinian friars.
The first building structure was commissioned by Pope Boniface VIII, was built here by the Augustinian friars in 1296-1446 right next to the St. Tryphon in Posterula Church. The construction of the second (current) basilica began in 1479. It was commissioned by Pope Sixtus IV; designed by architect Baccio Pontelli (who also designed the Sistine Chapel); and funded by Cardinal Guillaume d'Estouteville.[2] Its construction was completed in 1483. Giacomo di Pietrasanta (?-1495) built its façade by using travertine salvaged from the ruins of the Colosseum. Its façade reads the following:
Its first restoration was completed in 1763 by Luigi Vanvitelli;[3] its second restoration was completed in 1870; and its most recent restoration occurred in 1998–2000.
The title of Sant'Agostino has been held by Cardinal Jean-Pierre Ricard since 2006. It is the station church of the first Saturday in Lent.
The 1606 painting Madonna of Loreto (also known as the Madonna of the Pilgrims) by Caravaggio is located in the first chapel on the left.[4] The heirs of Ermete Cavalletti (?-1602) bought the Pieta Chapel on 4 September 1603 and soon commissioned Caravaggio to paint the Madonna for their family's chapel. It was hung in 1606 at the altar in the Cavalletti Chapel (former Pieta Chapel) in place of a Pieta that was sold to Pope Paul V (formerly Cardinal Camillo Borghese).
The 1512 fresco Prophet Isaiah by Raphael is located on the third pilaster of the left nave.[5] It was part of the funerary monument of Johannes Goritz (1455–1527; also known as Janus Corycius). Isaiah holds a Hebrew scroll stating: "Open the doors, so that the people who believe may enter." (Isaiah 26:2–3) The statue Saint Anne and Virgin with Child (1512) by Andrea Sansovino is located below Raphael's Isaiah.
The 1521 sculpture Madonna del Parto (Our Lady of Childbirth) by Jacopo Sansovino is based, according to a legend, on an ancient statue of Agrippina holding Nero in her arms, is reputed by tradition to work miracles in childbirth. It is located in a niche to the right of the entrance and is surrounded by thank-offerings of flowers and candles.
The 1588 frescoes of St. John the Baptist and St. John the Evangelist by Avanzino Nucci are also here.
The 1616 ceiling fresco Assumption of Mary and three paintings by Giovanni Lanfranco are located in the Buongiovanni Chapel (in the left transept).
The 1600s painting Saints Augustine, John the Evangelist and Jerome by Guercino is also here.
The sculpture St. Thomas of Villanova Distributing Alms by Melchiorre Cafà and completed by his mentor Ercole Ferrata is located in the St. Thomas of Villanova Chapel (left end of transept). The etching Charity of St Thomas of Villanova by Cafà himself illustrates this same sculpture.[6]
The 1628 High Altar was designed by Orazio Turriani. It was previously (but erroneously) thought that Gian Lorenzo Bernini had designed it.
Its nave ceiling fresco was completed in 1868 by Pietro Gagliardi; who also made the 5 prophet pillar frescoes (including Ezekiel), 6 Old Testament women & 12 scenes from the life of the Virgin Mary.
St. Tryphon of Campsada died in AD 250 and is located under the High Altar.
Saint Monica died in 387. Her tomb was transferred here from the Santa Aurea Church in Ostia Antica, Italy on 11 April 1424. Her sarcophagus was designed by Isaia da Pisa (1410–1464) in 1455, and is now located in the Chapel of Saint Monica (left of the apse).
Norways's Archbishop Olav Trondsson died on 25 November 1474. His tombstone reads: "CVI DEDERAT SACRAM MERITO NORVEGIA SEDEM HIC TEGIT OLAVI FRIGIDVS OSSA LAPIS" (Here a cold stone covers the bones of Olav, to whom Norway rightly gave the holy chair).[7]
Cardinal Guillaume d'Estouteville died on 22 January 1483.
Cardinal Giuseppe Renato Imperiali died on 18 February 1737. Pietro Bracci designed and sculpted his polychrome tomb in 1741.[8]
The inscriptions found in the basilica have been collected and published by Vincenzo Forcella.[9]
Pope Sixtus V (1585–1590) established the titular church of a cardinal priest in April 1587.
The basilica is open daily to the general public with some restrictions: