| Sanqu | |
| C: | 散曲 |
| L: | "Literary song" |
| P: | sǎnqǔ |
| W: | san3-ch’ü3 |
| J: | saan2 kuk1 |
| Y: | sáankūk |
| Kanji: | 散曲 |
| Hiragana: | さんきょく |
| Romaji: | sankyoku |
Sanqu is a fixed-rhythm form of Classical Chinese poetry or "literary song".[1] Specifically sanqu is a subtype of the qu formal type of poetry. Sanqu was a notable Chinese poetic form, possibly beginning in the Jin dynasty (1115–1234), but especially associated with the Yuan (1271–1368), Ming (1368–1644) and Qing (1644–1912) dynasties. The tonal patterns modeled on tunes drawn from folk songs or other music.
The sanqu were literary lyrics directly related to the zaju arias: these were dramatic lyrics written to fixed musical modes or metrical forms and could contain several aria or lyric song segments in one suite. Sanqu, however, could be composed in single discrete sections. It is often said that the sanqu verses tend to reflect excess energies and resentments of contemporary disenfranchised Chinese literati, due to contemporary Jurchen and Mongol political domination. Often the poetry could be humorous as is the following anonymous lyric:
There were many forms of Sanqu during the Yuan Dynasty. These included a kind of opera (or acting and singing), dance accompaniment and instrumental accompaniment. During feasts, actors would hold lotus flowers in their left hands and, holding their goblets in the right, would sing a song of the heavy rains hitting the lotus flowers.
Both sanqu dramatic lyrics and plays enjoyed the same social milieu; for example, esteemed playwrights like Ma Zhiyuan (c. 1270-1330) and Guan Hanqing (c. 1300) were also well established writers of sanqu. This poetry was strongly influenced by the linguistics of vernacular or semi-vernacular Classical Chinese. In terms of historical transmission to modern times, textual problems abound and, this has perhaps contributed to the paucity of translations of a truly significant Chinese literary genre that expanded the limits of literary expression. The collection and printing of sanqu poetry is ongoing. Recently a Ming period collection has seen a modern edition.